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#802 : Chasse à l'Homme (2e Partie)

Titre original:
Without

1re diffusion américaine:
12 novembre 2000

1re diffusion française:
/

Réalisation:
Kim Manners

Scénario:
Chris Carter

Guest stars:
Marc Gomes (l'agent Danny Mosley), Jeff Gulka (Gibson Andrew Praise), Sal Landi (l'agent Landau), James Pickens Jr. (le directeur adjoint Alvin Kersh), Brian Thompson (le mercenaire extraterrestre), Kirk B.R. Woller (l'agent Gene Crane)...

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L'Agent Doggett prétend, au cours d'une poursuite et accompagné de Gibson Praise, avoir aperçu Mulder ou un homme lui ressemblant étrangement sauter d'une falaise sans qu'on trouve une seule trace du corps. Scully pense qu'il ne s'agissait pas de Mulder mais ses espoirs reprennent vie quand Gibson lui affirme qu'il est toujours vivant, mais captif non loin d'ici...

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Plus de détails

Dans le désert, Scully parle. Une soucoupe volante fait jaillir sa lumière sur le sable de désert créant du vent. Quelques instants plus tard, le vaisseau devient invisible.

ACTE 1
Toujours sur la montagne, Doggett arrête Mulder. Il le menace en disant qu'il va utiliser son arme contre son gré. Mulder se déplace. Doggett lui demande s'il a son arme, Mulder ne répond pas alors Doggett le supplie de se coucher sur le sol. Mulder ne le fait pas, mais il recule de quelques pas plutôt. Doggett, voyant ce qu'il veut faire, lui demande d'arrêter de reculer. Il ne le fait pas, Doggett s'avance vers lui, mais sans l'attraper. Mulder tombe de la montagne. Les autres agents dont Crâne rejoignent Doggett. Celui-ci regarde Mulder qui est tombé de la montagne. Mulder a le bras cassé et est allongé sur le sol, inconscient. Doggett et les autres vont le chercher. Mulder se réveille.

En bas de la montagne, Doggett et les autres agents sont là. Ils parlent ensemble pendant que Scully et Skinner arrivent en voiture. Doggett dit aux agents d'attendre et il s'avance vers Scully et Skinner. La première question que Scully pose c'est : "Où est Mulder ?". Doggett raconte ce qui s'est passé sur la montage et la chute dont il a fait. Maintenant, le corps de Mulder est parti. Skinner ne croit pas ce que Doggett dit à propos de la fuite de Mulder, c'est impossible d'avoir tombé de la falaise et de se relever ensuite.

Scully se tient où Mulder est tombé. Doggett veut savoir où il est. Il montre à Skinner les empreintes de chaussures à Mulder. D'après Scully, se n'était pas Mulder, il lui ressemble, mais ce n'est pas lui. Il comprend Doggett d'avoir confondu. Doggett lui demande de révéler qui est "Mulder". Elle raconte que c'est un extraterrestre et qu'il est là pour récupérer Gibson. Doggett a beaucoup de misère à avaler ça. Il lui reproche de ressembler à Mulder. Il s'en va. Skinner et Scully restent ensemble. Skinner lui demande si ce mercenaire peut prendre la forme de n'importe qui ici. Elle répond oui.,

Doggett arrive vers l'école. Toujours aucune trace de Mulder. Une petite fille les regarde. Doggett donne l'ordre de fouiller l'école à nouveau.

Mulder arrive dans un local vide. Il replace son bras cassé. Il se transforme en mercenaire. Doggett entre dans le local et voit... le directeur de l'école qui se tient là. Il lui demande de sortir.

Skinner et Scully se posent une question : "Comment Doggett s'est rendu ici ?". Ils regardent plus loin et voit la petite fille qui s'en va en vélo. Skinner voit qu'ils sont observés par l'Agent Crâne. Scully marche et Skinner la suit. Il intercepte Crâne quelques instants.

La petite fille s'enfonce dans le désert. Scully la suit discrètement. Après quelques minutes, elle voit le vélo de la petite fille par terre. Elle regarde autour et voit une trappe sur le sol. Elle la lève et trouve Gibson et la petite fille.

ACTE 2
Gibson ne voulait pas que Scully le trouve parce qu'elle va les mettre sur sa piste. Scully l'assure qu'elle est là pour le protégé. La petite fille se nomme : Téa. Scully découvre une blessure sur la jambe de Gibson, elle le soigne. Scully lui raconte qu'elle doit aller chercher une voiture. Gibson lui confie ses craintes. Il a peur d'être enlevé.

Scully : Je ne laisserai personne te faire du mal. Je te le jure
Gibson : Vous m'avez dit ça une fois.

À l'école, Doggett reçoit un appel de Kersh. Doggett lui annonce que Mulder a disparu à nouveau. Kersh ne comprend pas, surtout qu'ils sont dans le désert. Kersh met de la pression. Il est là pour faire sa job. Skinner sourit. Il révèle à Doggett qu'il est le pion de Kersh. Skinner lui dit qu'il est un bon agent et qui pourrait être directeur, c'est pour ça qu'il est là, il est une menace pour Kersh. Skinner lui demande de faire confiance à la vérité et d'écouter Scully. Il n'a qu'à employer un mot qui concerne les extraterrestres et il est viré.

Doggett demande à voir Scully. Ils communiquent au radio pour la trouver. "Elle" est dans le dortoir, mais le problème c'est que la "vraie" Scully arrive. Tout le monde est confus. Doggett demande à l'agent qui se trouve dans le dortoir de retenir "Scully". Il essaie de le faire, mais "Scully" l'étrangle. La vraie Scully arrive dans le dortoir et elle et les autres agents surprennent "Scully" entrain d'étrangler l'agent. Ils courent après elle. Ils la voient disparaître dans une pièce. Au moment où la vraie Scully allait entrer dans le pièce. Crâne sort. Il a du sang sur les doigts et Téa le voit. Elle s'en va.

Le vaisseau est au-dessus du désert. À l'intérieur, Mulder est là et il ouvre les yeux.

Dans la cachette de Gibson, celui-ci le sent et le voit dans ses rêves. Il se réveille en sursaut en criant le nom de Mulder.

ACTE 3
Une ambulance arrive. Ils amènent l'agent blessé. Doggett le regarde partir et Scully le regarde. Elle s'en va. Elle arrive à la voiture quand Skinner lui demande où elle va. Elle cherche les clés dans la voiture, Skinner lui montre et lui demande de sortir de la voiture. Scully sort du côté opposé à Skinner. Elle sort son arme et le menace, il fait de même. Scully ne croit pas qu'il est Skinner. Il laisse son arme et se tourne le dos à Scully. Il dit qu'il peut prouver que s'est bien lui en révélant son secret. Elle s'avance vers lui toujours en le menaçant. Skinner la désarme. Il ne veut pas braquer une arme sur une femme enceinte et il ne veut encore moins qu'elle le braque sur lui. Scully lui demande ses clés, il veut savoir ce qu'elle veut en faire. Ils doivent sortir de cette situation. Skinner lui demande de penser à elle. Elle commence à pleurer.

Scully : Tout ce que je sais c'est que je ne veux pas risque de ne plus le voir.

Scully lui révèle qu'elle sait où se cache Gibson. Elle veut aller le chercher. Skinner va conduire, mais ils y vont ensemble.

La voiture avance vers la cachette de Gibson. Scully sort de la voiture ainsi que Skinner. Elle lève la trappe et ne voit personne. Elle l'appelle sans résultat. Tout d'un coup, elle le voit. Elle s'avance vers lui. Il regarde le ciel.

Gibson : Il est là. Je l'entends très bien.
Scully : De qui tu parles ?
Gibson : Mulder, il n'est pas loin d'ici. (plus tard) Ils sont tout près maintenant.

Elle vérifie la température de Gibson. Ils doivent l'amener à l'hôpital car il fait de la température et il se peut que sa jambe soit infectée. Skinner l'amène. Scully reste là et regarde le ciel espérant voir Mulder.

Skinner arrive avec Gibson, tout de suite, il est placé dans une chambre. Gibson dort, quand tout à coup, il se réveille. Il regarde à la porte de sa chambre et voit "Téa". Skinner lui demande de se coucher.

Dans le désert, Scully cherche Mulder. Elle l'appelle. La musique de Mark Snow joue derrière. Scully est plein d'émotion. Elle veut tellement le retrouver. Elle voit une lumière dans le ciel. Elle reste là et la regarde.

Scully : Ah mon Dieu !

ACTE 4
Scully regarde toujours la lumière. Mais on entend que c'est un hélicoptère. Elle est déçue. L'hélicoptère se dépose et Doggett sort et le rejoigne. Il ne croit pas que Mulder ait réussi à faire croire à Scully toutes ses affaires sur les extraterrestres. Des affaires qu'il a vues aujourd'hui. Doggett l'accuse de lui mentir. Il sait que Skinner a amené Gibson a l'hôpital. Les agents de Doggett ont suivi Skinner. Elle n'en croit pas ses oreilles. Doggett a donné l'ordre de contrôler tous les allés et venus des gens.

Scully : Comment savez-vous que ce sont vos hommes ?

Doggett devient tout à coup muet. Il n'a jamais pensé à cette possibilité. Ils entrent dans l'hélicoptère. La vaisseau est là. L'hélicoptère passe juste à côté.

Dans le vaisseau, Mulder est effrayé. Il hurle le nom de Scully.

Ils arrivent tous à l'hôpital. Un agent de Doggett révèle à Scully que personne n'a passé. Elle n'est pas sûre. Elle demande à Doggett s'il est sûr lui. Il ne répond pas. Doggett se dirige vers la chambre de Gibson. Scully le couvre. Doggett ouvre la porte, Gibson et Skinner ont disparu. Tous les agents se mettent à les chercher. Scully entre dans toutes les chambres. Doggett ne comprend plus rien. Personne ne peut sortir de la chambre sauf par la porte. Doggett entend des craquements venant du plafond. Il lève la tête.

Scully fouille toujours dans la chambre. Skinner ouvre la porte et lui dit qu'il a Gibson avec lui. Ils ont passé par le plafond pour arriver là. Il lui demande d'entrer.

Dans la chambre de Gibson, Doggett vérifie ce qu'il y a au plafond, c'est Skinner. Il a les yeux bouchés.

Scully regarde discrètement dans la chambre pour voir si Gibson est là. Le petit lui fait un non de la tête. Skinner la prend par le bras et la fait entrer. Il la soulève au bout de ses bras et la lance sur le mur. Elle se relève et tire sur "Skinner". Elle s'effondre en pleurant.

En entendant le coups de feu, Doggett et les agents se rendent dans la chambre. Il voit Scully couchée sur le sol entrain de pleurer tandis que l'extraterrestre est entrain de se décomposer. Doggett s'avance vers elle et la prend dans ses bras.

Doggett est dans le bureau de Kersh et celui-ci est entrain de regarder une photo de la décomposition de l'extraterrestre et demande la confirmation que c'est des produits chimiques de l'hôpital. Doggett n'en sait rien. L'explication est indéterminée. Kersh lit le rapport de Doggett et n'en revient pas ce qu'il lit. C'est une affaire non classées. Il donne le dossier à Doggett et dit qu'il doit trouver les réponses.

Doggett lui amène une carte provoquant son réveil. Doggett donne des nouvelles à Scully de Skinner, de Gibson et de l'Agent blessé. Il lui annonce qu'il est désormais aux affaires non classées et qu'il devient son partenaire. Scully est très surprise. Doggett lui promet qu'il va le retrouver. Scully comment à pleurer.

Dans le vaisseau, mes mercenaires s'approchent de Mulder qui est toujours attaché à sa chaise. Ils le regarde.

FIN

Source : X-Files 1013
Without 8x02 (8xAB02)





ANNOUNCER: (Chris Carter?) Previously on the X-Files...

(Under KERSH's line we see scenes from last week, SCULLY looking at herself in the
mirror, SKINNER looking up at the UFO that took MULDER in Requiem, SKINNER
and SCULLY in KERSH's office.)

KERSH: You and AD Skinner are the two primary witnesses to Mulder's
disappearance. I want your statement taken ASAP.

SKINNER: Taken by who?

KERSH: My task force leader on this, Special Agent John Doggett.

(DOGGETT is sitting in the bullpen just as SCULLY turns over his badge to read his
name.)

(SKINNER is talking to the LONE GUNMEN.)

SKINNER: Look, if we knew where that ship was going we've got a chance to find
Mulder.

(CUT TO: MULDER screaming as the mouth drill penetrates his soft palate.)

(SCULLY is with the GUNMEN and SKINNER having her "revelation.")

SCULLY: It just came to me... why they took Mulder, why they're in Arizona. They're
looking to find the whereabouts of a boy named Gibson Praise.

(DOGGETT looks at the picture of GIBSON PRAISE that was slipped under his door.)

(GIBSON PRAISE walks into one of the schoolrooms.)

(In Arizona, DOGGETT's irritating aide, AGENT CRANE, is on the radio to
DOGGETT.)

AGENT CRANE: We've just confirmed a location on this kid. He's at a school for the
deaf in a place called Flemingtown.

(DOGGETT hears the report, then we see him hurriedly enter the school.)

DOGGETT: (to the PRINCIPAL) Keep an eye out the window. (notices SCULLY
and SKINNER) What are you doing here?

SCULLY: What are you doing here?

DOGGETT: Trying to find Mulder.

(Outside, GIBSON PRAISE is walking quickly away from the building. As he rounds a
corner he stops and looks up in fear at a tall man in a gray t-shirt. We cannot see them
man's face.)

NEW STUFF

(Under SCULLY's voiceover, camera pans over the nighttime desert. A bright light
illuminates a spot on the ground. A slowly rotating angular aircraft beaming the light
from its belly hovers above the ground, stops several yards from the sand, then the light
goes out and the craft shimmers into invisibility.)

SCULLY: (voiceover) We live in a darkness of our own making... blind to a habitant
world all but unseen by us. A world of beings traveling through time and space
imaginable to us only as flights of fancy. Who are these beings we dare to imagine but
fear to accept? What dark work goes on inside their impossible machines... cloaked from
us by invisible forces? If they know our secrets, why can't we know theirs?

Opening Credits
Mulder … Whoo.
Scully rocks.
Doggett … woof!
No tagline change - The truth is out there.




(Camera pans across the desert. At the edge of a cliff we hear and see GIBSON PRAISE
being led by a tall man in a gray t-shirt.)

GIBSON PRAISE: Stop it! Please! Let me go! Stop it! Let me go! Let me go!

(DOGGETT catches up to them and holds his gun on the man.)

DOGGETT: Let the boy go! Let him go, Mulder!

(The man is MULDER, but his face is blank and expressionless.)

DOGGETT: Let him go, or I will be compelled to use my weapon. Now, I don't want
to do that, Agent Mulder. I don't want to shoot.

("MULDER" casually releases GIBSON PRAISE's arm. GIBSON PRAISE runs away.
"MULDER" walks few steps toward the edge of the cliff. DOGGETT follows.)

DOGGETT: Now, are you armed? Come on, damn it. This is just stupid, Agent
Mulder. Don't turn this into a movie. Just tell me if you've got a gun. It's too hot for this
B.S. (no response) All right, then, lie down. Lie down on the ground. Keep your hands
out. Lay down on your belly there.

("MULDER" looks at the ground then back at DOGGETT. DOGGETT stares at
"MULDER" who looks coldly back at him. "MULDER" begins walking backward
toward the cliff.)

DOGGETT: For crying out loud, what are you doing? Agent Mulder, stay there!

(DOGGETT lowers his gin and runs toward "MULDER." The man who appears to be
MULDER deliberately and calmly falls off the side of the 100 foot cliff and plummets to
the ground below. Shocked, DOGGETT runs to the edge and looks down. "MULDER"
is lying motionless on the desert floor. DOGGETT's AGENTS, including the irritating
aide, AGENT CRANE, come running toward him.)

DOGGETT: He went over! Over the edge!

AGENT CRANE: Who?

DOGGETT: Mulder.

(They look down. "MULDER" is lying far below, unconscious, his arm and who knows
what else, badly broken. Close-up on him. His eyes open and he draws in a sudden
breath.)

(Later, on the desert floor at the base of the cliff. DOGGETT and his agents are
investigating the scene. They look a little confused.)

FEMALE AGENT: I have no explanation...

DOGGETT: Right, I'll talk to Scully. You guys head back to the school.

(An SUV pulls up beside the other trucks. SKINNER is driving. SCULLY gets out of
the passenger side and walks up to DOGGETT.)

SCULLY: Where is he? Where's Mulder?

DOGGETT: I don't know.

SCULLY: You don't know? I heard an agent say over the radio that you saw him.

DOGGETT: Oh, yeah, I saw him. I saw him back right off that cliff there and I saw
him fall right over there.

SKINNER: Then where is he?

DOGGETT: He's gone.

SKINNER: Come on, he can't be gone.

DOGGETT: Yeah, he can't be, but he is.

(SCULLY goes over to where DOGGETT indicated. SKINNER looks back up at the
huge cliff behind them. Then at DOGGETT.)

SKINNER: That cliff there? He fell from there? It's impossible... a fall like that.

DOGGETT: A cop sees things. A man drops five stories, dusts his head off and goes
back to work. An old lady gets shot point-blank in a Chinese restaurant, plucks the slug
out of her egg foo young. But even if Mulder survives this, what he does then is too
much. You got your point of impact there where Agent Scully is standing... clear and
identifiable. And a set of tracks here leading down to the wash. Look at these tracks.
What do you see?

(SKINNER looks down at the tracks.)

DOGGETT: Mulder was running.

(SCULLY walks over to them.)

SCULLY: (confidently) It wasn't Mulder.

DOGGETT: That's the one thing I'm sure of.

SCULLY: It may have looked like Mulder, but it wasn't Mulder.

DOGGETT: I told you I knew Mulder. Okay, maybe I didn't know him that well. But
I know who it was up there, and it was Fox Mulder.

SCULLY: I'm sure it did look like Mulder, and you have every reason to believe that it
was him... but it was not Mulder. (she looks at SKINNER, then back to DOGGETT) I
told you that I've seen things... things that I can't explain. Well, I have seen what looks
like a man … transform into another man.

DOGGETT: What looks like a man, but who's not a man?

(SCULLY sighs and looks at SKINNER again.)

DOGGETT: So, what is he?

SCULLY: You don't want to know.

(SCULLY begins walking away.)

DOGGETT: He's not a man? What the hell is he? Hey, don't turn your back on me.

(DOGGETT's voice stops SCULLY and she turns back to him.)

DOGGETT: (reasonably) I'm asking you a legitimate question.

(SCULLY looks at DOGGETT.)

SCULLY: He's alien.

(DOGGETT looks to SKINNER, then back to SCULLY.)

SCULLY: He's a bounty hunter.

DOGGETT: Looking to collect a bounty on...?

SCULLY: On Gibson Praise... because he's part alien. He's a human anomaly.

DOGGETT: So, this alien bounty hunter... he disguised himself as Mulder to come out
here and grab the boy?

SCULLY: (avoiding eye contact) To take him back to his ship... where we believe
Mulder is.

DOGGETT: You know, Agent Scully... you're, uh, you're starting to remind me a lot of
Agent Mulder yourself.

(DOGGETT goes to his truck.)

SCULLY: Well then, you explain it to me.

(DOGGETT ignores her and leaves. SCULLY and SKINNER are left together.)

SKINNER: If it's true or possible, what you're saying-- that there's someone like this
out there, this bounty hunter-- he could just become anyone. You, me, any damn one of
us.

SCULLY: I think that it is true. And possible. And wherever Mulder is right now... he
better damn well be smiling.

(She glances up at the sky, then walks away from SKINNER.)




(Back at the Flemingtown School. All the teachers, faculty, and students are outside,
surrounded by the FBI agents.

SECRETARY: Is this authorized?

(The fleet of SUVs pulls up. DOGGETT gets out of the passenger side of the lead
vehicle.)

AGENT MOSLEY: Right. They're here.

DOGGETT: Any sign of him? Mulder?

AGENT CRANE: Not according to these people. We went through the school.

(Together, they look at the faculty and students. One of the students, THEA, looks back
at them.)

DOGGETT: You're better than this.

AGENT CRANE: Sir?

DOGGETT: He's got to be here somewhere. Let's search the school again.

(Inside the school, "MULDER" enters an empty lab. He looks down at his broken arm.
With his other arm he sets the broken arm correctly, then with a smile morphs into the
ALIEN BOUNTY HUNTER. Nice cold-faced work by Duchovny. A moment later,
DOGGETT enters the lab and discovers … )

DOGGETT: Hello?

(… the PRINCIPAL of the school.)

DOGGETT: Sorry, I thought you were... I thought they cleared you out of here.

(The PRINCIPAL nods silently. AGENT CRANE enters.)

AGENT CRANE: Find something?

DOGGETT: (looking at the PRINCIPAL) No. Let's keep looking.

(DOGGETT and AGENT CRANE leave the room and join the team outside again.
AGENT CRANE exits the building on the radio.)

VOICE ON RADIO: Administration building is clear.

AGENT MOSLEY: (on radio) Copy, check it again.

(SKINNER and SCULLY are together near the cars.)

SKINNER: What I want to know is how Doggett got out here. How did he even know
where we were going?

SCULLY: I don't know. But he's going to turn this place upside down looking for the
wrong person.

SKINNER: What happened to Gibson Praise?

SCULLY: Well, whatever happened to him, he's long gone. Wherever he is, he's three
steps ahead of us.

(SKINNER nods to the girl, THEA, who is getting on a bicycle at the edge of the
property. As she rides off, SKINNER looks at AGENT CRANE as he comes out of one
of the doors of the building behind them.)

SKINNER: Don't look now but we've got a pair of eyeballs on us. Just start walking,
I'll be right behind you.

(SCULLY and SKINNER walk around the corner of the building beside them. AGENT
CRANE runs after them. As he round the corner, he finds only SKINNER. SKINNER
firmly commands the man's attention. Scully is nowhere in sight.)

SKINNER: Can I talk to you for a minute?

(CUT TO: SCULLY is following THEA through the desert. Not bad for a fair woman
with no water in 3-inch heels following a teenager on a bicycle. SCULLY loses sight of
the girl. She stops, shades her eyes and looks around. She steps on something that makes
her look down. It is flexible and echoey. She uncovers a sand covered wooden trapdoor
with a rope – (CarriK – how did the trapdoor get recovered with sand?) Inside the area
beneath the trapdoor, SCULLY finds GIBSON PRAISE, sitting, and THEA.)

GIBSON PRAISE: (accusing) You shouldn't have come here.

(Commercial 1.)




GIBSON PRAISE: You shouldn't have come. You'll lead them to me.

[CarriK: Hmm. Gibson's voice has changed. He must have hit puberty sometime in the
last two years.]

SCULLY: I'm here to protect you, Gibson.

(SCULLY sighs deeply as she comes closer to the children.)

SCULLY: I know you know that's the truth. I know you know my thoughts.

GIBSON PRAISE: I know they took the man you work with … Mulder. And now,
they've come to take me.

SCULLY: (coming closer, gentle) The only reason they want to take you, Gibson … is
because you're a special boy. They want to take you because of what you are.

(THEA's voice is intelligible, but her pronunciation is that of someone who has been deaf
all her life. She signs along with her words as she speaks to GIBSON PRAISE. There is
an old Oklahoma license plate on the wall behind him - #00-0000.)

THEA: I'm sorry. I didn't know that someone was following me.

GIBSON PRAISE: My friend Thea knows. She's the only one at school I've told. She
says the FBI is looking for me, too. She's afraid for me.

SCULLY: She has a right to be afraid. We don't know who to trust now.

(GIBSON PRAISE winces and looks down at his leg. SCULLY lifts the cloth covering
the nasty wound.)

GIBSON PRAISE: I fell when I was running away.

SCULLY: I think you might have broken it, Gibson.

GIBSON PRAISE: If they find me, they'll take me. I know it. I've always known it.

SCULLY: I'm going to make you a splint, Gibson, okay? I can set your leg, but, uh...
I'm going to need a car to get you out of here. (SCULLY rises and breaks off a couple of
pieces of wood from a crate.) I'm going to come back for you. I promise. I'm not going
to let anything bad happen to you.

[CarriK: Aiiieeee!! No, Gibson, don't let her protect you!!!]

GIBSON PRAISE: You said that to me once before.

(Guilty, SCULLY looks away from him and begins splinting his leg.)




(Bright lights. They are headlights. At the school. Night. DOGGETT is still directing
the agents around him. Agents are getting into trucks and driving away, continuing the
search for GIBSON PRAISE and MULDER. A cell phone rings. AGENT MOSLEY, a
young efficient agent, answers it.)

AGENT MOSLEY: (on phone) Yeah?

(AGENT MOSLEY listens, then hands the phone to DOGGETT.)

AGENT MOSLEY: Deputy Director, for you.

DOGGETT: (on phone) Yeah, this is John Doggett.

KERSH: (on phone) Agent Doggett, I'm getting reports from Arizona...

DOGGETT: (on phone) Yes, sir.

KERSH: (on phone) ...That you found Agent Mulder.

DOGGETT: (on phone) I'm afraid somebody jumped the gun on that. I saw him, sir,
but I...

KERSH: (on phone, threatening) What do you mean, you saw him? What the hell is
going on out there?

DOGGETT: (on phone) Well, we're 'round the clock here. I've got local SAR, a
rolling ground cordon and an eye in the sky. We're on top of the situation.

KERSH: (on phone) How does the FBI find a man and then lose him in the middle of
the desert? 'Cause I'd like to know. (pause) Agent Doggett, are you there?

DOGGETT: (on phone) Yeah. I heard the question.

KERSH: (on phone) I put you in charge out there, Doggett. Now do the damn job.

(DOGGETT clicks the phone off dejectedly, [CarriK: One might say that he might be in
… the Doghouse.] He looks over at SKINNER, still dressed casually. SKINNER is,
well, smirking. DOGGETT is offended.)

DOGGETT: This amuse you? I amuse you?

SKINNER: No. It just made sense to me. How you found your way out here. Who led
you to Gibson Praise.

DOGGETT: You think I was spying on you?

SKINNER: No, but I think our new Deputy Director was. You're being made a pawn
in a rigged game.

(DOGGETT looks at him a moment, then indicates for SKINNER to walk apart with
him. Two manly-men talking about manly things.)

DOGGETT: All right, you've painted me the picture, now put it in a frame.

SKINNER: All right. You've got a good rep, Agent Doggett. You don't compromise,
you don't quit. You're a damned good FBI agent-- best of the best. Lot of guys put you
in the Director's chair one day. Which is why you've been set up to fail. There's no
amount of search and rescue or rolling cordons or eyes in the sky that are going to turn up
Mulder. It's just the wrong approach.

DOGGETT: It's not a question of approach. It's the only approach I got.

SKINNER: The only way you're going to find Mulder is to give into the truth. To
listen to Scully. But even then... say you did find him, even then you lose. You put
anything about aliens or UFOs or alien bounty hunters in your report... Kersh will ruin
you. I'm betting that was his plan.

(Long pause. DOGGETT stares at SKINNER, then raises his voice to be heard by the
five or so agents lounging around another truck.)

DOGGETT: Is Agent Scully here? Where's Agent Scully?

(AGENT MOSLEY snaps into action and pulls out his radio.)

AGENT MOSLEY: (on radio) I need someone who's with Agent Scully to put her on a
radio. Someone... with Agent Scully.

(CUT TO: In the dormitory building, AGENT LANDAU looks around the agents
around him. He sees a man come out of the bathroom, [CarriK: the Principal?] and walk
toward him. He looks away for a moment.)

AGENT MOSLEY: (voice on radio) Anyone got a twenty on Agent Scully? Is anyone
out there with her?

(When AGNET LANDAU looks back toward the man walking toward him, he now sees
SCULLY.)

AGENT LANDAU: (on radio) I'm with Agent Scully.

(CUT TO: Outside at the trucks.)

AGNET MOSLEY: Then who's this?

(MOSLEY looks up at someone walking toward them from the desert. It is SCULLY,
looking tired. She did just spend a few hours in the desert.)

AGENT LANDAU: (voice on radio) Go for Agent Scully.

SCULLY: (reacting to the three men staring at her) What?

(DOGGETT doesn't take his eyes off of SCULLY.)

DOGGETT: Give me the radio.

(MOSELY hands DOGGETT the radio.)

DOGGETT: (on radio) You're with Scully?

(CUT TO: Dormitory. AGENT LANDAU is still with the WOMAN WHO LOOKS
LIKE SCULLY.)

AGENT LANDAU: (on radio) Right across the room from her.

(CUT TO: Outside with the trucks. SCULLY is suspicious.)

SCULLY: From who? From me? Where?

DOGGETT: (on radio) What room? Where are you?

(CUT TO: Dormitory.)

AGENT LANDAU: (on radio) Bunkhouse. We're in the dorm.

(CUT TO: Outside.)

SCULLY: Tell him to hold her. Tell them not to let her out of his sight!

(SCULLY begins running toward the building. The others follow.)

DOGGETT: (on radio) Hold Scully. We're coming to you.

(CUT TO: Inside the dormitory. AGENT LANDAU approaches the WOMAN WHO
LOOKS LIKE SCULLY as she walks away from him.)

AGENT LANDAU: Agent Scully--

(The WOMAN WHO LOOKS LIKE SCULLY grabs AGENT LANDAU by the neck.
She only uses one hand. It looks pretty painful. He can't breathe and blood is drawn as
he chokes. Her face shows no emotion, just like MULDER on the cliff earlier with
GIBSON. She lets go and runs through the crowd of agents as SCULLY, DOGGETT
and the others burst into the dorm.)

SCULLY: Hey!!

(They all chase the WOMAN WHO LOOKS LIKE SCULLY, catching only glimpses.)

SCULLY: There she is. Do you see her?

(SCULLY sees her go into the bathroom. As SCULLY runs to the door, she stops when
she sees her reflection in the door mirror. She stares at herself for a moment. AGENT
CRANE comes out of the room.)

SCULLY: Where did she go? Did you see her?

AGENT CRANE: No.

SCULLY: She ran right back here. I saw her.

(SCULLY looks back at DOGGETT.)

SCULLY: You saw her.

(DOGGETT doesn't answer. SCULLY goes over to AGENT LANDAU who is
wounded and gasping for breath on the floor. SCULLY begins trying to treat him.)

SCULLY: Agent... Can you breathe?

(AGENT LANDAU looks up at her and begins heavy panicked breathing. SCULLY
backs away out of concern for the man.)

SCULLY: He thinks it was me. He thinks that I did this to him. (to DOGGETT) How
is that possible?

(SCULLY looks around at everyone in the room.)

SCULLY: It's someone in this room.

(SCULLY walks away from them all. Camera focuses on THEA staring at someone.
Cut to this person's hand covered in blood, then pan up to reveal that it is AGENT
CRANE, DOGGETT's assistant. THEA, nervous, backs away and leaves the room.)




(Shot of invisible alien ship in the desert. We see MULDER on the alien operating table
through a blurred camera lens. His face is still stretched by the clamps. His eyes fly
open.)

(CUT TO: GIBSON PRAISE waking up suddenly in the underground bunker.)

GIBSON PRAISE: (gasping) Mulder!

(GIBSON PRAISE gasps for breath.)

(Commercial 2.)




(Siren wails as an ambulance arrives and AGENT LANDAU is wheeled out into it.
DOGGETT watches. SCULLY watches, then head down, heads toward one of the
trucks. SKINNER follows her.)

SKINNER: Agent Scully. Where are you going?

(SCULLY ignores him and gets into the truck and locks the door. SKINNER comes to
the window.)

SKINNER: Agent Scully.

(SCULLY feels frantically under the floormat. SKINNER holds up the car keys for her
to see.)

SKINNER: (calmly) Get out of the car.

(SCULLY looks at him, then gets out the passenger side.)

SKINNER: Agent Scully!

SCULLY: Who are you?

SKINNER: Who am I?

(SCULLY pulls her gun on SKINNER. A second later he pulls his on her.)

SCULLY: Drop your weapon and turn around.

SKINNER: I won't turn around.

SCULLY: Just do it! I know how it works-- kill shot to the back of the neck.

SKINNER: Scully, you're pointing your weapon at a friend.

SCULLY: Turn around, or I'm going to assume that you're not who you say you are.

SKINNER: Scully, it's me! Skinner!

(Long pause. SKINNER lowers his weapon and turns around.)

SKINNER: I can prove it. I know your secret-- who else knows it?

SCULLY: (still pointing the gun) Okay... then tell me.

SKINNER: You tell me. How do I know it's you?

(SKINNER suddenly turns and takes SCULLY's weapon from her hands. They both
breathe heavily.)

SKINNER: I don't like pointing guns at pregnant women any more than I like them
pointing guns at me.

(Tense moment, he hands her gun back to her.)

SKINNER: This has gone too far, Scully.

SCULLY: No. That's what's wrong here. It hasn't gone far enough. I need those car
keys.

SKINNER: And what do you think you're going to do?

SCULLY: (tearing up) Look, we are being hampered here by the FBI, by John
Doggett, by doubt, by our own mistrust. Whatever it is, it is working... as long as we let
it.

SKINNER: You told me Mulder wouldn't allow it. Wouldn't let me ruin my career
over this. Over him. But what about you, Scully? I mean, my god, you've got even
more at stake.

(SCULLY's voice is cracking. She is barely holding back tears.)

SCULLY: I-I can't take the chance that I'm never going to see him again.

SKINNER: Mulder could just come walking out of the dark-- we don't know.

SCULLY: Look... we've got one last chance here waiting for us out there in the desert--
Gibson Praise. It may just be who gets to him first.

SKINNER: Get in the car. I'll drive.

(With SKINNER driving, they leave in the SUV. THEA(?) watches them go.)

(Later in the desert, flashlights in hand, SCULLY and SKINNER get out of the truck and
go to the trapdoor.)

SCULLY: Gibson!

SKINNER: He's not down there.

SCULLY: I told him to stay here. He was supposed to stay here. (yelling) Gibson!
(she sees something a few yards away) I found him.

(They run toward GIBSON PRAISE sitting on the desert floor staring at a section of the
desert.)

SCULLY: Gibson. What are you doing out here? Why didn't you answer me, huh?

GIBSON PRAISE: (weakly) He's here. I hear him.

SCULLY: (glances up at SKINNER) What are you talking about?

GIBSON PRAISE: Mulder. He's somewhere out there.

(SCULLY feels his forehead.)

SCULLY: He's got a really bad fever. I think his leg might be infected.

SKINNER: All right, we got to get you to the hospital, okay, buddy?

GIBSON PRAISE: (to SCULLY) You're so close now.

(SKINNER has crossed over to GIBSON PRAISE and gently lifts the boy into his arms.)

SKINNER: I'll carry you. Put your arm around my neck. Watch your legs.

(As SKINNER heads back to the truck, he realizes SCULLY is not following. She is
looking off into the desert.)

SKINNER: Agent Scully.

SCULLY: You take him to the hospital.

SKINNER: What about you?

(SCULLY doesn't answer or look back. SKINNER takes GIBSON PRAISE onto the
truck.)




MacLAREN REGIONAL MEDICAL CENTER
12:48 AM

(SKINNER, still carrying GIBSON PRAISE, enters the emergency area of the hospital.)

SKINNER: I got a boy here who needs emergency medical attention.

(Hospital personnel place GIBSON PRAISE on a gurney.)

(Later, GIBSON PRAISE is resting in a hospital gown in a room. He is sleeping, but
then his eyes fly open in panic. SKINNER approaches with concern.)

SKINNER: What? Are you okay? What's wrong?

(GIBSON PRAISE's focus is on the chairs outside the open door. SKINNER looks. No
one is there.)

SKINNER: It's okay, Gibson, lie down. Lie down.

(GIBSON PRAISE's panic increases. When Skinner looks back at the door, THEA is
there. She enters. Her face is cold and emotionless. GIBSON PRAISE looks at her iun
terror as she closes the door.)




(Nighttime desert. SCULLY, alone, is walking across the sand, flashlight in hand.
Mystical woman's chanting voice music from Within is playing.)

SCULLY: Mulder!

(Her call is one of desperation. She wants an answer, but deep within she knows one is
not forthcoming. She walks several more fruitless paces.)

SCULLY: Mulder!

(No answer. She looks around. Nothing. She is alone. Despondent. Then, far above,
she sees a bright light getting closer. She looks up it in hope and awe.)

SCULLY: Oh, my god.

(More mystical chanting music.)

(Commerical 3.)




(SCULLY still looking up at the light. More mystical chanting music, then it blends into
the sound of helicopter blades as we see that the light from the craft is not the flickering
circular form we saw in the teaser, but the image of a police search light. The police
helicopter lands, and DOGGETT gets out and crosses to SCULLY. She is bummed, to
say the least but still defiant.)

SCULLY: For someone who claims he's not following me, you sure have a knack.

DOGGETT: Hey, you're where the action is.

SCULLY: What does that tell you? That I'm crazy or that I'm right?

DOGGETT: Wandering around in the desert in the dead of night, you call it.

SCULLY: You say you want to find Mulder but you won't do what it takes. You're
afraid that I'm right.

DOGGETT: I'm not afraid of anything. [CarriK: You go, Manly Man!!] Except that
maybe Mulder's got even you believing in this crap now.

SCULLY: You've seen this crap for yourself now. How do you explain what took
place today?

DOGGETT: Let me ask you something hypothetically. Now, if you were to find him
out here or this ship or this alien bounty hunter, what would you do then?

SCULLY: I know what Agent Mulder would do. He'd do whatever it took.

DOGGETT: You mean lie. Like you've been lying to me. And flout orders like you've
done every step of the way on this thing. Is that what it takes, Agent Scully?

SCULLY: Give a little, get a little, Agent Doggett.

DOGGETT: You knew where the kid was, you knew where the kid was and you
wouldn't tell me-- why?

SCULLY: What kid? I don't see any kid.

DOGGETT: You're lying to me again! Assistant Director Skinner took him from here
to the hospital.

(Pause. She steps closer to him.)

SCULLY: How do you know that?

DOGGETT: There's one thing I know for sure in this case and that's that Mulder is after
this boy Gibson Praise. Why? It beats the hell out of me. But when he goes after that
kid, my men are going to be waiting for him.

SCULLY: Your men... followed Assistant Director Skinner?

(She sighs and begins walking back toward the helicopter. DOGGETT runs after her.)

DOGGETT: Hey, where you going? Agent Scully, where you going?

SCULLY: Your men are at the hospital?

DOGGETT: They got it controlled. Nobody goes in or out of that building without
them knowing about it.

SCULLY: How do you know that they're your men?

(DOGGETT follows SCULLY. They get into the helicopter and it lifts off. As it does,
we see the shimmering of the invisible UFO only a few feet away. Inside, MULDER is
still on the evil table, fully conscious. Something is definitely over his crotch. He is
apparently aware that SCULLY is nearby.)

MULDER: (yelling) Scully! Scully!




(Inside the hospital. SCULLY and DOGGETT enter. Other agents are in the waiting
area.)

SCULLY: Where's the boy?

AGENT CRANE: Door at the end of the hall, with AD Skinner.

SCULLY: Are you certain about that?

AGENT MOSLEY: Why don't you get yourself a visual in the exterior window. The
night nurse has been checking the boy every 20 minutes-- he's fine.

AGENT CRANE: We have hospital personnel going about their business. We're just
laying back, waiting for Mulder.

SCULLY: Yeah, every minute that you wait, that boy's in danger. He's exposed.

AGENT MOSLEY: No one's getting past us, Agent Scully. No one's gotten past us.

SCULLY: You believe that, Agent Doggett?

(Long moment as DOGGETT looks at SCULLY. Then, decisively, he crosses down the
hall to GIBSON PRAISE's room. SCULLY follows, taking out her gun. DOGGETT
looks at her questioningly.)

SCULLY: (sarcastically, yet serious) Hey, if something tries to rip your throat out, I
got you covered.

DOGGETT: (knocking loudly at the door) A.D. Skinner... this is John Doggett.

(He opens the door. The room is empty.)

DOGGETT: What the hell is this? What the hell is going on?!

(SCULLY runs back out of the room toward the agents.)

SCULLY: There's no one in that room.

(SCULLY begins looking in other rooms and stairwells.)

SCULLY: I'm looking for a patient, a boy, 12 years old. He may still be in this
building.

(In GIBSON PRAISE's room, DOGGETT's agents have joined him. DOGGETT looks
at the window. He is clearly frustrated.)

DOGGETT: The window doesn't even open. How's a grown man and a boy get out of
the room except by that door?

(DOGGETT looks up at the dropped ceiling.)

(SCULLY enters another room. The bathroom door opens. It is SKINNER.)

SKINNER: Agent Scully.

(SCULLY pulls her gun on him. They speak in hushed tones.)

SKINNER: It's okay, I've got him. Gibson.

SCULLY: How did you get here? How did you get him out of that room?

SKINNER: We went up through the ceiling. I don't know who to trust.

SCULLY: Where is he?

SKINNER: He's right here. They're going to find him.

(CUT TO: DOGGETT looking up under the dropped ceiling in GIBSON PRAISE's
room. His flashlight finds an unconscious SKINNER, his eyes badly wounded.)

(CUT TO: SCULLY slowly crossing to where "SKINNER" has indicated. She sees
GIBSON PRAISE through a window. He sees her and violently shakes his head. As she
is about to react, "SKINNER" grabs her around the throat and flings her across the room
where she crashes into a glass wall. GIBSON PRAISE runs into the room to help. He
distracts "SKINNER" long enough for SCULLY to grab her gun and shoot him through
the throat.

(Out in the hall, DOGGETT and his agents, guns drawn are approaching her location.)

DOGGETT: Agent Scully!

(In the other room, "SKINNER" has fallen to the ground and (glasses and all) morphed
into the ALIEN BOUNTY HUNTER as green fluid bubbles through the bullet wound.
Then, as SCULLY and GIBSON PRAISE watch, he dissolves into toxic green fluid.
DOGGETT and the other agents enter. He first looks at SCULLY, then at the nasty
green fluid at his feet. Does he lose his first pair of shoes to green slime.)

DOGGETT: An agent needs help!

(He crosses to SCULLY and lifts her into his arms, resting her against his leg. She
begins to cry, and embarrassed covers her eyes.)

DOGGETT: (yelling out the door) I said an agent needs help!

[CarriK cries too. Mulder would be most welcome in this situation.)

(SCULLY continues to cry, hand over her face. DOGGETT holds her as best he can.
GIBSON PRAISE stand nearby. Only DOGGETT and GIBSON PRAISE stay with her
as she cries.)




(DOGGETT is in KERSH's office. KERSH is looking at hospital images from the case.)

KERSH: The best I can say is it's lucky it all happened at a hospital.

DOGGETT: Very lucky, yes, Sir.

KERSH: I assume the hazardous materials or chemicals which caused this must have
been medical.

DOGGETT: That has not yet been determined, sir.

KERSH: So much here is undetermined... as remain the whereabouts of Mulder. But
some of your … facts... like "a man falls from the cliff and disappears..." "An agent has
his throat crushed by an assailant who vanishes into thin air." This reads like a piece of
pot-boiled science fiction.

DOGGETT: You mean it reads like an X-File. But that's what you intended, wasn't it,
Sir? When you assigned me to the case.

KERSH: I'll ask the questions, John. You just give me some damn answers. (hands
him the file) Don't come back until you do.




(SCULLY's hospital room. SCULLY, badly bruised, is asleep. She wakes up as a get-
well card with rainbows and butterflies is placed in her hand. [CarriK: Oh, where is the
Superstars of the Superbowl when Scully needs it?] She looks at the card, then at
DOGGETT sitting next to her.)

DOGGETT: My dad always said it's not who wins or loses... it's who takes the worst
beating that counts.

SCULLY: That supposed to cheer me up?

DOGGETT: I thought so. But then I never did get to see your opponent.

SCULLY: And you never will. You still don't believe me.

DOGGETT: What I don't believe is how long they're keeping you here.

SCULLY: Oh, it's just some things they have to check out... make sure of.

DOGGETT: Well, I've got some things I thought you'd want checked out. A.D.
Skinner is in stable condition, resting comfortably and awaiting diagnosis and further
study. Ditto Agent Landau, his throat. Gibson Praise is right now a ward of the state but
I asked for special protections, as I assumed you would yourself.

SCULLY: What are you doing here, Agent Doggett?

DOGGETT: Keeping you apprised of the case.

SCULLY: That's not your job.

DOGGETT: It is, actually. And officially. I'm... assigned now to the X-Files.

(SCULLY does not take this well. DOGGETT looks down and begins to leave the
room.)

DOGGETT: Whatever you and I may differ on, I'll find him, Agent Scully.

(With SCULLY staring after him, DOGGETT exits.)

(CUT TO: MULDER lying on the very uncomfortable table. As the camera pans
around him, we see six ALIEN BOUNTY HUNTERs with stoic expressions step up to
surround him.)

The End

Kikavu ?

Au total, 12 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

RonanBart 
05.10.2016 vers 16h

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19.09.2016 vers 20h

stephe 
29.08.2016 vers 14h

Sonmi451 
28.08.2016 vers 11h

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HypnoChat

Sonmi451 (23:21)

J'ai jamais dit que j'avais envie de danser sur la table. lol

CastleBeck (23:21)

Je sais!

Sonmi451 (23:21)

j'ai dit que le jour où on m'entend dire que je m'ennuie, j'irais danser sur la table ^^

Sonmi451 (23:21)

mais heureusement que je prends du temps pour moi hein ^^

stanary (23:22)

Et tu m'enverras la vidéo d'ailleurs ^^

CastleBeck (23:22)

Mais, tu vois, ici, il y a des gens qui prennent les conversations en plein milieu et qu'ils interprètent à leur façon!

CastleBeck (23:22)

(qui)

Sonmi451 (23:24)

Haaa ça je sais! lol

CastleBeck (23:25)

Sur ce, moi, il parait que je dois retourner travailler (et pelleter), alors je vous souhaite une excellente fin de soirée et une bonne nuit

stanary (23:26)

Bon courage au travail
Bonne nuit et bonne fin de soirée.

Sonmi451 (23:28)

Travailles-bien !

CastleBeck (23:29)

Merci

Sonmi451 (23:35)

Sur ce j'y vais aussi.

Sonmi451 (14:23)

Bonne journée à tous! Et Joyeuse St-Nicolas!

arween (18:40)

Vous êtes nombreux à fêter la Saint Nicolas ?

Xanaphia (19:04)

En tout cas chez moi aussi ça se fête Alors bonne Saint Nicolas

arween (19:05)

Dans le sud, ça ne se fête pas du tout

Xanaphia (19:11)

Et oui c'est plutôt du nord et de l'est de la France +la Belgique, si je ne dis pas de bêtise ^^

arween (19:11)

ouais donc loin de chez moi ^^

Xanaphia (19:12)

vous avez des fêtes spéciales par chez vous ?

arween (19:13)

Non rien du tout

arween (19:13)

Ah attends si on la fête de mai.

arween (19:14)

Mais je crois que c'est juste à Nice

Xanaphia (19:14)

la fête de mai ?

mnoandco (19:14)

Oui, chez moi aussi il y a la Saint Nicolas (Nord Est) ! et le père fouettard...pour les pas gentils...ne me sens évidement pas concernée!

arween (19:15)

Honnêtement je ne sors pas beaucoup là où il y a foule alors je sais pas trop ce qu'ils font

Xanaphia (19:15)

coucou ah oui le folklore local ^^

Lolo1710 (19:27)

Saint Nicolas c'est sacré en Belgique, les primaires font un spectacle chaque année puis les autre c'est surtout pour les bonbons ?

Xanaphia (19:29)

Ou les chocolats et les coquilles

Lolo1710 (19:41)

Ouaip, un truc génial aussi mais c'est peut être que dans mon école, c'est les filles qui font régime et qui troc des bonbons contre des mandarines

Chaudon (10:31)

Nouveau sondage sur le quartier "Elementary" ! N'hésitez pas à venir voter sur le quartier et à donner vos avis sur le topic approprié !

Chaudon (10:49)

Votez dès maintenant pour la Nouvelle Photo du Mois du quartier "Elementary" !

arween (10:57)

Bonjour la citadelle ! Une grande animation vous attends sur The Night Shift, venez participer !

seriepoi (11:05)

Bonjour tout le monde ! Vous pouvez, si vous le souhaitez, venir sur le quartier "True Blood" pour commenter le (très) beau calendrier de décembre, fait par Sonmi. Merci par avance et bon dimanche à tous.

ObikeFixx (11:25)

Bonjour tout le monde! En plus du nouveau sondage, n'hésitez à venir découvrir le nouveau calendrier et la nouvelle photo du mois sur le quartier "The Last Ship"

Phoebus (14:15)

Bonjour tout le monde ! Il ne vous reste plus qu'une journée pour voter pour la voter de l'épisode 8x05 de The Vampire Diaries et pour participer à la review de cet épisode.

serieserie (16:44)

Inscrivez-vous vite pour la grande partie d'HypnoGame Arrow qui aura lieu dans 6 jours!! Rendez-vous dans les forums de l'accueil!!

arween (18:46)

Venez voir les nouveaux calendriers de The Night Shift (serie²) et Dollhouse (Xana).

emeline53 (19:24)

Seulement 2 persones pour commenter le design Noël de The Fosters ? Venez donner votre avis en plus, un sondage sur votre souhait de cadeau est en ligne !

stella (19:25)

Special spécial Noel sur le quartier Downton Abbey et sans oublier son calendrier de l'avent original

DGreyMan (22:40)

Bonsoir. Sondage dédié à "Game of Thrones" dans le quartier "Harry Potter"...

DGreyMan (22:40)

... ou le contraire ! ^^

serieserie (09:07)

Plus que quelques jours pour vous inscrire à la grande soirée HypnoGame Arrow dans les forums de l'accueil ou par MP!!!

arween (09:44)

Bonjour à tous ! Aujourd'hui nous lançons une toute nouvelle rubrique, les reviews. Rendez-vous sur la page HypnoReview ou à l'accueil pour plus d'infos Bonne lecture et bonne journée !

Titepau04 (09:49)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!

cinto (11:39)

Fans de Dallas, Friends, Petite maison , Mission impossible, venez défendre votre série préférée chez Ma sorcière bien aimée: sondage "génériques"!

grims (16:47)

Coucou à tous ! une petite visite sur les quartiers Sons of anarchy, Outlander et Vikings serait sympa de jolis calendriers de Noël vous y attendent : ) merci d'avance pour votre passage

choup37 (17:13)

Calendriers aussi chez Kaamelott, Merlin, Doctor Who, Torchwood et Musketeers

choup37 (17:14)

(c'est super ces deux onglets pour alterner entre blabla et promo)

stella (19:34)

Case 5 du calendrier de l'avent de Downton Abbey vient d'être dévoilée.

Titepau04 (22:11)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!
Et profitez-en pour voter sur le sondage ncisla!!!!

mnoandco (09:56)

Coucou! Le quartier Blacklist propose 3 calendriers totalement différents et de circonstances pour ce mois de décembre. N'hésitez pas à venir les commenter.

sabby (10:19)

Hello la citadelle !! Le quartier Friday Night Lights aurait bien besoin de visites. Personnes pour voter au sondage ni commenter le nouveau design. Venez jouer au ballon avec moi, je m’ennuie un peu tout seule là_bas

serieserie (10:19)

Allez allez, on s'inscrit pour l'HypnoGame Arrow!!

mamynicky (10:27)

'Jour les 'tits loups Un calendrier de l'Avent gourmand sur Downton Abbey et un autre musical sur Empire. Si vous êtes en retard, vous pouvez le rattraper et n'oubliez pas de les commenter. Merci

Titepau04 (10:34)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!
Et profitez-en pour voter sur le sondage ncisla!!!!

arween (13:12)

Bonjour à tous ! Une grande animation vous attends sur The Night Shift ainsi que le calendrier et le sondage. Et sur Dollhouse, il y a un nouveau calendrier qui ne demande qu'à être commenté

roro73 (15:22)

Bonjour Nouveau sondage et nouvelles PDM sur Wildfire. Venez nous voir, on s'ennuie un peu =P

mamynicky (19:11)

Edgemont a besoin de clics sur son sondage. Merci

chrismaz66 (19:26)

J'y go Mamy et toujours chez Dr House le sondage Bad Boys, votez pour votre chouchou inter-séries, et quelques clics pour Torchwood qui en a bien besoin, merci

Rejoins-nous !

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