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Script vo du 703

Ce script VO a été migré dans le guide de l'épisode.

OPENING CREDITS

Scene: SGC
Sam, Hammond and Young O'Neill are a still in the room on the base. Sam is =
looking
at Jack's security ID and for the record, his name is listed as O'Neill, Jo=
hn J. I can't
quite make out the birth date on the VCR recording...sorry. The Sergeant wh=
o had left
earlier, returns and hands the boy a cup.

YOUNG O'NEILL: \"Finally.\" (He stands up to accept the cup and his pants sta=
rt falling
down. He hikes them back up. He takes the cup from the Sergeant and then ta=
kes a
sip.) \"Hot chocolate? Are you kidding?\"

CARTER: (referring to the ID) \"Where did you get this?\"

YOUNG O'NEILL: (sets the cup down on the bedside table) \"I didn't...\" (he h=
as to hike
his pants up again) \"I didn't get it anywhere. It's mine.\"

CARTER: \"Because you're Colonel O'Neill.\"

YOUNG O'NEILL: \"Exactly.\" (Sam's nods slightly, like riiightt...) \"Look, la=
st night, I ate
some dinner, had a beer, went to bed and woke up like this. Now can we plea=
se just
get to the part where you and Fraiser run some tests, find a cure and make =
me big
again?\"

Just then, Daniel walks in and stands beside Sam.

JACKSON: \"This is the security breach?\"

YOUNG O'NEILL: \"Daniel...will you tell them who I am...please?\"

JACKSON: \"Okay...love to...who are you?\"

HAMMOND: \"This young man claims he's Colonel O'Neill.\"

JACKSON: \"It's a joke, right?\" (Sam smiles and nods her head no) \"What's go=
in' on?\"

YOUNG O'NEILL: (frustrated) \"Daniel!\"

JACKSON: \"Sounds like him...at least the loud, grating parts.\"

YOUNG O'NEILL: \"Okay...you want proof? Carter, you once carried a Tok'ra na=
med
Jolinar, who gave her life to save you. Daniel, until recently, you were an=
ascended
being. Ya broke the rules. Ya got yourself kicked outta the Oma Desala fan =
club and
had your memory erased.\" (Teal'c has now walked past General Hammond to sta=
nd in
front of Young O'Neill) \"And you and Bra'tac both just lost your snakes in =
a Goa'uld
ambush. Had your tretonin yet this morning?\"

Young O'Neill and Teal'c stare at each other for several seconds. Then Teal=
'c turns to
the others.

TEAL'C: \"How could this child possess such knowledge?\"

Sam shakes her head to say \"no clue\". Daniel frowns for the same reason.

YOUNG O'NEILL: \"Because...it's...me.\" (He has to hike his pants up again.)


Next we see the four heading out of the room where Young O'Neill is being h=
eld.

HAMMOND: \"Would anyone care to speculate how a boy could be aware of our mo=
st
classified information?\"

They have stopped in the hall just a short distance away.

CARTER: \"Well, Sir...it could be him.\"

JACKSON: \"There is a physical resemblance.\"

HAMMOND: \"But he can't be more than 15 years old. Are you saying Colonel O=
'Neill
has, somehow, regressed more than 30 years overnight?\"

JACKSON: \"Stranger things have happened...\"

TEAL'C: \"Name but one.\"

JACKSON: \"Well, there was the time he got really old, the time he became a =
caveman,
the time we all swapped bodies...\"

HAMMOND: (holding up his hand) \"Why don't we move on to the testing portion=
of
this exercise?\"


Scene: SGC - Briefing Room

Janet, Teal'c, Hammond, Sam and Daniel are seated around the conference tab=
le.

HAMMOND: \"Are you certain, Doctor?\"

FRAISER: (looking at a report on the table in front of her) \"Initial tests =
show that within
an acceptable margin of error, the boy's DNA is virtually identical to Colo=
nel O'Neill's.\"

CARTER: \"What size margin of error are we talking about?\"

FRAISER: \"Very small. In a court of law, the DNA sample we took from the bo=
y would
be considered a high-probability match to the DNA we have on file from Colo=
nel
O'Neill. There is a...tiny abnormality, but for all intents and purposes...=
it's him.\"

JACKSON: \"Tiny abnormality? Like the fact that he's suddenly quite a few ye=
ars
younger than he's supposed to be?\"

FRAISER: \"To be honest, this is out of my league. We've got some specialist=
s flying in.
We're going to run more tests, see what we can learn.\"

HAMMOND: \"In the meantime, I suggest we try to make him as comfortable as
possible.\"

CARTER: \"I'll go set up a PlayStation.\"


Scene: SGC - Cafeteria
Young O'Neill is sitting down at a table. He pours some milk. Teal'c and Sa=
m join him
at the table. Both are smiling.

YOUNG O'NEILL: \"You know, uh, I think you two are enjoying this just...a li=
ttle too
much.\"

CARTER: \"Well...you are kinda cute.\"

YOUNG O'NEILL: \"That's \"Sir\" to you.\" (Sam loses the smile rather quickly) =
\"And being
trapped inside a scrawny little body isn't my idea of cute, Carter.\"

TEAL'C: \"Does possessing a younger body not have certain advantages, O'Neil=
l?\"

YOUNG O'NEILL: \"No. Not seein' it. What do you mean?\"

TEAL'C: \"Do you not experience increased health and vitality?\"

YOUNG O'NEILL: \"My \"vitality\" was just fine, thank you.\"

CARTER: \"I think what Teal'c is saying is valid. How many of us wouldn't tr=
ade
everything for the chance to be young again...live our lives over?\"

YOUNG O'NEILL: \"Yeah, well, I don't plan on staying like this.\"

CARTER: \"Well, in the meantime, may I make a suggestion? Try enjoying this =
as much
as we are...Sir.\"


Scene: Jack's House
Teal'c, Sam, Daniel and Young O'Neill enter through the front door. Teal'c =
heads into
the kitchen. Sam and Daniel walk to the dining table to find the table a me=
ss with old
food containers and beer bottles. Young O'Neill follows them in. Sam picks =
up a
Chinese food box and sniffs lightly. She wrinkles her nose and sets it back=
down.

JACKSON: \"Well, it's nice to know some things don't change.\"

YOUNG O'NEILL: \"I wasn't exactly expecting visitors.\"

CARTER: \"We'll have this stuff sent back to the lab for analysis.\"
YOUNG O'NEILL: \"Well, if they find MSG, I will never order from them again.=
\" (Sam
smiles, slightly) \"Come on, what are we doing here, exactly?\"

JACKSON: \"Well, this is the last place you remember being...\"

YOUNG O'NEILL: \"Older?\"

Teal'c, who has been looking through the refrigerator, pipes up.

TEAL'C: \"Are you conducting some sort of scientific experiment, O'Neill?\"

YOUNG O'NEILL: \"Hey, come on, that salsa's still good.\"

He heads into the kitchen and takes a container from Teal'c. He puts the co=
ntainer
back in the refrigerator. He grabs a beer from the frig and twists the top =
off. Just as
he is tipping it to his mouth, Sam reaches out and takes the bottle away.

CARTER: \"What was the last thing you ate, Sir?\"

YOUNG O'NEILL: \"Four cheese burrito, some guacamole on the side...\"

JACKSON: \"Anything else?

YOUNG O'NEILL: \"A beer. Then I hit the sack.\"

CARTER: \"So, whatever happened to you must have occurred once you were asle=
ep.\"


Scene: Jack's House - Bedroom
Young O'Neill is standing in the doorway as his teammates are looking throu=
ghout
the room. Daniel is looking through Jack's chest of drawers. Young O'Neill =
rushed to
him when he starts to take the underwear out of the drawers.

YOUNG O'NEILL: \"Hey! Do you mind?\"

Daniel puts his hands up in concession and walks away. Young O'Neill follow=
s him
and then veers off toward Teal'c, who is looking at something on shelves.

YOUNG O'NEILL: \"Teal'c...\"

Suddenly, Teal'c turns on a lamp, which shines right in O'Neill's face. We=
see a flash
of light, some green dots floating around and then an Asgard face come into=
the
picture. Young O'Neill has just had a flashback.

YOUNG O'NEILL: \"Whoa...\"

Teal'c turns his head slightly toward Young O'Neill. Daniel also diverts hi=
s attention to
the boy.

TEAL'C: \"O'Neill...\"

JACKSON: \"What is it?\"

Sam's attention is now drawn to them as well.

YOUNG O'NEILL: \"Either I'm...remembering a particularly bad dream...or the =
Asgard
paid me a little visit last night.\"


COMMERCIAL BREAK


Scene: SGC - Briefing Room
Hammond and SG-1 are sitting at the conference table. Young O'Neill is tapp=
ing his
finger on the table and looking quite bored.

HAMMOND: \"No offense, but what you're saying doesn't make any sense.\"

JACKSON: \"Jack's account sounds like a number of UFO abduction case files I=
've read.\"

YOUNG O'NEILL: \"This you remember...my birthday you forget.\"

JACKSON: \"Looks like you'll have a lot more...\"

TEAL'C: \"This encounter is incongruous with all previous contact we have ha=
d with the
Asgard.\"

CARTER: \"Thor has indicated that the Asgard have been keeping an eye on hum=
an
development on Earth in the past.\"

HAMMOND: \"But we're allies now. We've cooperated with them on a number of
missions.\"

YOUNG O'NEILL: \"This...I would not have agreed to.\"

CARTER: \"What could they possibly hope to gain from secretly making you you=
nger
against your will?\"

YOUNG O'NEILL: (thinks for a second, then shakes his head) \"I got nothing.\"=


JACKSON: \"General, uh, I'd like to cross-reference some of these old abduct=
ion
accounts. See if I can find any connection.\"

HAMMOND: \"Please do. Major, I believe you had a briefing to run at 1300 hou=
rs...\"

CARTER: \"Yes, Sir. I'll be there.\"

YOUNG O'NEILL: \"Wait, wait, the F-302 briefing? I though I was running that=
.\"

HAMMOND: \"Given your current situation, I feel it would be best if Major Ca=
rter
handled it. I'm sure you can impart any information she needs to know to fi=
ll in the
gap...\"

YOUNG O'NEILL: \"But...I mean, I'm the one...\"

HAMMOND: (cutting him off) \"Good. Dismissed.\"

Hammond gets up and leaves. All but Jack quickly follow.


Scene: SGC - Hammond's Office
Hammond is looking through some papers when he hears a knock at the door.

HAMMOND: \"Come in.\" (Young O'Neill opens the door and steps inside.) \"Jack,=
try to
understand. Your situation puts me in a very difficult position.\"

YOUNG O'NEILL: \"Uh, General, no offense, but you're not the one who went to=
bed
watching CNN and woke up as part of the MTV generation.\"

HAMMOND: \"Which is exactly why Major Carter's going to handle that briefing=
.\"

YOUNG O'NEILL: \"Sir, I've flown the 302 more times than anyone else.\"

HAMMOND: \"Be that as it may, the bottom line is a room full of seasoned pil=
ots aren't
going to respect the opinion of a boy.\"

YOUNG O'NEILL: (rubs his hand on his forehead for a second) \"Sir, I just lo=
ok like
one...for the moment...but those men in that room need my expertise. And pl=
us, you
know, if they're gonna be working here, they're gonna...have to start getti=
n' used
to...you know...unusual things happening.\"

HAMMOND: \"Look, Jack...no one is disputing that you may continue to be a va=
luable
asset to the SGC...but under the circumstances, there's nothing I can do. I=
'm sorry.\"

YOUNG O'NEILL: \"Yes, Sir. I understand.\" (He walks to the door and then tur=
ns to look
back) \"Dumb idea...\" (he pulls the door shut as he walks out.)


Scene: SGC - Daniel's Lab
Teal'c is looking at a computer screen as Daniel looks at some books on a t=
able
behind Teal'c.

TEAL'C: \"It would appear that a great many of the Tau'ri have encountered b=
eings
from other worlds.\"

JACKSON: \"Yep, hmm...little do they know how close they are to the truth.\"

TEAL'C: \"What, exactly, are we looking for, Daniel Jackson?\"

JACKSON: \"Well, any abduction accounts that...match Jack's story, and, um, =
obviously,
anyone claiming to have physically regressed several decades overnight. We =
just need
to enter our search parameters into the database...\"

TEAL'C: \"It has already been done.\"

Daniel walks up behind Teal'c to see the list on the computer screen.

JACKSON: \"Wow...that's a lot of people.\"

TEAL'C: \"Indeed.\"

JACKSON: \"Let's see if any of these match Jack's story exactly...what he sa=
id he
saw...four green lights...\"

Teal'c continues punches in a new parameter and a new list appears onscreen=
.

JACKSON: \"That's a little more reasonable. That's interesting...of the narr=
owed down
accounts, the most recent is from...\"

TEAL'C: \"19 year ago.\"

JACKSON: \"Eight are here in the 'States. You know, if these addresses are s=
till valid,
we should go talk to these people in person.\"

TEAL'C: \"What do you hope to learn?\"

JACKSON: \"I guess we'll know when we learn it.\" He pats Teal'c on the shoul=
der.


Scene: SGC - a conference/briefing room
Sam walks in. There are a group of pilots sitting in rows of chairs facing =
a podium
and computer presentation screen. THe pilots jumpsuits have F-302 patches s=
own on
the right side of the chest.

CARTER: \"As your intel packages show, the F-302 is a space-worthy, fighter-=

interceptor aircraft reverse-engineered from Goa'uld technology. You're upc=
oming
mission has been dubbed operation blue phoenix. It'll be a live-fire combat=

simulation to test how well the 302 fares against actual death gliders.\" (O=
ne of the
pilots raises his hand.) \"Captain?\"

CAPTAIN: \"Major, according to our mission reports, you were second seat on =
the most
recent mission involving the 302.\"

CARTER: \"Yes, and that one included close combat. We'll be covering what wa=
s
learned in that encounter in this briefing.\"

CAPTAIN: \"Didn't Colonel O'Neill pilot that mission?\"

CARTER: \"Yes, as a matter of fact, he did.\"

MAJOR: (seated next to the Captain) \"The Colonel also commanded the X-302 d=
uring
both previous hyper-space window missions, didn't he, Major?\"

CARTER: \"What's your point, Major?\"

CAPTAIN: \"With all due respect, Ma'am, shouldn't Colonel O'Neill be running=
this
briefing?\"

CARTER: \"Colonel O'Neill is unavailable. However, I've prepared several com=
puters
which should help you understand how the 302 handles in combat situations.\"=


CAPTAIN: \"Major, no offense, but those aren't going to help me when I'm pul=
ling 6 Gs
in a dogfight against an alien ship.\"

CARTER: \"As you should know, Captain, the 302 has inertial dampening system=
s...\"
(she used a remote mouse to start a computer presentation on the 302, which=
is
being projected on the screen behind her) \"...which I am more than qualifie=
d to
explain in detail, so, let's just...\"

Suddenly we hear voices from outside the room. Sam and the others are distr=
acted.

YOUNG O'NEILL: (from outside) \"I just dropped by to say...Ow!\"

SF ONE: (from outside) \"Sir, please do not resist.\"

YOUNG O'NEILL: \"Hey, ease up, big guy.\"

CARTER: \"...stay focused.\"

SF ONE: (still outside) \"Relax, sir.\"

YOUNG O'NEILL: \"I'm warning you...\"

SF ONE: \"Sir, please, stay there.\"

YOUNG O'NEILL: \"Did I just say I'm warning you? Hey! Oh! All right! That's =
it! Now, I'm
mad!\"

Sam has given up and has walked to open the door to the hall where the ruck=
us is
occurring. She opens the door to find Young O'Neill pinned to the wall by t=
wo SFs.
One is pulling his arm back and bending his wrist up while the other is hol=
ding his
head up to the wall.

CARTER: \"You can release him.\"

They let him go. He pulls his arm back down and puts his hand up to check t=
he cheek
that was smashed up against the concrete wall. Then he straightens out his =
shirts and
speaks without turning to look at the two guards.

YOUNG O'NEILL: \"I'll forgo the charges for assaulting a superior officer. C=
arter...\" (He
walks toward the door and pauses when he is even with her. He whispers just=
loud
enough for them to hear) \"I could've taken him.\"

CARTER: (smiles and nods as Young O'Neill continues on into the room) \"I'm =
sure.\"

YOUNG O'NEILL: \"Sorry, I'm late.\" (He stands before the group of pilots as =
Sam follows
him in) \"What'd I miss?\"

CARTER: \"We were just covering the 302's flight capabilities.\"

YOUNG O'NEILL: (putting his hands in his pockets) \"Well, then, I'm just in =
time. Here's
what you need to know...\"

CAPTAIN: \"Major, is this a joke?\"

CARTER: \"No...this is... Colonel O'Neill.\"

YOUNG O'NEILL: (as the pilots look at each other and smile) \"I'm only gonna=
say this
once, so I'd suggest that you listen up.\"

CAPTAIN: (scoffing) \"Whatever you say...\"

YOUNG O'NEILL: \"Hey! I realize it doesn't actually say \"Colonel\" anywhere o=
n my
uniform, but it should.\"

The Captain begins to realize that Young O'Neill is the real deal. The smil=
e disappears
from his face and he looks at Sam again for confirmation. She nods in the a=
ffirmative.
The entire groups sits up a little straighter.

CAPTAIN: \"Yes, sir.\"

YOUNG O'NEILL: (takes a deep breath) \"Now...velocity is key during engageme=
nt with
a glider. Now, your instincts are gonna tell ya to floor it, because it's f=
aster and more
maneuverable, but you've got to stay in control.\" (He turns his head to se=
e the screen
behind him) \"Uh...oh, yeah...and the, uh, inertial dampeners only compensat=
e 90%
when pulling negative Gs. So the real trick is knowing your enemy so you ca=
n
anticipate their next moves.\" (The pilots are now taking notes. Young O'Nei=
ll walks
behind the podium and picks up the remote mouse. He starts the computer
presentation rolling again) \"Okay...Death Gliders 101...\"


Scene: Somwhere in the US.
Daniel and Teal'c are speaking with an older man who appears to be working =
on a
ranch. He is picking up and stacking wood. Horses can be seen in the backgr=
ound, as
can a wooden structure - a house or barn, perhaps.

MAN: \"May I ask why the United States Air Force is taking a renewed interes=
t in my
story after 26 years?\"

JACKSON: \"Well, all I can tell you is that we have some new information.\"

MAN: \"Will it prove my story true?\"

JACKSON: \"Eventually...maybe.\"

TEAL'C: \"Please, tell us what happened to you.\"

MAN: \"I was asleep in my bed, and a light appeared in my room and took me.\"=
(We
see a younger man lying on his back, floating in a white mist. The man is l=
it with blue
light.)

JACKSON: (we hear him while still seeing the flashback) \"Took you where?\"

MAN: \"Some kind of space craft I suppose. I was weightless, floating in mid=
-air.\" (We
see a bright white light directly above and illuminating the younger man.) =
\"And yet...\"

WOMAN: (the man's voice becomes a woman's voice while we still see the flas=
hback of
the younger man. A blurry, orange object is now visible above him.) \"It was=
dark,
cold...\" (Now we see Daniel and Teal'c speaking with a middle-aged woman. T=
hey
appear to be sitting at a kitchen table.) \"I couldn't move a muscle even th=
ough I was
wide awake.\"

JACKSON: \"After the light hit you, then what?\"

WOMAN: \"The devices came.\" (We see another flashback. A body is floating in=
a large
blue-lit room. There are spires shooting up all around and a large circular=
window,
similar to those we have seen on Thor's ship, in the background. The body i=
s
hovering under an orange lit device and four green-lit balls are floating a=
round the
body.) \"They were these green, glowing balls that floated around me.\"

Then we hear a man speaking Cantonese (sorry, I can't reproduce it.) Then w=
e see
Teal'c and Daniel sitting across from a Chinese man and a female interprete=
r.
INTERPRETOR: \"He said that after the small green spheres stopped scanning h=
im...\"
(The man speaks some more Cantonese) \"they left him alone for a long while.=
\" (As he
continues to speak in Cantonese, we see a young Chinese man, who appears
frightened, floating in the same location as the others had been.) \"And the=
n a voice
spoke to him, telling him not to be afraid.\" (We see Daniel, Teal'c and the=
other two
conversing again.) \"And that he would soon be safe again.\"

JACKSON: \"Could you ask Professor Wu if he actually saw who was speaking to=
him?\"

We see the young Chinese man floating again as we hear the interpreter spea=
king
Cantonese to Professor Wu. Then we see Professor Wu, present day, nod his h=
ead
once. We see the young Chinese man turn his head and look directly at an As=
gard.
Then we see a flash of white and then an exterior shot of Cheyenne Mountain=
.


Scene: SGC - Hammond's Office
Sam and Daniel are speaking with the General.

JACKSON: (referring to a book he is holding) \"All the accounts were basical=
ly
identical...they all matched Jack's version of events exactly.\"

CARTER: \"Except none of them experienced any kind of physical changes as a =
result
of the abduction.\"

JACKSON: \"No, they didn't, but everything else is bang on. Taken while slee=
ping,
floating paralysis, out of body experience...now, admittedly, all of this d=
oes sound
familiar, cliché even, if you watch enough TV...but, um, they all described=
four green
globes that seemed to defy gravity, buzzing around them like insects. Now, =
that's too
specific a detail to be a coincidence.\"

HAMMOND: \"The being that abducted them...I assume they described an Asgard =
as
well?\"

JACKSON: \"Short, big eyes, no hair, weird voice...\"

CARTER: \"The Asgard haven't responded to our attempted communications.\"

FRAISER: (coming in from behind them) \"Well...if help is coming, it better =
arrive soon.\"


Scene: SGC - Guest Quarters
Young O'Neill is playing a video game when Sam knocks at the door.

YOUNG O'NEILL: (without even looking away from the game) \"It's open.\"

CARTER: \"How are you doin'?\"

Young O'Neill pauses the game and turns around to face Sam.

YOUNG O'NEILL: \"Well...I think I'm gettin' another zit...\" (Sam smiles, sli=
ghtly) \"...and,
uh, oh, yeah...I'm still a kid. Uh, but beyond that I'm doin' just peachy, =
thanks. Why?\"

Sam hesitates. It's obvious she wants to say something, but doesn't exactly=
know
how. She moves to half-sit on the bed. He continues to slouch in the chair.=


CARTER: \"Well, Janet's just finished going over the genetic team's analysis=
of your test
results...\"

YOUNG O'NEILL: \"How bad can it be?\"

CARTER: \"You're probably not feeling the effects yet...but, something is ha=
ppening to
your body at the cellular level. Basically, your genetic structure is growi=
ng more
unstable...\"

Young O'Neill cuts her off with a sound and a shake of his head. He holds u=
p his left
hand, all four fingers touching his thumb, to indicate that she needs to co=
mpact the
story to the most important information only.

CARTER: (She closes her eyes and looks down for a second before continuing)=

\"Colonel...you're dying.\"

The camera pans in on Young O'Neill's face and fades out.


COMMERCIAL BREAK


Scene: SGC - Infirmary
Janet is taking a blood sample from Young O'Neill. Sam is close by, helping=
as she
can.

YOUNG O'NEILL: \"Honestly, I feel fine.\"

FRAISER: \"You'll start to notice symptoms as the condition worsens.\"

YOUNG O'NEILL: \"How long do I have?\"

FRAISER: \"It's hard to say.\"

YOUNG O'NEILL: \"Say it anyway...\"

FRAISER: \"Weeks...days...I don't know. You'll notice fatigue first. In the =
end, your
bodies vital organs will completely shut down.\"

CARTER: \"It's like something inside you is causing a total system failure.\"=


YOUNG O'NEILL: \"I don't get it. We helped save their skinny asses from the =
replicators
and as a thanks, they shrink me and leave me to die.\"

CARTER: \"We're exploring every option we have, Colonel. We just need you to=
hang in
there.\"
Young O'Neill smiles for a second.


Scene: SGC
Sam and Jacob are walking up the back staircase from the control room to th=
e
briefing room.

CARTER: \"Thanks for coming. I'm sure it'll help coming directly from you.\"

JACOB/SELMAK: \"How are Mark and the kids?\"

CARTER: \"Good, great, the kids are great. I'll tell them you said hi.\"

Jacob pauses as they reach the top and he sees Young O'Neill.

JACOB/SELMAK: \"I'm sorry...Sam told be what was going on, but...what could =
anyone
possibly hope to gain from this?\"

YOUNG O'NEILL: \"Can we just, uh, get on with it? I'm not gettin' any younge=
r.\"

JACOB/SELMAK: \"Well, as I told Sam, our options are pretty limited.\"

YOUNG O'NEILL: \"You come all this way just to say goodbye?\"

JACOB/SELMAK: \"At this point, I'm here to recommend we put you in stasis un=
til we
better understand your condition.\"

YOUNG O'NEILL: \"You want to freeze me.\"

CARTER: \"Colonel, we're not talking about cryogenics as we know it here on =
Earth.
The risk involved is minimal.\"

YOUNG O'NEILL: \"Yeah, well, I've been down this road with the Tok'ra before=
. No
offense, Jacob, but the last time you guys helped me out of a jam...\" (He u=
ses his
fingers to make quotation marks around \"jam\") \"...I ended up rescuing an ol=
d
girlfriend I'd never met before.\"

JACOB/SELMAK: \"We would never subject you to another blending without your =

express permission.\"

YOUNG O'NEILL: \"Good...because it's never gonna happen.\"

JACOB/SELMAK: (stepping a little closer) \"No pressure, Jack...but you need =
to make a
decision. We have a team standing by, but if you wait too long, we may not =
be able to
reverse the cellular breakdown.\"

CARTER: \"Colonel, please.\"

HAMMOND: (when Jack doesn't answer right away) \"It's your choice, Jack.\"

YOUNG O'NEILL: \"Can I have five minutes to think about it?\"

HAMMOND: \"You can have 10, Colonel.\"

Young O'Neill walks down the stairs that Sam and Jacob has ascended moments=

before.


Scene: SGC - The corridor outside the guest quarters
Sam and Daniel are walking to the quarters to find Young O'Neill.

CARTER: \"You think he'll do it?\"

JACKSON: \"If I have to drag the little tyke, kicking and screaming, through=
the 'gate
myself. I didn't come all this way to watch him die like this...\"

Sam knocks on the door just prior to opening it. We see an unconscious guar=
d on the
floor and no sign of Young O'Neill. Daniel takes off running back down the =
hall. Sam
picks up a handset next to the door.

CARTER: \"We have a security breach. Level 25. Guest quarters.\"

We see Young O'Neill swipe a key card to open the elevator doors. He ducks =
in the
elevator and the doors close just as Daniel runs around the corner. We see =
nothing so
he continues on back toward the briefing room. We hear alarms and see guard=
s
running as one of them orders, \"Go, go, go...\" Some guards pass by a vent g=
rating in
the wall. Seconds later, Young O'Neill emerges from behind the grating and =
walks a
short distance to the door that grants access to the surface via a small la=
dder. They
have used this way into the facility on a couple of other occasions. He clo=
ses the door
behind him and begins his climb up the rungs.

Later, we see Sam, Daniel and General Hammond walking in the SGC corridors.=


HAMMOND: \"Security teams have swept the base three times in the past six ho=
urs,
inside and out. They found nothing. I think it's safe to assume he's no lon=
ger here.\"

CARTER: \"Well, Colonel O'Neill knows the SGC as well as anyone. If he wante=
d a way
out, I'm sure he'd find one.\"

HAMMOND: \"Well, I've notified state and local authorities. With any luck, t=
hey'll find
him soon.\"

Just then, Janet walks up from behind.

FRAISER: \"Sir...there's something you all need to see.\"


Scene: Colorado Springs (presumably)
Young O'Neill is exiting a liquor store. The clerk follows him to the door.=


CLERK: \"Go on home, kid, before I call the cops. It's a school night, for c=
ryin' out
loud.\"

YOUNG O'NEILL: \"How about light beer?\"

CLERK: \"Give me a break...\" (he heads back into the store.)

Young O'Neill walks to a post near the sidewalk and parks his rear on it fo=
r a minute.
Then he notices a guy in an Air Force jacket get out of a pick up and walk =
by.

YOUNG O'NEILL: \"Harley?\"

The guy turns as he hears his name.

HARLEY: \"Excuse me?\"

YOUNG O'NEILL: \"Yeah...Harlen Beck. You served in operation prove force out=
of
Incerlik, right?\"

HARLEY: \"Yeah, during the Gulf...how'd you know that, kid?\"

YOUNG O'NEILL: \"What? Are you kidding? I ran...\" (He stops himself as he se=
es the
questioning look on the Harley's face. He scratches his cheek and tries ano=
ther
approach.) \"I mean, uh...my uncle knew a Lt. Beck from the war. Yeah, said =
he was a
stand up guy. Flew an AC-130 gunship over Baghdad.\"

HARLEY: \"Well, then, you're uncle had to be in the special ops.\"

YOUNG O'NEILL: \"Yeah, he was...Colonel Jack O'Neill?\"

HARLEY: \"You're Jack O'Neill's nephew? I didn't know he had a sibling.\"

YOUNG O'NEILL: \"Uh...used to. Uh, yeah...Uncle Jack's been like a father to=
me. You
know, since my folks died.\"

HARLEY: \"Ah. So, how's old Jack doin' anyway?\"

YOUNG O'NEILL: \"Uh, he's fine...and he's not that old, either.\"

HARLEY: \"Well, tell him...tell him Harley said to watch his six.\"
Harley turns to walk into the liquor store.

YOUNG O'NEILL: \"Hey, yeah, uh...speaking of six...\" (Young O'Neill jumps fo=
rward to
catch Harley before he enters the store. He holds up a monetary bill of unk=
nown
denomination.) \"...Look, uh, seeing as how you know my uncle and all...you =
think you
could do me a little favor?\"

Harley shakes his head, smiles and heads inside.


Scene: SGC - Infirmary
Janet is showing General Hammond, Sam and Daniel some information on the
computer. Jacob is sitting at the computer.

FRAISER: \"Selmak has had a chance to digest some of the DNA test results we=
've been
collecting, and it seems Colonel O'Neill's condition isn't what we first th=
ought.\"

CARTER: \"He isn't dying?\"

FRAISER: \"He is dying, but we think we know the cause. When we first compar=
ed
Colonel O'Neill's DNA samples to the ones we had on file, the match was alm=
ost
perfect.\"

JACKSON: \"Almost...you said there was a tiny abnormality.\"

FRAISER: \"That's right...Selmak thinks he knows why...\"

JACOB/SELMAK: (Selmak is actually speaking) \"This is not Colonel O'Neill.\"

CARTER: \"But...\"

FRAISER: \"He's a clone.\"


COMMERCIAL BREAK


Scene: SGC - General Hammond's Office
SG-1, minus O'Neill, walk in just as the General gets off the phone.

HAMMOND: (into the phone) \"I see. Keep me informed.\" (He hangs up the phone=
.) \"No
word yet on...what, exactly, do we call him at this point?\"

CARTER: (when it appears no one else has an answer) \"Duplicate O'Neill?\"

JACKSON: \"Sir, we think we might have a clearer idea of what might be going=
on.\"

HAMMOND: \"Please, enlighten me.\"

TEAL'C: \"We know that the Asgard clone themselves.\"

JACKSON: \"Their very existence depends on their ability to clone their bodi=
es and then
transfer their consciousness from one to the next.\"

CARTER: \"But they suffer from grave medical conditions due to thousands of =
years of
cloning.\"

JACKSON: \"Which will ultimately lead to the fall of their civilization if t=
hey can't solve
the problem of diminishing return in their cloning technology.\"

HAMMOND: \"What does this have to do with Colonel O'Neill?\"

JACKSON: \"We had the abductees DNA that Teal'c and I interviewed scanned fo=
r the
same abnormalities as...duplicate O'Neill. As far as we can tell, none of t=
hem are
clones.\"

HAMMOND: \"Which means?\"

CARTER: \"Well, in all likelihood, the Asgard responsible, took the original=
people and
replaced them with duplicates so as not to arouse suspicion.\"

JACKSON: \"They studied the original for a period of time and then switched =
them
back.\"

HAMMOND: \"You think whoever took the real Colonel O'Neill is going to retur=
n him?\"

CARTER: \"It's all we've got, Sir. We're hoping the fact that Colonel O'Neil=
l's clone didn't
fully mature is a mistake.\"

HAMMOND: \"What makes you think that?\"

TEAL'C: \"The previous actions of the Asgard responsible indicate his desire=
to remain
covert.\"

JACKSON: \"Jack's clone's condition is a dead giveaway.\"

CARTER: \"So it's a good bet the Asgard doesn't even know there's a problem =
or else
he would have tried to fix it.\"

HAMMOND: \"Well, they'll figure it out when they try to switch him back.\"

CARTER: \"I they try to switch.\"

HAMMOND: \"Are you saying if we don't track down the young duplicate, we may=
not
get the real Colonel O'Neill back?\"

CARTER: \"Well, no, we're sure the Asgard would be able to find him, if he w=
ants.
That's not the real issue.\"

TEAL'C: \"We wish to apprehend the Asgard responsible.\"

JACKSON: \"Intercepting the next switch may be our only shot.\"

The phone buzzes. The General pushes a button on the phone.

HAMMOND: \"Hammond.\"

VOICE OVER PHONE: \"General Hammond, Sir...I have a Lt. Colonel Beck from th=
e 10th
Air Base Wing at the Air Force Academy on the line for you. He says it has =
to do with
Colonel O'Neill.\"

HAMMOND: \"Patch him through.\"

VOICE OVER PHONE: \"Yes, Sir.\"


Scene: A wooded area.
We see a river and Young O'Neill sitting on a large boulder on the river's =
edge. He is
holding a fishing pole. The rest of SG-1 and two guards start down the bank=
from the
road above.

YOUNG O'NEILL: \"Unless you brought beer, that's close enough.\"

Sam turns to look at the guards and they turn and go back the way they came=
.

CARTER: (yelling to be heard) \"Colonel, we need you to come back with us.\"

YOUNG O'NEILL: \"How'd you find me?\"

JACKSON: \"A Lt. Col. Beck called General Hammond and placed you in the area=
.\"

TEAL'C: \"A man from whom you recently bought bait said he recommended his r=
iver.\"


YOUNG O'NEILL: \"Tell Jacob thanks for trying, but I'm not interested in the=
deep-
freeze deal.\"

JACKSON: \"Look, we're not here to take you to the Tok'ra. There may not be =
much
time.\"

YOUNG O'NEILL: \"Never is, is there?\"

JACKSON: \"Okay, well...\" (sighs) \"There's no easy way to tell you this so..=
.Sam's just
gonna come right out and say it.\"

Sam gives him a look.

CARTER: \"Well, sir...as you know, the Asgard depend on cloning technology..=
.\"

YOUNG O'NEILL: (cutting her off again) \"Oh, for cryin' out loud...\"

Sam closes her eyes, dreading the job of telling him more bad news...so Tea=
l'c steps
up.

TEAL'C: \"You have been cloned, O'Neill.\"

YOUNG O'NEILL: (whipping around) \"What?!\"

JACKSON: \"We think the Asgard took the real you and made a copy. An unstabl=
e one,
at that.\"

YOUNG O'NEILL: \"The real me?\"

JACKSON: (growls) \"Yeah...the original. That's not your real anything. I'm.=
..I'm sorry.\"

YOUNG O'NEILL: \"Where's the original?\"

CARTER: \"Well, that's what we hope to find out. But we need your help.\"


Scene: SGC - Briefing Room
SG-1 and Hammond are back at the conference table.

JACKSON: \"We calculated approximately a seven day gap between abductions wh=
ich
puts us at tonight.\"

YOUNG O'NEILL: \"This plan sucks. Look, I know you don't think I am ...who I=
am...but,
as far as I'm concerned, I am...who...I am.\"

CARTER: \"The switch is the only chance we have of capturing whoever's behin=
d this.\"

YOUNG O'NEILL: \"What about the fact that this body is dying? I mean, has an=
yone even
thought about that for a second?\" (No one speaks up.) \"Oh...I see. You don'=
t care as
long as you get the original back.\"

CARTER: \" We just...we don't know what else to do for you.\"

TEAL'C: \"Perhaps the Asgard responsible can correct his mistake.\"

YOUNG O'NEILL: \"Fine. Give me a 9-mil. I'll get it outta the sucker.\"

JACKSON: \"We don't know who or what we might be facing yet.\"

YOUNG O'NEILL: \"Exactly why you can't just use me as bait and hang me out t=
o dry.
You're never gonna to intercept one of those Asgard beams. The only chance =
you
have of capturing this guy is me.\" (He looks at Hammond, who has been liste=
ning
intently the entire time.) \"Come on...\"

HAMMOND: \"A zat gun.\"

YOUNG O'NEILL: (smiling slightly and relaxing a bit) \"Thank you, Sir.\"


Scene: Jack's Bedroom
Young O'Neill is lying on the bed, reading a magazine. He picks up a radio =
that is on
the bed side table.

YOUNG O'NEILL: (into the radio) \"Carter, you still got your ears on?\"

CARTER: (who is standing a ways outside the house, but still in visual rang=
e) \"Yes,
Sir.\"

YOUNG O'NEILL: \"Daniel, Teal'c?\"

TEAL'C: (who is standing with Daniel in another area with a view of the hou=
se)
\"Everything appears to be normal, O'Neill.\"

YOUNG O'NEILL: (over the radio): \"Yeah? Not to me.\"

CARTER: \"You wanna go over the instructions I gave you again?\"

YOUNG O'NEILL: \"Don't worry, Carter, I'm sure I'll figure it out...\" Just t=
hen an Asgard
beam takes him off the bed.

We see Sam outside still listening on the radio. She sees a flash of light =
through the
bedroom window. She starts running toward the house. We see Jack lying face=
down
on the bed as Sam, Teal'c and Daniel enter the bedroom. Sam rushes to check=
on
Jack.

CARTER: (shaking his shoulder lightly) \"Colonel, you all right?\"
No movement from Jack.

JACKSON: \"Jack! Jack!\"
Still no movement.

TEAL'C: \"O'Neill.\"
Jack stirs.

O'NEILL: (taking a moment to wake up) \"What are you all doing in my bedroom=
?\"


COMMERCIAL BREAK


Scene: Space
We see what appears to be an Asgard ship in orbit. Then we see Young O'Neil=
l
floating in the same room we saw during the flashbacks with the other abduc=
tees.
Young O'Neill takes the zat out from under the magazine. An Asgard comes in=
to the
room.

ASGARD: \"Hello, do not be afraid.\"

Young O'Neill zats the Asgard. The Asgard falls. Then Young O'Neill zats th=
e object
directly over head. The object turns dark and he immediately drops to the g=
round. He
appears to be knocked out.

Meanwhile, back in Jack's bedroom, Jack is now sitting on the edge of his b=
ed,
rubbing his eyes. He stands up.

O'NEILL: \"I assume this is...important?\"

CARTER: \"Just a little, Sir.\"

Back on the ship, we now see the Asgard strapped to his chair. Young O'Neil=
l is
walking to one of the control panels.

YOUNG O'NEILL: \"Okay...\" (he looks at the panel) \"...wrong console.\"

He walks to another nearby console.

YOUNG O'NEILL: (he blows out a breath) \"Far right jewel thingy...up.\" (He p=
icks up one
of the Asgard controllers and puts it on other spot on the console. He wait=
s, but
nothing happens) \"...ah, and 3:00\" (He rotates the controller)


Back in the bedroom:

O'NEILL: \"Yeah, I was having the weirdest dream...\"

Then we see all four of them beamed out of Jack's bedroom and onto the ship=
.

YOUNG O'NEILL: \"There, you see, Carter? Told you it was no problem.\"

Young O'Neill walks up and stands in front of Jack. They are checking each =
other out.
Young O'Neill is still holding the zat. They are dressed exactly alike.

O'NEILL: (looks at his teammates) \"What's goin' on?\"

They all look away.

YOUNG O'NEILL: \"Wow, uh, you know, I'm really much taller than I think.\"

O'NEILL: \"Carter?\"

CARTER: \"Colonel O'Neill, meet...Colonel O'Neill.\"

Jack looks at Young O'Neill again...and then back at Carter.

O'NEILL: \"What's goin' on?\"

JACKSON: \"We're pretty sure this...Asgard over here...\" (points in the dire=
ction of the
subdued Asgard) \"...kidnapped you and attempted to replace you with a clone=
.\"

Jack is looking thoroughly confused now.

O'NEILL: \"How long was I asleep?\"

CARTER: \"Seven days.\"

O'NEILL: \"That's a record.\" (Then he turns back to Young O'Neill) \"So you'r=
e...\" (he
points back and forth between them then Jack and Young O'Neill speak
simultaneously) \"...me.\"

YOUNG O'NEILL: \"you.\" (Then he continues alone) \"Yeah, uh, believe me, if y=
ou think
it's weird, imagine how I feel being the copy.\"

Just then, the Asgard stirs.

TEAL'C: \"He is awakened.\"

Daniel and Sam walk toward the Asgard. Young O'Neill looks toward the Asgar=
d. Jack
is still looking Young O'Neill over.

ASGARD: \"What's happening?\"

CARTER: \"We were kind of hoping you could tell us.\"

ASGARD: \"No, no, no...this is all wrong.\"

O'NEILL: \"Hey!\" (Jack walks over to stand beside Carter at the Asgard's sid=
e) \"I'll tell
you what's wrong. I just woke up, haven't had coffee, let alone a pee in se=
ven
days...and I find out you stole my ass and made a...mini me.\" (He looks at =
Young
O'Neill for a second. Then he turns to Sam) \"Carter...I should be irked,
currently...yes?\"

CARTER: \"Yes...I-I would be.\"

JACKSON: \"Why don't you tell us who you are?\"

ASGARD: \"Loki.\"

JACKSON: \"According to Norse mythology, that's the god of mischief.\"

CARTER: \"What did you want with Colonel O'Neill?\"

LOKI: \"I have nothing more to say to any of you.\"

O'NEILL: \"Hey! We just saved your flat little white asses from the replicat=
ors. This is
the thanks we get?\"

YOUNG O'NEILL: \"Hey, at least you're gonna live.\"

O'NEILL: \"What?\"

YOUNG O'NEILL: \"Maybe you're a little put out...but this guy didn't hit all=
the right
buttons on the Xerox.\" (Jack still looks confused) \"This body is gonna fall=
apart if he
doesn't fix me.\"

LOKI: \"I cannot. All the clones suffer the same fate.\"

O'NEILL: \"Okay...I'm going back to my original question...what's going on?\"=


LOKI: \"I am a scientist...a former geneticist with the Asgard Ruling Counci=
l.\"

CARTER: \"Former?\"

LOKI: \"I was stripped of my stature after I was caught performing unsanctio=
ned
experiments on humans.\"

O'NEILL: \"What? You've got sanctioned ones?\"

LOKI: \"I merely had the courage to do what was necessary to advance our clo=
ning
technology.\"

CARTER: \"Instead of \"courage\", some might call it a lack of morality.\"

LOKI: \"Our population cannot withstand the duplication process for much lon=
ger.\"

CARTER: \"Well, how can experimenting on humans change that?\"

LOKI: \"Your bodies are similar to our original form thousands of years ago.=
Using your
physical makeup as a template, I had hoped to find a way to construct a clo=
ne that
could contain our massively superior intellect. My research was unsuccessfu=
l.\"

YOUNG O'NEILL: \"So much for massively superior intellect.\"

O'NEILL: \"I was gonna say that.\"

LOKI: \"I was going to say...it was unsuccessful prior to my being caught an=
d banished.
I would have found what I needed eventually.\"

JACKSON: \"Why risk coming back here and breaking the law after 19 years?\"

LOKI: \"Because...I thought he was the one.\"

O'NEILL: and YOUNG O'NEILL: (simultaneously): \"Me?\"

LOKI: \"I believed his genetic code contained the key.\"

O'NEILL: and YOUNG O'NEILL: (again, simultaneously) \"Mine?\"

O'NEILL: \"Stop it.\"

LOKI: \"He was physiologically advanced enough to carry and utilize all the =
data from
the ancient repository of knowledge. That would not be possible for any hum=
an one
generation ago. He is a significant step forward on your evolutionary path.=
\"

JACKSON: \"You just found this out recently?\"

LOKI: \"I learned about it when all the Asgard did. O'Neill is legendary.\" (=
There are
looks of amazement from Daniel, Jack and Sam) \"Most recently, the Asgard fl=
eet has
been distracted by the war with the replicators and the subsequent relocati=
on of our
people.\"

O'NEILL: \"So, you took the opportunity when no one was looking to sneak bac=
k here.\"

LOKI: \"I do not regret my actions. I am trying to save my people.\"

YOUNG O'NEILL: \"Look, I know this isn't all about me...but come one, seriou=
sly...I'm
dying here.\"

LOKI: \"I cannot reverse your fate. Nor can I explain why you did not mature=
to the
proper age as you should have.\"

YOUNG O'NEILL: \"Well, easy to see why they kicked you out of the science cl=
ub.\"

O'NEILL: \"All right...I've heard enough.\" (He walks back to the control con=
sole.)
\"Carter...\" (Sam follows him. He picks up one of the control jewels) \"Can y=
ou call Thor
on this thing?\"

Sam walks to the console Young O'Neill used to beam them up.

LOKI: \"Please...do not.\"

CARTER: (as she's moving jewels around) \"We've already tried contacting the=
Asgard a
number of times...\"

YOUNG O'NEILL: \"You know, you'd think if Thor knew about this...\"

CARTER: \"Okay...pretty sure that's it.\"

We see shots of Carter, Loki, Teal'c...as nothing happens. Then Young O'Nei=
ll
scratches his head.

YOUNG O'NEILL: \"All right, how long are we go...\" (he stumbles slightly, cl=
osing his
eyes like he's fighting dizziness.)

O'NEILL: \"You all right?\"

YOUNG O'NEILL: \"Actually, no.\"

JACKSON: \"Uh, what do we do if Thor doesn't show up?\" (Just then, Thor beam=
s in.)
\"Never mind.\"

O'NEILL: \"Well, it's about time...\"

THOR: (as he walks to where Loki is restrained) \"I apologize for not coming=
sooner.
Loki, what have you done?\"

YOUNG O'NEILL: \"Yeah, it seems he's been playing Dr. Moreau behind your bac=
k.\"

O'NEILL: \"Yes...Dr. Moreau.\"

THOR: \"You know why I am here. You should have known that O'Neill's genetic=
code
was safeguarded for his own protection.

O'NEILL: \"Excuse me?\"

THOR: \"A marker was placed in your DNA to prevent any attempts at genetic
manipulation.

JACKSON: \"The abnormality.\"

CARTER: \"That's why the clone didn't mature.\"

THOR: \"Yes. Loki will be punished for his actions.\"

CARTER: \"Is it true that Colonel O'Neill is the key to solving your cloning=
problems?\"

THOR: \"No.\"

O'NEILL: \"But I thought I was advanced.\"

THOR: \"Indeed you are O'Neill, but our scientists have already determined t=
hat while
you are an important step forward in the evolutionary chain, the missing li=
nk we have
been searching for still eludes us.\"

O'NEILL: \"I'm sorry.\"

THOR: \"Again, I apologize for any inconvenience Loki may have caused.\"

YOUNG O'NEILL: \"Yeah, that's what I'd call it.\"

THOR: \"Unfortunately, the eventual genetic breakdown of the clone is not my=
doing,
but rather the result of Loki's inept methods.\" (Loki seems none to pleased=
with that
statement.)

LOKI: \"There was no need for the clones to survive.\"

O'NEILL: \"Look, Thor...is there anything you can do for him? The whining's =
starting to
grate.\"

THOR: \"You wish your clone to live?\"

YOUNG O'NEILL: \"You can't just let me die...\"

O'NEILL: \"He's just a kid...\"

THOR: \"Are you certain, O'Neill?\"

Jack doesn't answer right away and a few seconds later, Young O'Neill slaps=
his arm.

O'NEILL: \"I'm thinkin'...yeah.\"

THOR: \"Very well. I will attempt to repair his DNA. If successful, he shoul=
d continue to
mature at a normal human rate.\"

All seem relieved to hear that news...

O'NEILL: \"Thanks.\"

Thor bows.


Scene: A school in Colorado Springs (presumably)
Jack is driving his truck up to the curb. Young O'Neill is sitting on the p=
assenger side.

O'NEILL: \"You're sure about this?\"

YOUNG O'NEILL: \"I've thought a lot about it. You know...you...me...I mean, =
we...never
really did embrace high school. I don't know. Haven't you ever just wanted =
to go back
and do it all over again? I mean, especially with all you know now?\"

O'NEILL: \"No.\"

YOUNG O'NEILL: \"Well, from here on in...you and me are different. Which is =
why I'm
going to do this.\" (He climbs out of the truck and closes the door. He stop=
s at the
window as Jack yells.)

O'NEILL: \"Hey, listen, do me a favor, huh?\"

YOUNG O'NEILL: \"Don't worry, I wasn't gonna keep in touch.\"

O'NEILL: \"Yeah, it'd just be a little...\"

YOUNG O'NEILL: \"Weird.\"

O'NEILL: \"Weird, yeah.\"

YOUNG O'NEILL: \"Yeah.\"

O'NEILL: \"But look, if you need anything just...you know...\"

YOUNG O'NEILL: \"The Air Force has set me up...I'll be fine.\"

O'NEILL: \"You're sure about this? I mean it's...high school...\"
He turns and sees three girls looking at him. They giggle to each other whe=
n they see
him noticing them. He looks at Jack as if to say...Duh!

O'NEILL: \"Yes...go forth, young man.\"

Young O'Neill pulls out a pair of hip shades and puts them on. He pats the =
window of
the truck and backs away. Jack drives away. The school bell rings and Young=
O'Neill
begins walking to the school. He shakes hands with a girl on the way into t=
he
building. They strike up a conversation.

END CREDITS

Ecrit par Clodou 
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HypnoChat

Sonmi451 (21:47)

Alors y a du monde dans le coin?

Hypnotic (22:35)

Yes !

Hypnotic (22:47)

Pas tant de monde en fait

Titepau04 (22:56)

Moi je vais me coucher!!! ^^

arween (22:57)

Soirée koh Lanta donc non pas là

Sonmi451 (10:23)

Raaa désolé pour hier soir, je suis partie. Première maladie de bébé.

Sonmi451 (10:24)

Mais là si y a du monde, je suis preneuse d'une discussion diverse et varié. ^^

Sonmi451 (10:26)

On peut parler de noel, vous en êtes où dans vos achats? ^^

Titepau04 (10:27)

Bonjour!!

Sonmi451 (10:27)

Hello titepau!

Titepau04 (10:27)

J'ai pas commencé grand chose... et toi?

Sonmi451 (10:28)

Moi si ça va, j'ai avancé d'un seul coup cette semaine. ^^

Sonmi451 (10:28)

Il me reste l'homme et mon grand.

Sonmi451 (10:28)

Et tu as commencé les décos?

Titepau04 (10:29)

C'est cool ça!!!

Titepau04 (10:29)

Non... non plus!!! Faut que je m'y mette !!!

Sonmi451 (10:31)

Moi je commence tout juste et maintenant que j'ai un balcon, faut que je trouve aussi ce qu'il faut pour le décorer. ^^

Titepau04 (10:32)

Ahah!! Ça fait encore plus de travail

Sonmi451 (10:33)

c'est ça, je pense prendre une guirlande électrique et un père noel qui monte me rendre visite. ^^

Sonmi451 (10:33)

et sinon tu as attaqué l'hypnonoel?

Titepau04 (10:38)

Ah j'aime pas ça.... on dirait qu'il est pendu le pauvre père Noël....

Titepau04 (10:38)

Oui j'ai commencé!! Et toi?

Sonmi451 (10:39)

Non c'est une echelle pour celui que j'ai vu. ^^

Sonmi451 (10:40)

Non moi pas encore, je sais pas si je vais trouver du temps. Tu as bien avancé sur cette animation toi?

Titepau04 (10:41)

J'en suis à 30 questions

Sonmi451 (10:42)

Ha ouais pas mal! Tu me donneras tes paquets cadeaux

Titepau04 (10:42)

Ah non mais non!!! Dis donc!!! ^^

Sonmi451 (10:46)

Rooo mais faut partager, c'est ça l'esprit de noel.

Titepau04 (10:47)

Non non non!!! Je me creuse les méninges, moi Madame, pour les avoir!!!

Sonmi451 (10:48)

creuse pas trop, c'est un coup, à ne plus avoir de méninges. ^^

Ceci est un extrait des dernières discussions de notre Room HypnoBlabla

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