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#512 : Wormhole X-Treme

Ecrit par : Joseph Malozzi et Paul Mullie

Réalisé par : Peter DeLuise

Un vaisseau mystérieux se place en orbite autour de la Terre. SG-1 cherche Martin Lloyd pour en savoir plus. Mais les souvenirs de Martin ont encore été effacés, et le NID veut s’emparer du vaisseau.

Extrait du tournage de la série Whormole W-Trem
Extrait du tournage de la série Whormole W-Trem

  

teaser vo
teaser vo

  

Plus de détails

512 - Wormhole X-Treme

En salle de briefing, Carter annonce que des astronomes ont repéré un vaisseau s'éloignant de l'orbite de Mars. Ce vaisseau a été identifié et il est probable qu'il s'agisse du vaisseau de Martin Lloyd. Carter ajoute que si c'est son vaisseau, il va falloir le retrouver car il sera sur Terre dans trois jours.

Une équipe de quatre militaires semble se faire tirer dessus et être en difficulté et s'effondre par terre. C'est alors que quelqu'un ordonne de couper le tournage car c'est une scène tournée pour une série télévisée. Derrière une caméra, Martin Lloyd affirme que cette scène a été ratée, mais le réalisateur n'est pas de cet avis et prépare déjà la scène suivante, ignorant Martin, qui préfère lâcher prise.

En salle de briefing, SG1 et Hammond visionnent la bande annonce de cette série où les personnages principaux sont présentés. Tour à tour, les membres de SG1 se reconnaissent dans cette équipe fictive, qui à la fin de la vidéo, traverse ce qui semble être une porte des étoiles. SG1 est interloqué par la ressemblance de cette série avec leur programme et Hammond annonce que c'est Martin qui a vendu l'idée au studio et qu'il travaille dessus. Teal'c pense que Martin a mis en péril la sécurité du SGC, mais Hammond n'est pas d'accord. Daniel remarque que cette série est similaire au programme Stargate, mais O'neill répond que si l'Air Force ne l'avait pas laissé faire, la série n'aurait été aussi loin.
Hammond annonce que si la série représente un manquement à la sécurité, ils peuvent arrêter la diffusion. O'neill rétorque que Martin les a vendus, mais Hammond dit que leur priorité est de savoir tout ce que Martin sait sur ce vaisseau. Il annonce que O'neill sera le conseiller militaire de la série.

Sur le lieu de tournage de la série, une équipe teste la taille d'une explosion et divers membres du staff vaquent à leurs occupations lorsque O'neill arrive. Il interpelle un homme qui l'informe que Martin Lloyd est dans une des caravanes.

Martin sort de sa caravane et complimente une figurante pour son maquillage qu'il trouve excellent. Puis un homme passe devant lui avec une corbeille de fruits apparaissant dans un épisode sur un autre monde. Martin l'interpelle en disant que des extraterrestres n'ont pas de pommes, mais l'homme lui dit que vu qu'ils parlent notre langue, ils ont des pommes. Martin lui dit alors de les remplacer par des kiwis.
A ce moment là, O'neill arrive près de lui mais ce dernier ne le reconnait pas, et le conseille en tant que conseiller militaire de ne pas parler aux acteurs. O'neill essaie de lui rappeler le SGC, mais Martin ne se souvient de rien et prend congé en raison d'une réunion. O'neill entre dans la caravane et fait un rapport à Hammond. Selon lui Martin a subit un lavage de cerveau par Tanner et ses hommes. Il ajoute qu'il a fouillé la caravane et a trouvé une grande quantité de vitamines que Hammond lui ordonne de leur envoyer pour analyse. Au SGC, Carter dit à Hammond que si Tanner est dans le coin, O'neill aura besoin d'aide. Hammond est d'accord et autorise le reste de SG1 à aider O'neill.

Au studio, une scène est en train d'être tournée lorsque le colonel Danning trébuche sur un cadavre au sol. Ce dernier n'est pas content qu'il y ait les cadavres sur le plateau mais un membre de la production insiste sur la nécessité de leur présence mais l'acteur arrive à faire quitter les cadavres du plateau. L'acteur remarque O'neill et lui demande si son costume militaire est beau. C'est alors que le tournage reprend et O'neill remarque le « X » dans le dos de l'acteur, mais Martin lui dit que selon une étude, les séries qui ont un « X » dans le titre font plus d'audience.

Dans un hangar, un homme informe Tanner que le vaisseau se rapproche comme prévu, mais il y a un problème. L'homme montre une photo de O'neill et Martin.

Au SGC, Hammond autorise par téléphone Carter à commencer la surveillance secrète de la maison de Martin lorsque le docteur Frasier entre dans son bureau pour lui apporter les résultats de l'analyse des vitamines rapportées par O'neill. D'après Frasier, elles contiennent une grande quantité de produit que Tanner a déjà utilisé pour bloquer la mémoire de Martin. Hammond, qui s'en doutait déjà, se demande maintenant ce que Tanner veut faire oublier à Martin.

Au studio, une actrice a un problème avec une scène où elle est hors-phase, car selon elle, elle devrait traverser le plancher au même titre que les murs. Pendant que O'neill mange un morceau, Teal'c sert les membres de la production. Ce dernier informe O'neill que Carter et Daniel poursuivent la surveillance.

Près de chez Martin, Sam a découvert qu'un signal émanait de la maison. Après l'avoir affiché sur l'écran, Sam et Daniel découvrent que des caméras cachés ont été installées, comme la dernière fois.

Aux studios, les scénaristes et producteurs parlementent autour d'une scène où le colonel Danning, en état d'apesanteur, doit tuer un garde Alien géant. Un des scénaristes ne veut pas qu'il soit en apesanteur, contrairement au reste de la production. Puis, Martin annonce qu'une scène lui pose problème, en effet dans cette scène il est question d'un aller et retour dans un trou noir, or c'est impossible puisqu'on ne peut voyager que dans un seul sens dans un trou noir. Le scénariste n'en a rien à faire de sa remarque et prend congé, tandis que le tournage reprend.

A la sortie du studio, Martin annonce à O'neill que son poste de conseiller en création lui permet de superviser toute la série. Mais O'neill remarque qu'il ne supervise pas grand-chose. Puis il demande à Martin d'où lui vient l'idée qu'un trou noir est unidirectionnel et de cette équipe gouvernementale qui explore d'autres planètes. Martin lui répond que cette histoire est tirée d'un livre qu'il a écrit depuis un an, mais dont il ignore d'où il a puisé l'inspiration. Puis Martin prend congé et O'neill reçoit un appel de Carter qui lui annonce que Tanner et ses hommes ont mis Martin sous surveillance et que cela a forcément quelque chose à voir avec le vaisseau qui s'approche. O'neill suppose qu'ils ont déjà infiltré le studio et annonce qu'il va enquêter.

Jack se rend au poste de contrôle à l'entrée de la zone du studio et demande à la vigile d'envoyer tous les numéros de plaques d'immatriculation qui circulent dans le studio à une adresse e-mail.

Dans leur camion de surveillance, Carter et Daniel examinent les numéros de plaque envoyés par la vigile. Des dizaines de noms défilent quand Sam reconnaît l'un d'entre eux. D'après Daniel c'est un des hommes de Tanner. Carter ajoute que selon son CV il est assistant de production et il se fait appeler Steve Austin. Sam et Daniel décident alors d'aller à sa rencontre.

Tout près d'un petit immeuble, un homme sort de sa voiture et entre dans le bâtiment. Carter prévient alors Daniel de son approche. Ce dernier est posté dans la cage d'escaliers et aperçoit l'homme entrer dans son appartement. Carter rejoint Daniel et ils entrent à leur tour dans l'appartement qu'ils fouillent de fond en comble, mais ils ne trouvent pas âme qui vive.

Dans les studios, une scène entre le colonel Danning et une princesse extraterrestre est en tournage lorsque le portable de O'neill sonne, interrompant le travail de l'équipe qui décide d'aller déjeuner. O'neill décroche et Carter lui annonce qu'ils ont perdu la trace de Steve Austin. O'neill n'est pas surpris de cette manière d'agir, mais Sam annonce qu'ils ont découvert que l'homme a téléphoné à un entrepôt dans l'est de la ville. O'neill lui recommande d'appeler des renforts cette fois. Sam rappelle à Jack que le vaisseau s'approche de plus en plus et qu'il faut impérativement faire avouer Martin.

A l'extérieur des studios, Martin suit deux hommes pressés qui parlent de la série. A ce moment O'neill arrive et veut lui parler, mais Martin n'a pas le temps pour ça. Mais les deux hommes montent dans une voiture et partent sans Martin. Ce dernier se résigne alors à écouter O'neill.

Dans la caravane, O'neill lit un passage du livre écrit par Martin qui raconte des histoires ressemblant au programme Stargate. A la fin de la lecture, O'neill trouve que ce texte est très bon, mais Martin avoue qu'il y avait à l'origine cinq personnages dans l'équipe, mais que la production n'en a voulu que quatre pour la série. O'neill lui demande d'où lui est venue l'idée de cette équipe, puis il annonce à Martin que toute l'histoire de la série est réelle. Il ajoute qu'il commande une équipe, SG1, qui explore d'autres mondes par la porte des étoiles. Martin n'y croit pas un mot et pense même que c'est une blague. O'neill insiste, mais Martin pense maintenant que cette histoire peut faire un bon scénario, lorsque son bipper se met soudain à sonner l'avertissant qu'il est attendu sur le plateau.

Arrivés à l'entrepôt, Carter et Daniel donnent le feu vert pour son assaut. A l'intérieur, plusieurs hommes sont affairés autour d'ordinateurs, lorsque Carter et ses hommes pénètrent dans le bâtiment. Leurs armes braquées l'un sur l'autre, les deux camps se présentent. Les suspects sont dirigés par l'agent Malcolm Barrett du NID. Carter comprend tout de suite la supercherie.

Arrivé sur le plateau sur lequel il était demandé, Martin ne voit personne. Il veut sortir, mais la porte est verrouillée et il doit s'enfoncer dans un décor de vaisseau spatial. Martin entend alors la porte claquer, mais c'est O'neill qui le rejoint. Il explique au colonel que c'est peut-être l'équipe qui lui fait une blague. Mais à ce moment, les lumières s'éteignent et O'neill sort son arme. Lorsqu'ils voient une ombre passer, O'neill et Martin sortent du décor et tombent sur un homme qui braque son arme sur eux, et qui est vite rejoint par deux autres hommes armés. O'neill reconnaît Tanner, et Martin est perdu. Un des hommes de Tanner prend l'arme du colonel.

Attaché à une chaise, O'neill attend pendant que Martin s'inquiète de ne pas pouvoir assister au tournage de la scène finale. O'neill se fiche de la scène finale de la série et indique à Martin qu'il est la seule raison de leur présence. Il ajoute que les vitamines qu'il prend lui font perdre la mémoire, mais Martin ne veut pas revenir sur cette histoire d'équipe interplanétaire qui lui paraît absurde. O'neill ajoute que ces personnes sont aussi des aliens qui viennent de sa planète. A ce moment, Tanner et ses hommes entrent dans la pièce. Pendant que Martin tente de se faire libérer en suppliant Tanner, ce dernier prépare une piqure dont il injecte le produit dans Martin en lui disant que cela va l'aider à se souvenir. Après la piqure, Martin perd conscience et Tanner et ses hommes sortent de la salle.

Au QG du NID, Barrett tente d'y voir plus clair. Daniel répète que les extraterrestres les ont orientés vers eux. Sam ajoute qu'ils n'ont pas de nouvelles de O'neill et qu'il leur faut aller voir ce qu'il se passe. Barrett lit un communiqué du NID puis annonce qu'il bénéficie de tous les pouvoir sur cette enquête et que de ce fait, Sam et Daniel resteront dans l'entrepôt.

Aux studios, Teal'c entre dans la salle où sont retenus Martin et O'neill et les détache. Il annonce que Tanner et ses hommes ont encore une fois disparus. Jack tente de réveiller Martin, mais n'y arrivant pas il est forcé de le frapper, ce qui le ranime immédiatement. Il reconnaît alors Jack et Teal'c et ajoute qu'il se rappelle de tout. O'neill demande pourquoi Tanner l'a à nouveau drogué, mais Martin réplique qu'il s'est drogué lui-même pour oublier ce qui est arrivé à sa planète natale.
Puis il pousse un cri en se souvenant que sa série est basée sur le programme Stargate, mais O'neill relativise en disant que c'est diffusé sur le câble. Jack demande alors pourquoi Tanner veut récupérer Martin maintenant. Ce dernier répond que le retour du vaisseau est programmé et que Tanner a besoin de l'ordinateur contrôlant le vaisseau que Martin lui avait volé, et il ajoute qu'il est en parfaite sécurité.

Sur le plateau de tournage, une scène avec l'ordinateur extraterrestre est sur le point d'être tournée.

Dans les réserves, Martin et Jack cherchent l'ordinateur parmi une montagne d'accessoires destinés au tournage. O'neill est outré qu'un appareil extraterrestre authentique soit utilisé comme accessoire pour une série. Soudain un homme les interpelle et leur informe que l'appareil qu'ils cherchent doit finalement jouer sur la scène finale. O'neill, Teal'c et Martin partent donc pour le plateau, tandis que l'homme téléphone à l'agent Barrett pour l'informer qu'O'neill et Martin sont sur le plateau.

Au QG du NID, Barrett décide d'y aller et ordonne à un de ses hommes de garder Sam et Daniel.

Arrivés sur le plateau, O'neill ordonne à Teal'c de chercher et part avec Martin vers le plateau. Là-bas, les acteurs tournent avec l'ordinateur. A la fin de la scène, O'neill prend l'ordinateur à l'actrice qui l'avait dans les mains. O'neill veut ensuite quitter le plateau, mais Martin ne veut pas partir et O'neill est obligé de l'emmener de force. Dans un camion, O'neill demande à Martin s'il peut contrôler le vaisseau avec l'ordinateur, mais Martin n'est pas très enthousiasmé à l'idée de devoir le piloter.

A ce moment, Tanner et ses hommes débarquent et exige qu'Oneill lui remette l'ordinateur. Soudain, Teal'c débarque à son tour et pointe son arme sur Tanner et ses hommes. Mais ce dernier demande toujours l'ordinateur à O'neill, qui fait semblant de ne pas savoir de quoi il parle. Tanner ajoute qu'il les a laissé partir car il savait que Martin le conduirait jusqu'à l'ordinateur.

Soudain, le téléphone de Jack sonne. C'est Carter qui lui annonce qu'ils ont réussi à se défaire de l'homme qui les gardait et que le NID ne va pas tarder à débarquer. O'neill raccroche et relait l'information à Tanner. Mais soudain, un grondement se fait entendre et tout le monde sort du camion. C'est le vaisseau qui arrive sur Terre, ce qui interrompt le tournage de la série.
Tanner supplie O'neill de les laisser partir car le NID ne les laissera jamais en paix. Jack tourne la tête vers les voitures du NID qui arrivent à toute allure, et Tanner supplie une nouvelle fois Jack. O'neill accepte alors de laisser partir Tanner et ses hommes en leur rappelant qu'ils ont une dette envers lui.
Un des hommes de Tanner se demande s'il faut emmener Martin, mais Teal'c répond qu'il s'est choisi une nouvelle vie. Tanner remercie Jack et se téléporte sur le vaisseau avec ses hommes, puis le vaisseau repart vers l'espace.


Wormhole X-Treme


Note: The wormhole x-treme team are referred to in context. For example if Michael DeLuise is playing the actor Nick Marlowe he is called Marlowe. If he is in character, as Marlowe as Danning he is referred to as Danning. They are still the same guy, Michael DeLuise though, not two separate actors. Hopefully it's not too confusing as they do switch quickly.


Previously on Stargate SG1- Point of No return

Scene: Space

A ship starts to power up and move.

Scene: Cheyenne Mountain, Briefing Room

Sam is stood up with a tape and Hammond, Jack, Daniel and Teal'c are sat round the table.

CARTER: Early this morning, approximately 0230, the Kepler space probe captured this image as it passed by Mars.

HAMMOND: What is it?

CARTER: Well, sir, at first the people down at JPL thought it was an asteroid. But then they started picking up some strange energy readings. They tracked the object and realised it was changing course and accelerating.

O'NEILL: Asteroids don't normally do that.

CARTER: No sir. The only logical conclusion is that it's a ship.

HAMMOND: Do we have any way of identifying it?

CARTER: As a matter of fact, we do. The energy signature is consistent with a technology we've encountered before. A year ago, we found this pod buried in a field near Billings, Montana.

O'NEILL: Martin.

DANIEL: What you mean the little guy with the clothes and the glasses and.... I thought his ship was destroyed?

O'NEILL: No, he said they came down in a pod after abandoning the ship. He never said what happened to it after that.

CARTER: Well if it is his ship we'd better talk to him. Because it's on a course for Earth and it'll be here in three days.

TEAL'C: Then we must locate Martin Lloyd immediately.

Scene: Studio Set

A group of people hide between some rocks while they are under fire.

DANNING: Hurry up Major, we need that force shield!

MONROE: I'm trying sir, but something's nullifying the electrolyte composite on the shield generator!

LEVANT: Try reversing the polarity.

MONROE: It's not working.

DANNING: What do you mean it's not working?

MONROE: I mean, it's not working.

DANNING: God help us!

DELUISE: Buy it! Dededededede. Anddd cut!

The actors get up.

Martin and Peter DeLuise are standing by a screen.

MARTIN: What? That was awful. We have to do it again.

DELUISE: Check the gate. We are moving on. Print everything! Nice job, people. Good moves.

MARTIN: Yeah, um, ah. Yeah, ah, ah, great job everybody. Yeah.

Martin walks off.

TITLES:

Scene: Briefing room

SG1 are watching the screen.

ANNOUNCER: Prepare for an X-treme adventure. Four X-cellent heroes in an X-traordinary new sci-fi series. Starring Nick Marlowe as the wry Colonel Danning.

We see Danning take out two bad guys.

DANNING: As a matter of fact it does say Colonel on my uniform.

We see Danning grab an alien woman.

DANNING: It's what I do.

He kisses her.

ANNOUNCER: Yolanda Reese as the brilliant Major Stacey Monroe.

MONROE: The pulse drive field emitters are off line but I can compensate by generating a feed back loop.

ANNOUNCER: Raymond Gunne as Dr Levant.

LEVANT: Dammit Colonel, just because they're aliens and their skulls are transparent, doesn't mean that they don't have rights!

ANNOUNCER: And introducing Douglas Anders as Grell the robot. Wormhole X-treme, coming this fall only on...

Hammond switches the tape off.

DANIEL: Well that looked familiar.

O'NEILL: I don't see it.

CARTER: Martin's involved in this?

HAMMOND: He sold the idea to the studio. He's currently working on production as a creative consultant.

TEAL'C: Then Martin Lloyd has seriously breached your security.

HAMMOND: Not necessarily.

DANIEL: What? He obviously got the whole thing from his knowledge of the Stargate program.

O'NEILL: If the Air Force didn't want it to happen they wouldn't have let it go this far.

HAMMOND: Plausible deniability. In the event of a future breach of security, we'll be able to point to this television programme. That is, if it stays on the air.

O'NEILL: Still doesn't change the fact that Marty sold us out.

HAMMOND: His motivations are of little concern at the moment. Our first priority is to find out everything he knows about that ship. Colonel, you're Wormhole X-treme's new Air Force consultant.

Scene: Studio lot

Peter DeLuise is supervising an explosion.

DELUISE: Nononono. Bigger. Much bigger.

We move on to a man and woman.

BILL: Copy that. Okay so tomorrow we've got 46 extras, make sure everybody's ready to cope with that. Hair, make up, wardrobe, costumes. And props. Has the props show and tell happened yet?

The woman he is talking to shakes her head.

BILL: Oh man. He's gonna freak.

Jack walks up.

O'NEILL: Excuse me? Do you know where I could find a Martin Lloyd? He's one of the bigwigs around here.

BILL: Copy that. (to Jack) Sorry?

O'NEILL: Martin Lloyd?

BILL: Oh yeah. Over there, by the trailers.

O'NEILL: Thank you.

Jack walks off.

BILL: Who's that guy?

The woman shrugs her shoulders.

Scene: Martin's trailer.

Martin comes out and sees a green alien woman and another woman.

MARTIN: Oh, they went with green? Okay, well it looks good.

The women walk off. A prop guy walks past with a pineapple.

MARTIN: Whoa, whoa, whoa. What is that?

PROPS GUY: It's fruit. Scene 23.

MARTIN: Okay, scene 23 takes place on another planet. You think aliens eat apples?

PROPS GUY: Why not? They speak English.

MARTIN: Get some Kiwi's and spray paint them red.

PROPS GUY: Okay, so now we go... Nick walks into the garden of Kiwi trees, says 'How like Eden this world is' and bites into a painted Kiwi?

MARTIN: Okay you're the prop master right? So you're a master of props. So, figure it out.

Prop guy walks off.

MARTIN: That's what you're wearing? Okay. Looks good.

Jack walks up.

O'NEILL: Martin?

MARTIN: Yeah, yeah. Can I help you?

O'NEILL: Jack.

Martin looks at him.

O'NEILL: Colonel Jack O'Neill. United States Air Force.

MARTIN: Yeahyeahyeahyeah. You're the new military technical advisor. Listen, don't speak to the actors.

O'NEILL: Martin, it's Jack. Remember last year, Billings, Montana?

MARTIN: I've never been to Montana. But I am going to Sundance this year.

O'NEILL: What about the name Tanner? Dr Tanner? Hammond, Carter... Murray?

MARTIN: Sorry. Listen, I've got a concept meeting in ten minutes and if I'm not there on time...well they start without me. But come back tomorrow and I'll show you round.

Martin walks off. Jack looks around and goes into his trailer.

Scene: Studio Lot

Peter DeLuise is supervising an explosion.

DELUISE: No. Look at my lips. Bigger.

Scene: Martin's trailer

Jack is on the phone to Hammond. Scene flicks between Jack and Hammond and the rest of SG1.

HAMMOND: What have you got for us, Colonel?

O'NEILL: Well here's news. I think Martin's had his memory erased again. He claims he doesn't remember me or anything about last year.

DANIEL: Tanner and his boys must have gotten to him first.

O'NEILL: Yeah, well I checked out his trailer. Didn't find any medication but there are a lot of vitamins.

HAMMOND: Send in a sample for analysis. In the meantime, keep an eye on Martin.

O'NEILL: Yes sir.

Jack hangs up the phone.

Scene: SGC Briefing room

CARTER: Sir, if Tanner and his men are involved, Colonel O'Neill could use some backup.

HAMMOND: I agree with you Major. You leave in one hour.

Scene: Set.

Danning is talking to an alien princess and there are dead aliens on the floor.

PRINCESS: I cannot thank you enough Colonel. It has been many bleems since my people were enslaved by the minions of Lord Varlock.

DANNING: Hey it's what I do...

He trips on a dead body.

MARLOWE: ...do. Hey this isn't working!

DELUISE: Cut.

A clapperboard is clapped right in front of Danning's face.

DELUISE: Nick, what's up?

MARLOWE: This is supposed to be a love scene and we're walking through all these dead aliens.

DELUISE: Uh, right, well it's continuity. You just killed them all.

MARLOWE: Yeah, yeah, well. Can't we walk somewhere else?

DELUISE: Well Nick, there is no somewhere else. This is the planet we have, between here and here. It's all the set there is. And the reality of the scene dictates that there be dead aliens because you just killed them.

COOPER: We could always go back to the way it was in the script.

DELUISE: No, we can't. We've already established that one shot stuns and two shot's kills. Nick just shot everybody twice.

MARTIN: So three shots disintegrates them.

DELUISE: Okay, you know what? I'm gonna pretend you didn't say that because that is quite possibly the stupidest thing I have ever heard you say.

MARTIN: Why are you looking at me like I'm an idiot? Why are you even on set? Go write something.

MARLOWE: Ooh. What colour is the beam from the ray gun?

MARTIN: We can't afford a beam. Sound effects.

DELUISE: It'll be great. You'll see. Reset.

BILL: Back to one.

DELUISE: Nick, Nick, Nick, Nick. Gonna be in close up. The dead aliens will be below frame.

MARLOWE: The audience is gonna know they're there.

DELUISE: Okay. Kill the dead aliens. Aliens off the set.

BILL: Aliens off the set.

The extras all get up. Man with a megaphone shouts at one still lying there and we see he is a dummy when someone comes to pick him up.

Marlowe is talking to himself, practising the emphasis on his lines.

MARLOWE: HEY, it's what I do. IT'S what I do. It's what I DO.

He sees Jack.

MARLOWE: You're the new military advisor?

O'NEILL: Yes sir.

MARLOWE: You're the real deal, huh? You seen action?

O'NEILL: That would be classified.

MARLOWE: Oh, I like that. Sorta like a yes but really a no. This is realistic right? He uniform? Camouflage?

O'NEILL: Oh yeah. You don't want to be a target out there in... space.

MARLOWE: That's exactly what I said so why aren't the aliens ever in camouflage?

MARTIN: Oh I fought for that, uh, Nick. But the studio wants the aliens seen.

MARLOWE: An alien wouldn't wanna be seen, Martin. Think.

O'NEILL: Maybe that's why they're dead?

MARLOWE: That helps me. Thanks.

DELUISE: Can we do this?

BILL: Doing this.

Nick turns round and we see a big X on his back.

MARTIN: With the X, I know what you are thinking. It's a marketing thing. You see, I wanted to call the show `Going to other planets' but research says that shows with X in the name get better ratings.

O'NEILL: Ah.

DELUISE: Annnnnnnnnnnnnnnd action!

Scene: Warehouse

MAN1: The ship's on schedule. Preparations for departure are almost complete. There's only one problem.

TANNER: This is gonna complicate matters.

He sees a picture of Jack talking to Martin.

Scene: Hammond's Office

Hammond is on the phone and Janet is waiting outside.

HAMMOND: Very well, you have my authorisation to begin surveillance.

He waves Janet in.

HAMMOND: Keep a low profile Major, we don't want to show our hand.

He puts the phone down.

HAMMOND: Dr Fraiser.

FRAISER: Surveillance on Martin Lloyd I assume?

HAMMOND: His house actually. To help determine whether his old friends have returned.

FRAISER: Tanner.

HAMMOND: The idea is to determine whether Tanner and the other aliens have been watching Martin. Major Carter and Dr Jackson will try to intercept frequencies being broadcast from inside his house.

FRAISER: Oh, so like a surveillance surveillance.

HAMMOND: In a manner of speaking. Are those the test results from the vitamins Colonel O'Neill found in Martin's trailer?

FRAISER: Yes sir. They contain a significant amount of the chemical that Tanner used to block Martin's memory before.

HAMMOND: Which confirms what we already suspected.

FRAISER: Mmm hmm.

HAMMOND: The question is what do they want Martin to forget?

Scene: Bridge Studios

Reese is walking towards Martin and Peter DeLuise

REESE: Excuse me.

DELUISE: Because it undermines my authority that's why?

REESE: Guys.

MARTIN: Ah Miss Reese.

REESE: Ah I'm having a little trouble with Scene 27. It says that I'm out of phase which means I can pass my hand through solid matter or I can walk through walls.

DELUISE: Yeah. Cause you're out of phase.

MARTIN: Exactly.

REESE: How come I don't fall through the floor?

Martin and Peter stop. They look at each other and then back to Reese.

MARTIN: We're gonna have to get back to you on that one.

She walks off past Jack.

O'NEILL: Hi.

REESE: Hi.

She goes to the food and then walks off.

Teal'c is seen walking with a tray and people are turning their noses up at the sandwiches. He then goes over to Jack.

O'NEILL: No takers?

TEAL'C; This crew does not appear to enjoy the traditional dishes of Chulak.

O'NEILL: Showbiz huh?

MALLOZZI: Hey! What happened to all the doughnuts?

TEAL'C: They were consumed by the drivers before they retired to sleep. We wish to converse privately.

The two men just stand there.

TEAL'C: Leave us!

They leave.

O'NEILL: Carter and Daniel?

TEAL'C: The investigation is ongoing.

Scene: Martin's House

Sam and Daniel are in a surveillance truck outside.

DANIEL: Are you sure the signal's coming from inside Martin's house?

CARTER: I've gone over the triangulation three times. I just have to match the frequency. Hold it, I've got something.

She pulls up pictures of Martin's house.

DANIEL: Hidden cameras.

CARTER: Just like last time.

Scene: Set

Jack, Peter DeLuise, Martin are talking to a big wig.

BIGWIG: Look, I know it says he's weightless in the script but look what happens when I scratch out the word weightless. You see, he no longer becomes weightless. He just becomes.

DELUISE: Okay fine. Good, but how else does Colonel Danning get past the giant alien guard?

O'NEILL: Why doesn't he just shoot him?

BIGWIG: Who is this?

O'NEILL: Colonel Jack O'Neill.

MARTIN: He's the new Air Force technical advisor. He doesn't know he's not supposed to say anything yet.

BIGWIG: You're telling me an Air Force officer can shoot a giant alien without having to be weightless?

O'NEILL: Sure, why not?

BIGWIG: You know, I'd like to hear `sure, why not' a little more around here. Now the space ship in scene 53..

He makes a cut motion.

MARTIN: We have to see the ship, it's crucial to the episode.

BIGWIG: We're gonna see it in their reactions. It's like 'Oh my God, look at that ship. It's indescribable'. All right, you can do it for 5 thousand dollars less, you can keep it in. Are we done? I have a tee time.

DELUISE: Marty has a problem with the scene in Act 3.

BIGWIG: Oh is that a fact Marty?

MARTIN: You have two way travel through a wormhole.

BIGWIG: So?

DeLuise shrugs and mouths `I know'

MARTIN: That's impossible. Matter can only move one way through an open wormhole. The scene is scientifically unsound.

BIGWIG: Okay, show of hands. Who here has won a Cable Ace award?

He raises his hand. No one else does.

BIGWIG: Thank you.

He starts to walk off. Then turns to Jack.

BIGWIG: Oh. Nice save with the shooting the giant alien being. Clever.

DELUISE: Billy, make it go.

BILL: Making it go, sweetie. Back to work folks.

Scene: Outside

Martin and Jack walk outside.

MARTIN: You know, I am the creative consultant on this show, which means nothing should happen creatively without me being consulted.

O'NEILL: He consulted you, he just didn't listen.

MARTIN: You know what he worked on before this? A show about a talking dog who solves crimes. So what if they had a hundred episodes?

O'NEILL: Poochinsky?

MARTIN: Yes. Poochinsky.

O'NEILL: Great show. Hey Marty, what makes you so sure matter can only travel one way through a wormhole?

MARTIN: I don't know, I must have read it somewhere.

O'NEILL: And this secret Government team that goes to other planets, where'd that come from?

MARTIN: Oh it's based on a story I wrote last year, I couldn't get it published, I was just about ready to give up and I got a call from the studio. To tell you the truth, I'm not even sure how they got their hands on it.

O'NEILL: So you just made it up?

MARTIN: Never ask a writer where he gets his ideas. In truth, we don't know.

Martin walks off. Jack's phone rings.

O'NEILL: O'Neill.

CARTER: Colonel, we were right. Tanner and the others have Martin under surveillance again. It can't be a coincidence Sir, it has to have something to do with the arrival of that ship.

O'NEILL: All right, they may have tried to infiltrate the studio. I'll see what I can dig up.

MAN: Fire in the hole!

There's an explosion behind Jack.

DELUISE: Bigger! What is it about the word bigger that you don't understand?

Scene: Front Gate of Bridge Studios

The woman is reading `Dust off that old screenplay and sell it' By Robert Cooper.

Jack walks in.

WOMAN: The auditions are in the building over there.

O'NEILL: I'm not auditioning. I'm with the Air Force. Colonel Jack O'Neill. Really. Do you keep a record of everyone who comes and goes through here? It's for a security check. One of our General's is doing a guest spot on the show. A small but pivotal role.

WOMAN: I've got the licence plates of every vehicle that comes and goes through here on file.

O'NEILL: Great. Would you mind emailing them to that address?

He hands her a card.

WOMAN: Okay. Sure.

O'NEILL: Thank you. I like the uniform.

Scene: Surveillance Truck

Sam and Daniel are looking through the files of studio personnel.

DANIEL: Why would somebody with two Ph.d's become a teamster?

CARTER: Must be the money, I guess. Wait a minute, this guy looks familiar.

She pulls up the record of a Steve Austin.

DANIEL: You're right. That's one of Tanner's men.

CARTER: According to this, he's a production assistant named Steve Austin. I think we'd better pay Steve a little visit.

Scene: House

A car pulls up and a man gets out. It's Steve Austin. Sam peers round a corner.

CARTER: He's on his way up. (on Radio)

DANIEL: Copy. (On radio)

Daniel is on the stairs an watches him enter his apartment. Sam comes up the stairs. She knocks on his door.

CARTER: Hello.

She tries the door and it's open. They go inside. Daniel goes onto the balcony and they find he is not there.

DANIEL: So. Where the hell'd he go?

Scene: Set

DANNING: Princess, I've seen a lot over the years. The crystal rivers of Arradel. The blue volcanoes of Kashtorem, even the star fires of Grablack 6. None of it compares to you.

They start to kiss and a phone rings.

DELUISE: Cut!

MARLOWE: What was that? Who was that?

BILL: Tail slate.

MARLOWE: I want a name.

O'NEILL: It's me. Sorry to...

MARLOWE: No problem. I'm sure it's important.

BILL: That's lunch.

MARLOWE: Let me show you something in my trailer. (To Princess actress)

Jack moves off to answer the call.

O'NEILL: O'Neill.

CARTER: I don't know what happened Sir, we lost him. One minute he was here, the next minute he was gone.

O'NEILL: Yeah, they have a habit of doing that.

CARTER: We do have one lead though. Before he left, he made a quick phone call. We traced it to a warehouse on the East Side.

O'NEILL: Bring backup this time.

CARTER: Sir we don't have a lot of time before the ship enters orbit. You'll have to confront Martin.

O'NEILL: Yeah, I will.

Jack sees the make up people trying to get Grell the robot to lift one eyebrow and using wire to do it.

Scene: Martin, and two bigwigs move away from the catering truck towards a limo. I think one is Hank Cohen from MGM.

COHEN: You know I was thinking, you know what this show needs? A sexy female alien. Trust me.

MARTIN: Yeah.

O'NEILL: Marty? You got a second?

MARTIN: Well now's not really a good time, I'm supposed to have....

The limo roars off without Martin.

MARTIN: Okay, now's good.

Scene: Martin's trailer

Jack is reading Martin's book.

O'NEILL: The Colonel stood before the vertical shimmering pool of light fascinated by the dancing ripples in the event horizon. What mysteries lay beyond this mystical portal, what wonders awaited him and his band of stalwart cohorts?

MARTIN: Pretty good, huh?

O'NEILL: Damn good.

MARTIN: The only difference from the original story is that there was a fifth member of the team. He was a handsome, smooth talking alien who was stranded on Earth when his crew deserted him. The producers made me cut that part out.

O'NEILL: And you have no clue where you got this idea?

MARTIN: Well, like I said...

O'NEILL: Martin, it's all true.

MARTIN: What are you talking about?

O'NEILL: Wormholes. Travelling to other planets. It's all real. I command a unit called SG-1. It's the advanced team of a secret military operation. We explore the universe through a device called the Stargate.

MARTIN: The crew put you up to this, didn't they?

O'NEILL: Here's the kicker, Marty. You know all about it. You've been through the Stargate. Unfortunately you've had your memory erased.

MARTIN: So what, I'm a member of this SG-1?

O'NEILL: No.

MARTIN: Then how do I know about it?

O'NEILL: Because you're not just interested in outer space, you're from outer space.

MARTIN: Is this a pitch?

O'NEILL: Huh?

MARTIN: Alien crash lands. We have to find him before it's too late only his memory's been erased.

O'NEILL: Martin.

MARTIN: No, no, it's not bad. If we just add a twist.

His beeper goes off.

MARTIN: I'm needed on the set. Why don't you type up what you have and I'll take a look at the coverage on it. Oh, no promises.

Martin walks out.

Scene: Warehouse

Sam and Daniel get out of the truck.

AIRMAN: Perimeter's secure Major. We're awaiting your orders.

CARTER: Let's move in.

AIRMAN: Move in. Move in.

They all move in.

Scene: Inside the warehouse.

There are people in black looking at all the equipment.

CARTER: Nobody move.

The men get out guns.

CARTER: Drop you weapons! Drop them!

AIRMAN: Lower your weapons.

BARRETT: You drop your weapons, now.

CARTER: I'm Major Samantha Carter, United States Air Force.

BARRETT: And I'm Agent Malcolm Barrett, NID.

Everyone lowers their weapons.

AIRMAN: NID? Major, what the hell's going on here?

CARTER: We've been set up.

Scene: Set

Martin walks onto an empty set.

MARTIN: Hello. Someone paged me to Stage 6? Hello?

He tries to leave but finds the door locked.

MARTIN: Hello?

He carries on walking down what looks like a Goa'uld mothership corridor set. There's a noise so he turns back.

O'NEILL: Hey.

MARTIN: Arrgghh.

O'NEILL: Marty, relax. What's going on?

MARTIN: I guess the crew's just playing an affectionate prank by paging me to a stage we're not shooting on. It happens all the time, it's out of respect.

The lights go out.

MARTIN: Hey, nice one guys.

Jack gets his gun out of his ankle holster.

O'NEILL: All right, stay with me.

They start to move and Jack throws his hat down. They then come across Tanner.

TANNER: Hello, Colonel.

Two other men come up behind with guns.

O'NEILL: Tanner, I presume?

MARTIN: Is he with you?

TANNER: Don't worry Martin, everything will become clear in time. Gentlemen, the Colonel's weapon.

Jack gives it up.

Scene: Set

Jack and Martin are tied to chairs.

MARTIN: This is really bad.

O'NEILL: Relax.

MARTIN: They're shooting the big finale this afternoon. I have to be there.

O'NEILL: Yeah, I can see how that would be high on your list of priorities, right now.

MARTIN: Couldn't you have dealt with these guys on you own? Did you have to drag me into it?

O'NEILL: Marty. You are the reason we're here.

MARTIN: Don't start with that outer space stuff again.

O'NEILL: Martin, the vitamins you've been taking are laced with a chemical that's been suppressing your memory. I had `em analysed.

MARTIN: Okay, fine. I'm an alien. Whatever.

O'NEILL: They are aliens too. They're from your planet.

MARTIN: Okay, that is the stupidest Act 4 opening ever. You should stick with the Air Force Colonel, a writer you're not.

The door opens. Tanner and his men walk in.

O'NEILL: Hey, how go the travel plans? Space ship on time and all. I only ask cos I care.

Tanner gets out a medical bag.

MARTIN: Guys, I'm kinda out of the loop here. Since I work in the television business and I don't really know anything, I was wondering if you would consider letting me go because... oh.

Martin sees a big needle.

MARTIN: I'm hoping that's your insulin shot.

Tanner goes to Martin and roles up his sleeve.

MARTIN: Honestly, needles make me kinda queasy.

TANNER: Don't worry Martin. Just a little something to help you remember.

MARTIN: Ooh. Just tell me what you want me to remember and I'll remember it.

He injects him.

MARTIN: Yeah, yeah, we'll rewrite it. It'll be great.

Scene: Warehouse

Sam is on the phone, Daniel is playing with some scissors.

BARRETT: Let's go over this again shall we?

DANIEL: You want a diagram? They led us straight to you.

BARRETT: The aliens?

DANIEL: Yes, the aliens. Please, Mr Man in Black, don't pretend you don't know about the aliens.

CARTER: Now we can't get a hold of Colonel O'Neill. We have to go to the set and figure out what's going on.

BARRETT: No you're not going anywhere. The NID's been given full authority over this investigation.

Scene: Set

Jack and Martin are still tied up. Teal'c walks in.

TEAL'C: O'Neill.

O'NEILL: Teal'c. How'd you find us?

TEAL'C: I witnesses your abduction from the studio.

O'NEILL: Where's Tanner?

TEAL'C: He and his men have once again disappeared.

MARTIN: The real money's in syndication.

O'NEILL: Martin. Martin, come on.

MARTIN: If you wanna have lunch, just call my assistant.

O'NEILL: Marty!

Jack slaps him.

MARTIN: Colonel O'Neill? Murray?

O'NEILL: You remember?

MARTIN: Yeah. The antidote worked, I remember everything now.

O'NEILL: Marty, what happened? Why'd they drug you again?

MARTIN: They didn't. I did it to myself.

TEAL'C: For what reason?

MARTIN: When we went back to my planet and we saw that it was gone, I couldn't handle it. And the real estate job the Air Force got me was driving me crazy. I just wanted to forget everything.

O'NEILL: You were just gonna keep taking pills for the rest of your life?

MARTIN: Another month and the long term memory loss would have been permanent. Oh. Oh no.

TEAL'C: What is the matter, Martin Lloyd?

MARTIN: Wormhole X-treme, the show is based on your Stargate program.

O'NEILL: Don't worry, it's on cable. So why'd they bring you out of it. Why now?

MARIN: The ship's coming. We put it on a timer. Sort of a backup plan in case things didn't go right here.

O'NEILL: Why do they need you?

MARTIN: I still have the mobile computing device I stole from Tanner. They need it to access the ship.

O'NEILL: Where is it?

MARTIN: Don't worry, it's in a safe place.

Scene: On location

The device is on the prop table.

BILL: And rolling.

Reese is having her make up done.

REESE: Where's this from?

DELUISE: Standing with the quadro scanner. Don't stop rolling. Kenny, run. You overpaid, below the line freak. Billy, roll right now.

BILL: Rolling.

Kenny attaches the device to Reese.

DELUISE: Kenny, I love you but you're not in this scene. Billy?

BILL: Roll. Speed.

DELUISE: Action.

Scene: Props room at Bridge Studios

Jack and Martin are looking through the props.

MARTIN: It has to be here somewhere.

O'NEILL: You used a real alien device as a prop on the show?

MARTIN: Well I'd forgotten what it was at the time. Besides, do you have any idea what it costs to make one of these things?

PROP GUY: Can I help you?

MARTIN: We're looking for the quadro scanner.

PROP GUY: It's at the location.

MARTIN: What? Why?

PROP GUY: Somebody put it in the scene at the last minute.

MARTIN: How come?

PROP GUY: I don't know, I just do my job, man.

O'NEILL: Come on.

MARTIN: Murray.

They leave. Prop guy gets his phone out.

PROP GUY: Yeah, get me Agent Barrett.

Scene: Warehouse

Barrett is on the phone.

BARRETT: All right, good work. Let's go guys, we got `em. You two stay here.

CARTER: What?

BARRETT: We want the ship. It's too important. Frankly, I don't trust either one of you. Agent Smith. Watch over these two and make sure they don't move.

Scene: Location

Jack, Teal'c and Marty drive up. They get out of the car.

O'NEILL: Murray, look around. Marty, you're with me.

Scene: Filming

MONROE: I'm picking up the same low level gamma radiation we came across in the photon belt.

LEVANT: That doesn't make sense. I mean, those aliens couldn't have just disappeared, could they? Have?

DELUISE: And turn. Turn. Doug? Cut. Perfect. And tell slate. And Doug, you supposed to turn to me, remember? Okay, print everything. Moving on.

Jack moves to Reese.

O'NEILL: Good scene.

REESE: Thanks.

O'NEILL: You really nailed it. Let me take this stuff for you.

REESE: Whoops.

She drops something.

REESE: There you go.

She hands it to him.

O'NEILL: Yellow.

Jack hands over her stuff except for the device.

O'NEILL: Let's go. (To Martin)

MARTIN: No wait. They're just about to shoot the big finish.

O'NEILL: Too bad.

MARTIN: I'm not leaving Colonel.

Jack grabs his jacket.

MARTIN: Okay, maybe I am.

Scene: Location truck

Jack and Martin go into an empty truck.

O'NEILL: You can control the ship from here with this?

MARTIN: Maybe. But do I have to?

O'NEILL: Yes Marty, you....

Jack sees Tanner and hides the device.

TANNER: You can hand me the device Colonel.

O'NEILL: Well this is getting old.

TEAL'C: Lower your weapons.

TANNER: Looks like we have a situation.

O'NEILL: You know guys, you can walk away from this. We're not gonna come after you.

TANNER: What about your friends at the NID? No more hiding. Where's the device?

O'NEILL: What device?

TANNER: Colonel. We let you escape because we knew Martin would lead you right to it.

A phone rings.

O'NEILL: That's me. Mind if.. I ...

He answers it.

O'NEILL: O'Neill.

CARTER: Sir, it's me.

O'NEILL: Hey, Carter. How you doing.

CARTER: The NID have made your position. They'll be there any minute.

O'NEILL: Everything all right?

CARTER: It is now.

She turns and we see Daniel tying up Agent Smith.

O'NEILL: I'll be in touch.

He switches the phone off.

O'NEILL: Time's up guys. The NID's on it's way.

MARTIN: Look! They're too late.

He jumps out of the truck and into Teal'c.

MARTIN: I'm all right Murray.

Everyone walks out of the truck and we see a large cloud forming.

Scene: Shoot

MONROE: We should return to the Star portal before the aliens return.

LEVANT: What? But I haven't finished translating the alien text. What do you think?

Grell opens his mouth.

REESE: What the hell is that?

GUNNE: Is that, is that ours?

MARTIN: Keep rolling, keep rolling.

DELUISE: Yeah, keep rolling. Pan around here monkeys.

MARLOWE: Hey, what's this about? I'm supposed to be in all the cool scenes.

Martin moves to the camera.

MARTIN: Tilt up! Tilt up!

The camera tilts up and we see the alien ship descending.

Scene: Location

TANNER: Colonel, please. You know as well as I do, they're never gonna leave us alone.

They turn to see cars approaching.

TANNER: There's nothing for us here. It's time for us to go.

Jack gets the device out and gives it to Tanner.

O'NEILL: You officially owe me one.

MAN: What about Martin?

TEAL'C: I believe Martin Lloyd has chosen a new path.

Martin is looking up at the ship.

MARTIN: We're gonna win an Emmy for this. Visual effects category.

TANNER: Thank you Colonel. We won't forget this.

Tanner beams the three men away and the ship flies off.

MARTIN: Cut it. Print it. That's a wrap.

DELUISE: Yeah. Cut it.

He shakes hands with Martin.

We see two men looking up. They are Brad Wright and Michael Greenburg.

GREENBURG: Cool special effect.

WRIGHT: I've seen better.

GREENBURG: Ah we'll fix it in post.

WRIGHT: Yeah. So you think we could get eighteen in?

GREENBURG: Yeah if we cut back on the Mollians.

WRIGHT: You think that's funny?

GREENBURG: Yeah, it's good enough for a walkaway.

WRIGHT: When's a good time to fade out?

GREENBURG: Right about now.

THE END

EXTRAS

NARRATOR: Stay tuned for a special behind the scenes look at Wormhole X-treme.

Scene: Interview with Christian Bocher

BOCHER: I'm Christian Bocher. Portraying the character of Raymond Gunne who portrays the character of Dr Levant which is based on the character Daniel Jackson portrayed by the actor Michael Shanks originally portrayed by the actor James Spader. In the feature film. Are you okay?

Scene: Levant is being hit by rocks

BOCHER: Look out!

BOCHER: Arghh!

The scene repeats and he is constantly being hit.

DELUISE: And cut.

BOCHER: No. No.

DELUISE: Are you okay?

BOCHER: No I'm not okay. Ice. Could I get some ice?

DELUISE: All right let's get some ice in here.

Scene: Peter DeLuise is talking to Michael DeLuise.

PdL: All right this is the eyeline.

MdL: Wormhole X-treme. We're in space, you can do anything in space. Basically you've got the space between your teeth, the space, personal space.

PdL: Right okay, so..

Scene: MdL is shooting the trailer.

MdL: As a matter of fact it does say Colonel on my uniform.

The scene is cut and he looks down.

MdL: You know it doesn't say Colonel. Anyone ever think of that?

PdL: Um, it's just a figure of speech.

MdL: Well it's a figure of speech I can't figure out because I'm no seeing Colonel on my uniform. Could it be here? (He points to the patch on his arm)

Scene: PdL is talking to MdL.

PdL: You realise this is not a real show, right?

MdL: What are you talking about? Are you saying Wormhole X-treme is not a real show? We did all this. All this is....

PdL: It's not a real show.

MdL: Does my agent know about this?

Scene: On set.

PdL: Be heroic and just look over here at..

MdL: This isn't a real show?

PdL: No. It's not a real show.

MdL: If it's not a real show, then why are you telling me what to do? How could this not be a real show if we're doing it? Right now?

Scene: MdL is talking to PdL

MdL: Am I getting paid real money?

PdL: Yeah you're getting paid real money.

MdL: So what plane of reality are we on right now?

Scene: Shooting a scene

The Princess slaps MdL. She is a lot taller than him.

MdL: Hey. It's what I do.

He kisses her.

MdL: Are you sure you can't see the difference in our height? Could I get a half apple?

PdL: Okay, let's get a half apple.

MdL: I'm looking straight up her nose. You don't have to hit me that hard either. I think you can really see the difference in our heights.

PdL: It's not obvious.

MdL: Look I'm gonna measure it. I'm like..

PdL: But on this lens it looks right.

MdL: From this angle it looks like we're the same height?

PdL: Yeah.

MdL: You wouldn't lie to me?

PdL: I wouldn't lie to you.

Scene: Jill Teed, the actress who plays Monroe is talking to PdL.

TEED: How come I never get to kiss anybody?

PdL: There's an episode being written for you very soon.

TEED: Sure.

Scene: PdL is trying to get Grell to lift one eyebrow.

PdL: Just one eyebrow.

He does both.

PdL: No, just the one.

Scene: Shooting a scene

PdL: And turn your back to me. Turn all the way around to me and do the hero thing and Action.

MdL: How can this not be a real show?

PdL: Oh forget it. Just cut.

The End

Liz




Source : Stargate Fusion

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Au total, 22 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

Larousse96 
03.12.2016 vers 18h

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19.09.2016 vers 20h

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30.08.2016 vers 17h

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HypnoChat

stanary (23:26)

Mais c'est bizarre ! Pour moi y a que 3 pubs normalement...

Titepau04 (23:27)

Bah d'habitude elles sont un peu plus longues mais moins fréquentes

Titepau04 (23:27)

Même entre les 2 épisodes yen avait une

Titepau04 (23:27)

Je pense qu'il y a eu 5 pubs en fait, 2 par épisode et une entre les deux

stanary (23:28)

Et c'est sur TF1 ?

Titepau04 (23:29)

Oui

stanary (23:29)

Ah bah alors ils ont tout changé

Titepau04 (23:30)

Je pense qu'ils ont fait parce que les épisodes étaient plus longs

Titepau04 (23:30)

65 min par épisode

stanary (23:33)

Ah oui la je comprends mieux. J'avais jamais vu ça à la télé c'est pour ça

Titepau04 (23:34)

C'est désagréable

stanary (23:37)

Au pire regarde si une autre chaine diffuse la série

Titepau04 (23:38)

Je crois pas qu'il y en ait d'autre ... c'était les derniers de la saison

stanary (23:42)

Et c'est déjà fini ?

Titepau04 (23:42)

Oui ça y est

Titepau04 (23:42)

Yen a que 8

stanary (23:44)

8 épisodes ? ah mais c'est meilleur alors !

Titepau04 (23:56)

Nooonnnnn c'est trop court!!!

stanary (00:17)

Ah ça, ça dépend quand même des séries. Bon moi je vais me coucher. Bonne nuit !

Titepau04 (10:33)

Bonjour tout le monde!!!

serieserie (11:14)

Hello la citadelle!

Sonmi451 (14:46)

Bon week end!

Chaudon (17:21)

Depuis début décembre, le quartier "Elementary" a un NOUVEAU SONDAGE ! Soyez nombreux pour voter !

Chaudon (17:22)

...Désolé, je me suis trompé d'HypnoRooms . Comment enlever mon précédent message ?

Sonmi451 (18:35)

En papotant ^^

Sonmi451 (18:35)

Mais moi j'ai du mal à écrire, y a un bébé

Sonmi451 (18:36)

qui veut l'ordinateur lol

Minamous (20:27)

L'HypnoGame Arrow commence dans 30 minutes et il reste des places, alors s'il y a des retardataires, n'hésitez pas à nous rejoindre

Minamous (20:28)

oups...je croyais que j'étais sur HypnoPromo, sory

Titepau04 (21:13)

Sonmiiiii!!! Tu es là??!!

Phoebus (00:03)

Bonjour, nouveau sondage sur le quartier de Person Of Interest.

arween (09:26)

Bonjour ! Nous n'avons que peu de participants à l'animation The Night Shift... Elle est pourtant ouverte à tous ! Allez ne soyez pas timide et venez nous rendre visite

SeySey (12:55)

Bonjour! Nouveau sondage spécial fête de Noel sur le quartier Under The Dome! Venez nombreux!

liliju (15:55)

Un sondage spécial Noël vous attend sur le quartier des zombies (The Walking Dead). Ils ont besoin de vous. Merci de votre temps

Titepau04 (17:06)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!
Et profitez-en pour voter sur le sondage ncisla!!!!

chrismaz66 (17:39)

'Soir, venez départagez nos ex-aequo au sondage House, et Torchwood va bientôt fêter ses 10 ans : animations signées Choup! Un petit coucou serait sympa Merci

serieserie (09:44)

Tout dernier jour pour vous inscrire à la soirée HypnoGame ARROW de samedi soir!! Allez si vous aimez un minimum la série et que vous avez envie de passer une bonne soirée avec nous, venez vous inscrire à l'accueil, n'aillez pas peur!!!!

SeySey (14:50)

Bonjour! Nouveaux design & sondage sur le quartier Under The Dome! Venez donner votre avis

oOragnarOo (15:10)

bonjour, venez voter à la photo du mois sur SONS OF ANARCHY et VIKINGS merci d'avance

Merane (16:41)

Bonjour, le sondage sur l'épisode 6.04, Relics, de Teen Wolf, vient d'arriver . N'hésitez pas à voter et à partager votre avis, merci .

Sonmi451 (22:10)

La bannière de noel d'urgences attendent vos votes dans préférence, merci.

Titepau04 (22:17)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!
Et profitez-en pour voter sur le sondage ncisla!!!!

Titepau04 (22:18)

Calendrier de Noël pour les jolies sorcières de Charmed!!!

arween (08:32)

Bonjour à tous ! Venez nous rendre visite sur The Night Shift pour participer à notre grande animation (ouverte à tous), commenter le joli calendrier réalisé par serie² et voter au sondage ! Merci

arween (08:33)

Dollhouse vous attends pour voter au sondage et commenter le calendrier fait par Xana. Merci pour vos visites

mnoandco (09:17)

Hello, le quartier Blacklist vous propose de venir voter pour ses HypnoAwards. Venez découvrir chaque jour une nouvelle catégorie! Vous avez oublié ! Pas de soucis ! Vous pouvez voter pour les catégories précédemment proposées et ce pendant les 15 jours que dure l'animation !

serieserie (09:29)

Heyyy! Lucifer vous attend pour son animation 'Le diable s'habille en Prada'!!

liliju (10:16)

Ca vous dit une ptite interview collective pour Noël sur le quartier Supernatural? je vous attend sur le topic spécial interview. Et n'oublier pas le calendrier de l'avent sur le quizz. Merci à tous. On ne peut rien faire sans vous

Titepau04 (10:32)

Bonjour !!!! Venez vous inscrire aux concours de Noël dans les quartiers de ncis Los Angeles et s club 7!!!
Et n'hésitez pas à commenter les calendriers au passage!!
Profitez-en aussi pour voter sur le sondage ncisla!!!! et pas besoin de connaître la série!

Titepau04 (10:33)

Calendrier de Noël pour les jolies sorcières de Charmed!!!

serieserie (12:22)

On oublie pas de venir voter pour le concours #OneChicagoOS sur Chicago PD

angie5 (12:35)

Bonjour, nouveau design pour le quartier de sous le soleil, vous pouvez commenter sur le forum dédié et n'hésitez pas à commenter les épisodes d'une famille formidable saison 13 diffusé depuis lundi !! et si vous voulez donner un coup de main, envoyez-moi un mp. merci. bonne journée. Bonne visite!!

mnoandco (14:44)

Hello, le quartier Blacklist vous propose de venir voter pour ses HypnoAwards. Venez découvrir chaque jour une nouvelle catégorie! Vous avez oublié ! Pas de soucis ! Vous pouvez voter pour les catégories précédemment proposées et ce pendant les 15 jours que dure l'animation !

mnoandco (14:45)

Le quartier Blacklist, en plus de l'animation HypnoAwards, vous propose de jolis calendriers pour ce mois de décembre. N'hésitez pas à venir voter, commenter vos choix, donnez votre avis sur ces créations!

mamynicky (15:01)

'Jour les 'tits loups Le quartier Empire voudrait connaître vos goûts en matière de chants de Noel.

chrismaz66 (16:40)

Mamy je déteste les chants de noël, ça m'file le cafard ! Mais bon je vais voter parce que c'est toi

chrismaz66 (16:42)

Choup nous a concocté des animations spécial 10 ans de ouf pour Torchwood, venez jouer, pas besoin de connaître la série! Apportez juste vos yeux et votre cerveau

Phoebus (18:20)

Bonjour, Photo de l'épisode et Review de l'épisode 8x06 (celui du 2 décembre) sur le quartier The Vampire Diaries.

Sonmi451 (21:27)

Merci voter dans préférence.

Minamous (20:28)

HypnoGame Arrow dans 30 minutes sur la citadelle, il reste des places, n'hésitez pas à nous rejoindre si vous voulez vous amuser avec nous

Rejoins-nous !

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