VOTE | 178 fans |

#111 : Un de trop

 

Résumé : Michael a sa première visite conjugale au grand étonnement de ses compagnons de galère !!! Quinn passe à l'attaque; il tire sur Nick et baillonnent LJ et Véronica. Michael récupère les affaires qu'il avait le jour de son entrée au pénitencier... mais une montre en or a disparu. Il demande à Tweener de la lui récupérer. Bellick enquête sur l'identité de la femme à Scofield, persuadé de l'avoir déjà vu auparavant !

Popularité


4.5 - 2 votes

Titre VO
And Then There Were 7

Titre VF
Un de trop

Première diffusion
14.11.2005

Première diffusion en France
28.09.2006

Diffusions

Logo de la chaîne M6

France (redif)
Vendredi 23.06.2017 à 01:20
0.28m / 11.7% (Part)

Plus de détails

Durée : 45 min

Avec : Dominique Purcell, Wentworth Miller, Robin Tunney, Peter Stormare, Amaury Nolasco, Marshall Allman, Wade Williams, Paul Adelstein, Robert Knepper, Sarah Wayne Callies
 
Moments forts :

Michael est marié !!!
Quinn tire sur Nick et ligottent Véronica et LJ
Tweener donne un sérieux coup de main à Michael en simulant une crise
Bellick retrouve la trace de Nika

Note de l'épisode : 4/5

Épisode 11

Plan sur Michael Scofield qui se réveille dans sa cellule.

Flash back : Michael est dans une bijouterie. Il achète une alliance…

Fernando et Michael se heurtent plus ou moins concernant le plan. En effet, Fernando, poussé par C-Note, se pose des questions légitimes et cherche à en savoir le plus possible mais Michael ne souhaite pas le mettre dans la confidence afin de le protéger… A l’infirmerie, Michael vide à nouveau le contenu de ses dentifrices à travers la grille. Puis, il observe attentivement le câble qui relie l’infirmerie à un mur extérieur… son regard s’abaisse et il se met à fixer un bout de pelouse juste en dessous.

Quinn se frotte la joue avec du papier de verre…

L’IP continue de s’atteler à la tâche mais C-Note s’oppose successivement à John et T-Bag jusqu’à ce que Louis, le gardien, intervienne pour emmener Michael à sa visite conjugale !!!!

Générique

Bellick pense connaître la femme de Michael… ce qui l’intrigue particulièrement. Durant leur rencontre, Michael et sa femme ne font que discuter. Puis, elle lui remet une carte de crédit comme il le lui avait demandé. En sortant, ils se prennent dans les bras et Sara, qui passait par là, les surprend !! Juste après sa visite, Michael a droit à la traditionnelle fouille corporelle… et Bellick se fait un malin plaisir d’y assister. De retour à la réserve, Michael est le sujet principal de toutes les discussions… Fernando bondit sur lui ; il ne comprend pas pourquoi Michael ne lui a jamais parlé de sa femme… Michael stoppe toute conversion et chacun réintègre sa cellule.

Retour cellule 40

Michael révèle à Fernando qu’elle est juste venue lui apporter quelque chose et il sort la carte de crédit !! Fernando, perplexe, ne voit pas l’usage qu’il pourrait en faire surtout que c’est plutôt dangereux. Mais Scofield le rassure ; il ne s’agit pas d’une carte bleue mais d’un passe !! Fernando tente de savoir ce que ce passe peut bien ouvrir mais encore une fois Michael part sans rien lui révéler.

Flash Back : Michael peaufine le système de sécurité de la prison et installe un code bien spécifique sur son passe qu’il transforme en une carte de crédit…

De nouveau à déambuler dans les couloirs, Michael utilise son passe afin de pénétrer dans la pièce qui conserve les biens personnels de chaque détenu…

Quinn frappe à la porte de la cabane et leur fait croire à tous qu’il vient d’avoir un accident !! Persuadés qu’il dit vrai, ils le laissent entrer. Mais à peine Nick part chercher la trousse médicale qu’il se fait tirer dessus. Une balle dans le dos, il s’écroule et commence à se vider de son sang. Véronica et LJ sont bâillonnés et Quinn impose à l’avocate qu’elle choisisse entre Nick ou Lincoln.

Michael récupère ses affaires : Un costume noir, des chaussettes noires, des chaussures avec lacets, un magnétophone et une montre en or !!! Mais cette dernière a disparu !!

Quinn interroge à son tour LJ mais celui-ci ne lui dit rien.

David Apolskis alias Tweener est le nouveau compagnon de cellule de Charles Westmoreland… Michael demande à Charles quel est le gardien qui vole le plus ici aux détenus… Charles est appelé dans le bureau de Pope. Bellick s’est renseigné sur le mariage de Scofield ; il se serait bien marié mais la veille de son braquage !!

Quinn questionne à présent Nick. Celui-ci, dans un piteux état, est à sa merci… mais il ne dévoile rien non plus. Quinn lui fait comprendre que les deux autres se fichent éperdument de son sort. De plus, il sait très bien que Nick ne fait pas tout çà pour sauver Lincoln.

Michael demande une faveur à Tweener car ce dernier à la réputation d’être un sacré pick-pocket. Tweener est censé dérober la montre au gardien en échange, Michael réfléchira à son intégration au sein de l’IP.

Pope annonce à Charles que son unique fille est condamnée. Elle est atteinte d’un cancer qui l’emportera selon toute vraisemblance dans moins de 3 semaines. Mais, Pope ne peut autoriser Charles à lui rendre visite à l’hôpital. Il ne pourra la voir que le jour de sa mort.

Sara, occupée ailleurs, laisse Michael aux soins d’une infirmière. Tweener arrive à l’infirmerie. Les gardiens et le Dr Tancredi tombent dans le panneau… Tweener, dont le corps est prit de mouvements compulsifs, subtilise la montre de Michael qui observe toute la scène de l’autre côté de la pièce.

Véronica utilise le poële afin de se libérer de ses liens et revient s’asseoir tranquillement au centre de la pièce. Quinn arrive et lui apprend qu’elle porte la poisse car depuis qu’elle se mêle de cette affaire, beaucoup de personnes ont été touchées… Félicia gît au fond d’une forêt et Sebastian au milieu de son salon !! Véronica ne peut cacher son émotion mais, dès que Quinn lui tourne le dos, elle lui balance son siège sur le crâne !! Elle libère LJ et tandis que ce dernier tente de démarrer la voiture, elle court chercher Nick.

Charles rend la montre à Michael et lui annonce qu’il accepte finalement de rejoindre son groupe pour l’évasion… Michael est satisfait mais chacun a apporté quelque chose au plan… alors Charles avoue qu’il est bien DB Cooper et que par conséquent, il est en possession d’un million de dollars.

Michael combine son magnétophone et sa montre et le transforme en autre chose…

T-Bag s’en prend à ses collègues de couleurs et les humilient de vannes racistes mais ils ont du répondant !!

LJ n’a pas le temps de démarrer la voiture que déjà Quinn lui tire dessus. IL disparaît dans la forêt. Quinn se lance à sa poursuite. Véronica aussi. Puis, elle se retrouve nez à nez avec l’agent et tente de le faire tomber dans le puits mais Quinn n’est pas dupe et s’en aperçoit… C’est alors que Linc Junior lui saute dessus et l’envoie au fond du trou.

Michael s’éloigne des détenus et se place juste au-dessous du câble de l’infirmerie. Il s’accroupit et enterre son magnéto-montre… A 9h00, son magnétophone se déclenche.

Bellick regarde la fiche de renseignement que la femme de Scofield a remplie. Il a un déclic. Il se rend dans un bar de strip-tease et y retrouve Nika. Il l’interroge et la fait chanter. C’est une immigrée qui a obtenu la carte verte en épousant un américain… et, en un coup de fil Bellick peut tout arrêter !! Il lui demande alors ce qu’elle est venue faire. Elle lui révèle qu’elle a apporté une carte de crédit à Michael.

Quinn appelle les agents Kellerman et Hale du fond de son trou et leur demande de rappliquer de toute urgence.

A la chapelle, DB prouve à Michael qu’il est bien celui qu’il prétend être en lui montrant un billet dont le numéro correspond à ceux volés à l’époque. Puis, une fois dehors, Michael récupère son objet tandis que Sara se profile à l’horizon. Elle le rejoint et ils discutent à travers la grille… Sara est visiblement énervée mais Michael ne voit pas pourquoi. Elle est soumise, en tant que l’une des rares femmes de la prison, à de multiples tentatives de dragues de la part des détenus et elle n’y est pas normalement réceptive… Puis, elle prétend ne pas être jalouse mais seulement prudente… Le fait que Michael soit marié ne lui a pas plu du tout et elle le fait savoir. Incapable de cacher ses émotions, sa conversation est vraiment maladroite et malvenue.

Les agents arrivent et au lieu de secourir Quinn l’enferment en recouvrant le puits !!

Michael explique à Fernando que l’appareil qu’il a transformé a servi à enregistrer toute la nuit les rondes des gardiens. Désormais, ils savent que l’intervalle entre chaque ronde est de 18 minutes. L’évasion est prévue dans 4 jours et ils auront 18 minutes pour faire passer 7 personnes… Fernando demande si c’est faisable. Michael lui répond : Absolument !!

A la réserve, l’équipe a enfin atteint le tuyau… Tout le monde est heureux mais le visage de Michael reste livide. Lincoln lui demande si tout va bien. Michael, qui ne ment jamais à son frère, lui annonce une bonne et une mauvaise nouvelle. La bonne, DB Cooper les a rejoints pour l’évasion. La mauvaise, c’est qu’ils n’auront pas assez de temps pour faire sortir 7 détenus… donc, l’un d’entre eux devra rester !!!

FIN -

ACT 1.

[1. INT. Michael's cell. Day.]

(Michael wakes up, looks at his watch. He gets up, goes over to the sink and splashes his face with water. He dries it and sighs, thinking.)

[Flashback:

Michael is in a jewelers shop.

Michael: That one.

Jeweler: Nice choice.

Michael: Thanks.

Jeweler: Platinum. Brushed.

Michael: 6.25?

Jeweler: 6.25. She's a lucky woman.

Michael: Yes. She is.

(He holds up the ring to inspect it. It glints in the light, which turns into the light of Sara's pen in the following scene.]

[2. INT. Infirmary. Day.]

Michael: You kept it.

Sara: Kept what?

Michael: The flower.

(Shot of the paper rose in Sara's cupboard.)

Sara: I'm a pack rat. I never throw anything out.

Michael (sarcastic): Yeah, all this clutter. It's overwhelming.

Sara: You should see my apartment.

Michael: Whoa. We haven't even had our first date yet and you're already inviting me in. I thought you were a nice girl.

Sara: Oh, Michael, we all know nice girls finish last.

(She picks up her stethoscope and gestures to him to lift up his shirt. She puts a hand on his shoulder, and the other on his chest listening to his heart.)

Michael: So where do you finish?

Sara: That depends on where I start. Deep breath. Exhale. Inhale.

(They look into each others eyes, almost as if they're about to kiss. Then they are interrupted.)

Katie: Sara, we're backing up out here.

Sara: Right, I'm sorry. (to Michael) I'm gonna get your shot.

(When she walks out, Michael walks over to the drain and pours the two chemicals from his toothpaste tubes down the drain. When they run together they make a hissing noise and bubble. He looks out of the window at thick power cable lines running across the yard from the infirmary wall to the outside wall. He looks up at the watch tower. Then he looks down at the ground and the camera pans down to a particular spot.)

[3. INT. Cabin. Day.]

(Nick sits on the kitchen worktop, LJ is sat on a chair the wrong way. Veronica paces.)

Veronica: This is not what I signed on for.

Nick: What do you want us to do? You want us to wave the white flag? Call time out?

Veronica: I just wanna get Lincoln off death row!

Nick: Lincoln? We just learned that Vice President Reynolds funnelled millions of dollars in research grants into her brother's company. That money was filtered into millions of small accounts that made millions of small donations to her campaign, setting her up to be the next leader of the Free World. This doesn't end with us stopping an execution anymore.

Veronica: For me it does.

(Nick walks away.)

[Shot of their car outside the cabin.]

[Quinn is still watching them, standing in the trees. He raises his hand to show he is holding some sandpaper. He puts it to his cheek and rubs it hard, causing scarring and abrasions.]

[4. INT. Break room. Day.]

(T-Bag is also using sandpaper, on the wall in the break room.)

Abruzzi (holding a clipboard): Okay, let's rotate.

C-Note (in the hole, digging out concrete, quietly): Son of a...

Abruzzi: Sergeant Sodomy, you're up next.

(T-Bag ignores him, but goes over and collects a shovel. C-Note holds out a hand to be helped out of the hole. T-Bag just looks at him.)

C-Note: Come on.

T-Bag: I don't know about y'all but, uh... (He pulls C-Note out of the hole, but by gripping his arm instead of his hand.) ... this room is getting a little too dark for me to dig.

C-Note: Are you telling me that there's a hole in Fox River that you don't wanna get into?

(Ominous music plays. T-Bag gets right in C-Note's face. Lincoln moves to push them apart, but T-Bag moves forward for another go.)

Lincoln: Hey. No-one gets hurt.

(They separate.)

C-Note: Hey, you know, I got a question. How come Fusilli over here ain't handling a shovel?

Abruzzi: I handle arrangements on the outside.

C-Note: Really. So what is that, transport, paper, what?

Abruzzi: Exactly. Makes me manager.

C-Note: And that makes us just labour, right?

Abruzzi: Mmhmm. Now you're getting it.

C-Note (moves closer): You know, management better keep a close eye on the conditions up in here, or the labour's liable to go on strike. You feel me?

Abruzzi: Get back to work.

(Sucre enters quickly.)

Sucre: Whoa, whoa, CO coming. Hurry, you guys.

(The crew move quickly to put the wooden board over the hole, pull the carpet across and the table back, then pretend they are working.)

Abruzzi: Put that back up there.

C.O. Campbell: Scofield. Move it. It's time for your conjugal.

(The team look at him in surprise.)

Campbell: Your wife is here.

[OPENING CREDITS.]

[5. INT. Outside conjugal room. Day.]

(Michael's wife is searched by a female guard. Bellick is looking at the wife appraisingly.)

Bellick: So you're Mrs. Scofield. Ever done this before? Had a conjugal I mean.

Nika: No.

Bellick: Don't worry, I'm just trying to make conversation.

Female Guard: Clear.

(Nika walks into the conjugal room.)

Bellick: She look familiar to you?

Female Guard: No, Captain.

Bellick: I know her from somewhere.

[6. INT. Conjugal room. Day.]

Michael: You came.

Nika: Of course.

Michael: How've you been?

Nika: Fine. I found a job.

Michael: Good. I'm glad.

Nika: Is it awful, being here?

Michael: Remember the first place you stayed? That hotel, by the airport? Only difference is $69 and the free shampoo.

(He sits down on the bed. Nika sits next to him and puts her hand on his arm.)

Michael: You're still wearing it.

(Nika holds up her hand: her wedding finger has on it the ring Michael bought in the earlier flashback.)

Nika: Every day. I worry about you.

Michael: Don't.

Nika: Is there anything else that I can do?

Michael: Just what we agreed on.

Nika: I was so nervous when they were checking. (She reaches into her bra and takes out a credit card.) One question. Why would you need a credit card in prison?

[7. INT. Prison. Day.]

Sara: See, I don't think the riot changed anything. Have you seen the latest budget cuts for this place?

Katie: Another ten per cent from healthcare.

Sara: And 35 from prevention.

Katie: He might be the governor, but he's also your father. Maybe he thinks if he cuts enough, they can't afford you.

(Katie walks away and Sara smiles, but then stops. Ahead of her, Michael kisses Nika and hugs her.)

Michael: Thank you.

(Nika smiles and leaves. Sara, unsure what to do, turns and walks the other way.)

[8. INT. Search room. Day.]

Bellick: You understand this is standard procedure following a conjugal, right Scofield?

Michael: Never can be too careful.

C.O.: All right. Bend over.

Bellick: You have a good time in the romper room with that Euro?

Michael: Whatever you say, boss.

Bellick: She come around here before?

Michael: First time.

Bellick: You sure? 'Cause damn if I don't recognize her from somewhere. Maybe she visits some other con. Killing two birds with one bone. Catching my drift?

Michael (not rising to the bait): I wouldn't know.

C.O.: All right. He's clear, Captain.

Bellick: Make sure you take a shower, Scofield. You never know what some women can give you.

(Michael picks up his box of clothes and ignores him.)

[9. INT. Break room. Day.]

T-Bag (singing): Swing low, sweet chariot...coming forth to carry me home...swing low... (he looks up at C-Note) You know this one don't you? (singing) Swing low...sweet chariot. Coming forth to carry me home. (He looks at C-Note again.) Come on, gimme something. I thought you was a musical people.

C-Note: You know, your parents must be so proud of you, man. I mean, hitting the trailer park trifecta. You're a racist, a paedophile, and stupid.

(T-Bag laughs and pulls himself up out of the hole, sitting on the edge.)

T-Bag: You know, it vexes me that I'm made out to be the bad guy in the room. It's not like y'all were incarcerated for stealing any Girl Scout cookies.

Abruzzi: None of us murdered any Girl Scouts in the process.

Sucre (coming in): Michael's coming back from the boneyard.

(The team look panicked.)

Sucre: Alone, alone.

(Michael comes in and shuts the door behind him.)

Sucre: I tell you everything about me and Maricruz and you can't even tell me you're married?

Michael: Later.

C-Note: Rough day, huh Scofield? While the rest of us are in here slinging concrete, you got some little girl in to play on your rusty trombone, huh?

T-Bag: Man's got a point. It just doesn't seem equitable like, you know what I'm saying?

Lincoln: Shut up and dig, T-Bag.

Abruzzi: I think what the idiots inside here want to know is, while we're digging this hole, what are you doing?

(Michael looks round at them all. They wait, expectantly.)

Michael: I'm going shopping.

[10.INT. Michael's cell. Night.]

(Sucre puts a mirror out of the cell door bars.)

Sucre: We're good. All clear.

(Michael takes the credit card out of the lining of his jacket.)

Sucre: A credit card? The bulls catch you with that they'll be so far up your doggy door you'll be...

Michael: Don't worry. They won't be catching me with one.

Sucre: Why are you so sure?

(Michael rips the back off of the credit card.)

Michael: Because. (He holds up the credit card to reveal a security strip on the back: it's a keycard.) I don't have a credit card.

[Flashback:

Michael's desk, full of brochures and books about security codes. He puts a card in a card reader, and types on his laptop. The laptop copies a code onto the card in the card reader and it pops out again.

Michael puts stickers on the front and back to disguise it as a credit card.]

[11. INT. Inside prison walls. Night.]

(Camera on Michael's hand as it grips the grate above him. He moves it aside and pulls himself up through the hole. He walks along over the grates and suddenly stops dead: there's a guard walking on the grated walkway beneath his. He quickly presses up against the wall until the guard passes.)

(Michael walks on, and gets to a door with a window in it. Through the window he can see a guard, and a door marked "Receiving and Discharge". The guard leaves through a different door.)

(Michael walks up to the door, gets out his key card. He runs it through the security box on the wall, and the light turns from red to green. The door opens and Michael walks in.)

[12. INT. Receiving and Discharge room. Night.]

(Michael is in the room where they keep the inmates' belongings in boxes for the duration of their stay at Fox River. He locates his box, marked with his name. In the Authorized Property table, there is a tick by "Embossed Stamped Envelopes" only.)

[Shot of the cabin in New Glarus - Night.]

[13. INT. Cabin. Night.]

(Veronica is sleeping, when a thud wakes her up. She sits up, then goes into the living area to investigate.)

Veronica: Nick?

(Nick is sleeping on the sofa. There is a sudden knocking on the door.)

Quinn (o/s): Help! Please...Please, I had an accident. My car is totalled. Please, is there anybody there?

(LJ walks into from another room. Nick reaches for his gun and gestured for them to stay silent.)

Veronica: We can't just ignore him.

LJ: The hell we can't.

Quinn (still knocking, o/s): Help me, please...help me, please!

(Nick goes over to the door.)

[Shot of Quinn through the spy hole.]

Quinn: Ow. God!

(Nick undoes the bolt and opens the door. Quinn comes in.)

Nick: What happened?

Quinn: I must have dozed off. I've been driving for 12 hours.

LJ: Should I get him some water from the well?

Nick: No, the well's dried up.

Quinn (in pain): Oh God...

Nick: I think there's a medical kit over there...

(Nick turns his back on him and walks across the room. Camera remains on him and suddenly a gunshot is fired, hitting him in the back. He falls with a yell.)

Quinn: No-one's going anywhere.

ACT 2.

[14. INT. Cabin. Night.]

[Camera begins on Veronica's face, with tape over her mouth. She is sitting beside LJ who is in the same state; both of their hands are tied behind their backs.]

(Quinn leans over Nick and takes his gun out of his pocket.)

Quinn: All right, say goodbye to Junior.

(He grabs LJ's chair and drags it backwards into the next room. LJ makes muffled yells. Quinn shuts the door on him and then sits opposite Veronica.)

Quinn: You know how many pints of blood the human body has? The answer is ten. Ten pints. How many do you think Prince Charming over there on the floor has left? Eight? Going on seven. I'll tell you what, I'm gonna take him out to the woodshed and have a little talk. In the meantime I want you to chew on this: you tell me everything that you have discovered about the Burrows case, and who else you've told about it, and there's a chance that I might let you go in time to get Mr. Savrinn to a doctor. You decide whose life is more valuable. The guy waiting to die on death row, or the guy wishing he'd die out in the woodshed.

[15. INT. Prison. Night.]

(Michael takes the box of his possessions over to a large pipe opening.)

[Flashback:  A C.O. is putting Michael's stuff into the brown bag that he is taking them out of in the present day.

C.O.: One suit, black. One pair of socks, black. One pair of shoes. Shoelaces. One small tape recorder. One gold watch.]

(Michael opens the envelope that had the gold watch put into it, but it is now empty. He throws the envelope down, angrily.)

[16. INT. Cabin. Night.]

(Quinn takes the tape off of LJ's mouth and sits opposite him.)

Quinn: You ever stayed at a fancy hotel, LJ? You leave your room in the morning, it's a mess. Wet dirty towels on the bathroom floor, last night's room service stinking to high heaven. Then, you come back at night, it's all gone. Fresh towels, clean sheets, candy on the pillow. It's just the best feeling in the whole world. 'Cause someone else cleaned up your mess, all you had to do was walk away.

LJ: Don't you hurt them.

Quinn: Okay. But you gotta tell me exactly what they know and who else they have told, and nobody has to die tonight. You just walk away. Let me clean up your mess.

LJ: I don't know what's going on. I swear to God.

Quinn: Well, I wish I could believe that.

(He puts the tape back over LJ's mouth and slaps him round the head before leaving the room.)

[17. EXT. Prison yard. Day.]

Westmoreland: Bellick assigned me a new cellmate.

Michael: Who'd you get?

Westmoreland: Some new fish. Ran a bump and swipe on an off-duty cop. Fast hands, faster mouth.

Tweener: Yo, what's crackin', my peoples?

Westmoreland: Speak of the devil. Michael Scofield, David Apolskis.

Tweener: 'Sup. I seen you before, right? You're part of that PI crew. Maybe you can hook me up. Y'know, brother needs to make some green, some cashish, you know what I'm saying?

Michael: The pay is 19 cents an hour.

Tweener: 19 cents? That's slavery, yo.

Michael: That's prison, yo. Besides, PI's all full up for now.

Tweener: All right. I feel you. But keep a brother in mind, you know, if somethin' opens up, yo. Hell, I'll pay 19 cents an hour to get me some more time out of the block.

(Tweener hits his own chest with his fist then points at Michael with two fingers, and walks away.)

Westmoreland: Like having another kid. Already raised one. I'm too old to do it again.

Michael: You ever hear of anything being stolen from R&D?

Westmoreland: Of course. Bulls steal from personals all the time. Problem is, you never know what's gone until you're on the outside of the walls. At that point, you can't do anything about it.

Michael: What if you knew now?

Westmoreland: Look. I told you. Leave me out of whatever it is you've got going.

Michael: I just need to know if you've seen a guard with a gold watch.

Westmoreland: There's a lot of people can get you a gold watch in here.

Michael: Yeah, but I need this specific gold watch.

Patterson (outside the fence): Westmoreland! Pope wants to see you. Let's go.

Westmoreland (to Michael): Look. I haven't seen nothin'. But there is this one CO. Word is, he's the worst thief in here.

[20. INT. Prison. Day.]

(Camera on the wrist on a guard, there's a gold watch on it. Zoom out to reveal it's Geary. He hands some documents to Bellick.)

Geary: My wife just faxed this over for you from County Records, copy of Scofield's marriage license. She says you owe her big time. Looks legit. He wasn't trying to sneak in some whore for a conjugal.

Bellick: Says here they got married the day before Scofield robbed that bank.

Geary: Why the hell would he do that?

[21. EXT. Prison yard. Day.]

(Michael and a group of other inmates are at work in one of the yards. Behind Michael, Lincoln stands by the fence in ADSEG.)

Lincoln: Heard from Veronica?

Michael: No.

(He watches Geary walk across the yard, clearly wearing the gold watch.)

Lincoln: Just a note from LJ, saying he's with her, that he was safe. But now it's been a while. Doesn't feel right. Feels wrong.

(Michael is preoccupied, watching Geary. The CO is talking to another guard.)

Geary: I gotta go.

Lincoln: Really wrong.

Guard: I'll see you.

[22. EXT/INT. Woodshed. Day.]

[Camera pans in on the woodshed at the cabin.]

(Nick is slumped up against the wall, blood still leaking from his wound and pooling next to him.)

Quinn: I, uh...I've come to a realization. Either Miss Donovan and that boy don't like you very much, or they have an unreasonable amount of faith in your cardiovascular system. So tell me, Nick, this all you got? (he waves a file in Nick's face.) This paper trail of an indictment that never even happened? Is this it? We know you don't have a surveillance tape any more, you know, you don't have anybody to testify...

(Nick reaches out slowly for a lump of wood.)

Quinn: ... so is this really all you've got?

(Nick says nothing. Quinn sighs.)

Quinn: Mr. Savrinn, that bullet went through your teres major, ripped the lateral margin of your scapula, leaving you absolutely no medial rotation of your arm. So if you try to swing that piece of lumber at me...

(Nick grips the wood and tries to raise his arm, then screams in pain as something cracks.)

Quinn: It's gonna feel like your arm is ripping out of its socket. Come on, Nick. Mr. Project Justice. We both know why you're really here, don't we? And it ain't to save Lincoln Burrows' life.

[Camera shot of the cell block in general population. All the cell doors are open and the inmates are walking towards the exit.]

[23. INT. Tweener's cell. Day.]

PA: All prisoners, you've got fifteen minutes of walk time.

Tweener (rapping): Inside these walls, I creep and I crawl, lookin' for a way out, but I know there's gonna be no easy route, this is gonna be a 12-round...(he writes in his book)... a 12-round bout...with Bellick and T-Bag on my mind, this grind in here...

(Michael clears his throat. Tweener looks up.)

Michael: You still interested in getting in on PI?

Tweener: Does my momma got big breastices?

Michael: I wouldn't know.

Tweener: Hell yeah she does. And hell yeah I do.

Michael: All right, look. I need a favour. Word is you made your trade as a snatch and grab.

Tweener (smiling proudly): That's right.

Michael: I need you to steal something back that was stolen from me.

Tweener: What kind of 'something' we talkin' about?

Michael: Just a watch.

Tweener: Uh-uh. There ain't no such thing as just a watch. Every design has a different clasp, every clasp has a different swipe.

Michael: It's Italian. A Remedi. Gold band, pearl face, all weather.

Tweener: What year?

Michael: 2003.

Tweener (shakes his head): That's a butterfly clasp on that bitch.

Michael: Which means what?

Tweener: Hidden deployment. There ain't no way to snatch it without the mark feelin' it.

(Michael is disappointed.)

Tweener: Which just means I'm gonna have to get whimsical on this ficky.

(He holds out his fist to Michael, who bumps it with his own.)

Tweener: I get you this watch, that mean I get in on some of that PI?

Michael: It means I'll think about it. No promises.

Tweener: Why you need this watch so bad anyway?

Michael: Let's just say it means a lot to someone in my family.

(Tweener nods as Michael walks away. He stands at the cell door, and it closes.)

[Camera shots of different inmates standing in front of their cell doors, as one by one they slam closed.]

[24. INT. Pope's office. Day.]

Pope: Come in Charles, sit down.

(Westmoreland sits in the chair in front of the desk.)

Westmoreland: What's going on?

Pope: I got some bad news, Charles. Your daughter is very sick. She's got oesophageal cancer. Now, she's at Sacred Heart, in Indianapolis, and she wants to see you while there's still time.

Westmoreland: How much time?

Pope: Doctors say a few weeks. The problem is the DOC is not gonna let you go. They think you're still a flight risk.

Westmoreland: She's my only child.

Pope: I know that. Believe me, Charles, I've lobbied on your behalf. It's state policy. They will only extend furloughs in the case of funerals.

Westmoreland: You're tellin' me I have to wait until she dies before I see her?

[25. INT. Infirmary. Day.]

(Michael stands by the window. He watches two guards doing a round of the prison yard. He looks at his watch.)

Katie: Mr. Scofield. Looks like I'll be administering your shot today.

Michael: Where's Doctor Tancredi?

Katie: We've got a busy schedule today. She's with another patient.

(Shouting starts in the corridor.)

Guard (o/s): Hold his legs! Hold his legs down! Hey, we need a doctor here!

(Katie runs into the corridor.)

Katie: What happened?

(Geary and Campbell run in with a gurney: on the gurney Tweener is shaking, having an apparent fit, with food all over his face and down his sweater.)

Geary: I don't know, the kid was in chow, all of a sudden he collapsed and started spitting up his food!

Katie: Looks like he's having some kind of seizure.

Sara: Get him up here, make sure he doesn't hurt himself.

(Geary and Campbell lift Tweener from the gurney onto the bed, Tweener is still fitting and choking.)

Sara (to Katie): I'm gonna need O2 and cardio from you.

(Michael looks on from outside the door. Camera shot of Geary's wrist, with the watch on, holding Tweener down.)

(Tweener sees him and manages to wink.)

Geary: Hold 'im! Hold 'im!

(Camera moves to Geary's wrist again. The watch is gone. Michael smiles.)

[26. INT. Cabin. Day.]

(Veronica, still gagged, has moved her chair over to the furnace and is trying to burn off the ties holding her hands behind her back. The door opens and she quickly moves her chair away. Quinn enters.)

Quinn: So Ms. Donovan. How is that background in real estate law going for you? Is it a big help? Hm? Well, frankly, I think we caught a break. If Lincoln had nailed a girl with half a brain, she probably would've brought this whole thing down already. But you know what the worst part is? That you dragged these people into this knowing that you had no clue how to get them out. I mean, if you had just minded your own business, people like Leticia Barris, she wouldn't have a mouthful of maggots right about now.

(Veronica looks up, shocked.)

Quinn: Your fiancé would not be lying in his apartment, waiting for the smell of his rotting corpse to let the neighbours know that something had gone horribly wrong. That's right, their deaths are on your head. You made this mess. Nobody else. You. But you are also the one person that can end it all right here. All I need to know is who else you've involved. So you just nod and I'll know you're ready to talk.

(Veronica sits perfectly still, staring at him.)

Quinn. Whew. You know, Ms. Donovan, I think that you look a little cold. Maybe you'll find it easier to talk after you've warmed up a little.

(He goes to light an oil burner. Veronica whimpers, then when his back is turned she breaks free and swings the chair at him, hard.)

ACT 3.

[27. INT. Cabin. Day.]

(Veronica runs into LJ's room, rips the tape off his mouth and begins to untie him.)

LJ: Where is he? What happened?

Veronica: We gotta move. Come on, we don't have time. Come on.

[28. INT. Woodshed. Day.]

(Veronica and LJ run into the woodshed.)

Veronica: Come on. We're getting out of here!

(She cuts his ankle ties.)

Veronica: Where are the keys?

Nick (weakly): Pocket. Left.

(Veronica gets the keys and throws them at LJ.)

Veronica: Start the car!

LJ: Is he gonna be all right?

Veronica: Go and start the car, LJ!

(LJ disappears. Veronica goes to pull Nick up.)

Veronica: Come on. We're gonna get you to a hospital all right?

[29. EXT. Cabin. Day.]

(LJ runs to the car and gets in. He tries to start the car but the engine splutters.)

LJ: Come on...

(A gunshot explodes the back window, spraying glass all over LJ. He ducks and gets out of the car, ducking behind it. Quinn comes out of the cabin and shoots again, this time hitting the rear windscreen. LJ makes a run for it into the woods.)

[30. INT. Prison cells. Day.]

(Westmoreland walks along the cells until he gets to Michael's. He taps the watch on the bars.)

Westmoreland: A gift from my cellmate.

Michael: Thank you. And thank him.

Westmoreland: The watch. What's it for, anyway?

Michael: Thought you didn't wanna know about any of this?

Westmoreland: Things have changed. I want in.

Michael: Why the sudden change of heart?

Westmoreland: I have my reasons.

Michael: Don't take this the wrong way, but everyone who's in is bringing something to the table.

Westmoreland: How about money?

Michael: How much we talking about?

Westmoreland: I think you know.

Michael: I seem to remember several conversations that ended with "I am not DB Cooper."

Westmoreland: I lied.

Michael: You lied.

Westmoreland: We're cons. We tend to do that.

Michael: I checked your alibi. According to records, you were incarcerated at the time of the Cooper hijacking.

Westmoreland: My father and I share more than just a weakness for easy money. We also share a name. Charles Westmoreland Senior was the one locked up that day. Now do you want the money or not?

Michael: No offence, but it's a little convenient. You want in, and suddenly you're the guy. How do I know you're not lying right now?

Guard: Hey, Old Man River. Keep it moving.

(Westmoreland moves away towards his own cell.)

[31. INT. Michael's cell. Day.]

(Michael takes the back off the gold watch, and the back off the small recording device. He wires them together, and straps them together with elastic bands. He looks at the finished device and smiles.)

[32. EXT. Break room. Day.]

(Abruzzi stands outside the break room on watch.)

[33. INT. Break room. Day.]

(T-Bag fills the walls with the concrete fragments, then turns to Sucre who is in the hole.)

T-Bag: Hey, Sucre. I got a question about you and the rest of the Mexicans.

Sucre: I don't think I'll be able to help. Seeing as I'm Puerto Rican.

T-Bag: Geographical semantics, amigo. I'm speaking about the general Latino population. How is it that a people so historically lazy ended up being such a big part of the nation's workforce?

Sucre (angry): The way I see things, it's everyone else that's lazy. Otherwise, there wouldn't be any jobs for the immigrants. The ones sitting at home, collecting unemployment, the lazy ones - it's not us.

(T-Bag turns round to C-Note.)

T-Bag: You gonna let him talk about your people like that?

C-Note: Whatever, Deliverance. You know what, we may be a team in here, but just so that you know: the minute we get over that wall it's every man for himself. Or sooner.

[34. EXT. Woods. Day.]

(LJ races through the trees, Quinn after him with his gun drawn. Quinn raises his gun and fires.)

[35. EXT. Cabin. Day.]

Veronica: LJ?

[36. EXT. Woods. Day.]

(Quinn looks around for LJ.)

CUT TO: Veronica walking through the woods.

Veronica: LJ? LJ!

CUT TO: camera shot of a pair of legs walking across the muddy ground.

CUT TO: Veronica in the woods. Suddenly a twig snaps and Quinn comes out of the trees.

Quinn: You know how the Russians do things? They let you live, and they kill everyone else in your family and anyone you've ever loved. How's that sound?

Veronica: Go to hell.

Quinn: Oh, come on. Is that any way for a lady to talk?

(Veronica glances at the covered well in the ground that is just in front of Quinn. He puts a foot on it.)

Quinn: What, you think I'm an idiot? I'm just gonna walk into a well? Seriously, Ms. Donovan...

(LJ comes running out of the woods at top speed: he slams into Quinn so hard he knocks Quinn down the well and falls onto the ground himself. Getting up, he walks over to Veronica and they both look at the well.)

Veronica: You all right?

(Camera shot of Quinn lying at the bottom of the well, groaning, with his cell phone next to him.)

[37. EXT. Prison yard. Day.]

(Michael and other inmates are working.)

PA: Attention inmates. Weight pile is out of bounds until further notice. Weight pile is out of bounds until further notice.

(Michael looks up at the cables running from the infirmary window to the outside wall. He looks up at the watch tower, then squats down to the ground. He quickly digs a very small hole with a trowel. He checks around for guards. He gets the watch/recording device out of his pocket, puts it in the hole and buries it except for a very small piece of the top.)

Guard: Scofield! No sitting down on the job! I want you out here working where I can see you.

Michael: I'm on it, boss.

Guard: Move it, Scofield! Move it!

(Michael looks back at the device, and then walks away.)

(Camera zooms in on the device in the ground.)

[CUT TO: Michael pacing in his cell, wringing his hands together.]

[CUT TO: the device in the ground.]

[Camera zooms in to the device beneath the ground: the watch reads a few seconds before 9pm. As they tick to the hour, a red light comes on and the tape in the recording device starts turning.]

[CUT TO: Michael sitting on his bunk, rubbing his head with his hands.]

[CUT TO: guards feet walking over the yard, focus is on the device in the ground. They stop dangerously close to it, and one of them lights the other's cigarette. Then they walk on without noticing it.]

[CUT TO: Michael, in his cell, looking anxious.]

[CUT TO: close up of the tape going round in the recording device.]

[38. INT. Bellick's office. Night.]

(Bellick is looking at the file they have for Nika, when they checked her out for visitation/conjugal. Camera zooms in on Nika's photograph, then on Bellick's face as he seems to recognize her.)

[39. INT. Lap-Dancing club. Night.]

(Bellick walks in and one of the dancing girls speaks to him on his way through.)

Girl: Hey, Brad! Good to see you.

Bellick: Hey, baby.

Man (o/s): All right ladies and gentlemen, put your hands together for our next lovely young lady. Up on the main stage, its Jasmine.

(Camera pans up the dancing legs of a girl, who is wearing only blue lingerie. As Bellick stares at her, the camera reveals its Nika.)

ACT 4.

[40. INT. Lap-Dancing club. Night.]

(Nika walks up to the bar and looks over at Bellick. She is now wearing slightly more clothes. Bellick is sitting in shadow so she can't see his face.)

Nika: Would you like a private dance?

Bellick: Why don't you sit down and chat for a while? See if we hit it off.

Nika: What's your name?

Bellick: Brad. Yours?

Nika: Jasmine.

Bellick: Come on. Your real name.

Nika: It's Nika.

Bellick: Nika. That's a pretty name. Tell me, Nika...How's your husband feel about you working in here?

Nika: I'm not married.

Bellick: I hope you're lying for the sake of titillation. Otherwise, your little visit to Fox River this morning would have been breaking the law. (He leans forward, out of the shadows.) Mrs. Scofield.

Nika: We are married, but they tell all the girls to lie. It's better for making business.

Bellick: I'm not here to get you in trouble. I just wanna know a little more about your husband.

Nika: Well, he's a very good man.

Bellick: I'm sure he is. But even good men do bad things. Your accent. You're from...don't tell me...Budapest, right?

Nika: Prague.

Bellick: Prague. How recently did you come over? Only a couple of months I bet. You like it here in America?

Nika (uncomfortable): You know, I really have to get moving. They don't like us to spend too much time in one spot.

Bellick: Now, I don't want to have to check into your immigration status. (He places his police badge on the table.) I just need to know what Michael Scofield wanted from you in exchange for the green card.

Nika: Nothing. We met while he was studying overseas...

Bellick: I don't want to know what you memorized for the INS. Now, either you answer my questions about Scofield, or I call my guy in the Chicago PD. And maybe he starts asking some questions about you.

(Pause. Nika stares at him then sighs.)

Nika: Credit card. He asked me to bring him a credit card. That's it.

(She walks away in disgust.)

[41. EXT. Well. Day.]

(Quinn comes around and groans. He reaches in his pocket for his cell phone and dials.)

Quinn: Yeah, trace this call. Come and get me now! New Glarus, I'm in New Glarus.

[Camera pans over the prison. Day.]

[42. INT. Chapel. Day.]

(Westmoreland walks in to sit by Michael. Michael holds up a bible for him.)

Westmoreland: No thanks. I bought my own. (whispers) Dorothy Andrews Elston Kabis. United States treasurer, 1971. The year of the DB Cooper hijacking. DI192589. The first number in the series of bills used in the ransom drop.

Michael (whispers): Thanks for the history lesson. All it proves is you did the research. Same as me.

(Westmoreland stands, hands Michael his bible and walks away.)

(Michael notices something sticking out of the bible. He pulls it out. It's a $100 bill, bearing the same series number Westmoreland just told him.)

[43. EXT. Prison yard. Day.]

(Michael digs up his watch/recording device.)

CUT TO: Sara walking over to him from the other side of the fence.

Sara: So you're married?

Michael (puts the device in his pocket): Uh, well...not in the traditional sense of the word.

Sara: Michael, we're both adults. Put your cards on the table.

(Michael stares at her.)

Sara: Okay, I'll go first. Um, as one of a very few women around here, I'm used to a certain amount of innuendo and flirtation being thrown my way. I'm not used to enjoying it.

Michael: Look, Sara...

Sara: It's Dr. Tancredi. And please let me finish. I'm not a jealous woman. But I'm a careful one. And for some reason when I'm around you, I'm not careful.

Michael: You don't have to be.

Sara: Yes I do. There's so many questions surrounding you, Michael. There are way too many. So here's the deal. Um...from now on, your shots, any medical concerns, they're all fine as long as it's doctor/patient. But personal questions and favours of any kind are no longer part of our relationship.

(She turns to walk away.)

Michael: The questions you have about me. There are answers.

(Sara continues walking. Michael looks upset.)

[44. EXT. Well. Day.]

Kellerman: Quinn.

Quinn: Hey, I was getting worried. You guys get lost?

(Kellerman peers down the well and looks away, trying not to laugh.)

Hale: We had to call you again to pinpoint your signal but you never picked up.

Quinn: Yeah battery went dead on the damn cell phone. What are you gonna do, right?

Kellerman (clearing showing his strapped up fingers): So, uh...how'd it go?

Quinn: Well, I got a broken leg down here. Uh, listen, you know, I think maybe we got off on the wrong foot. You got bosses, I got bosses, I mean but at the end of the day we're all on the same team. Right, we're just trying to tie up some loose ends.

Kellerman: I could not agree more.

Quinn: Yeah. So can you guys get a rope or a ladder or something?

(Kellerman takes off his jacket, moves to the well and grabs the wooden board that goes over the top. He drags it over. Quinn hears it.)

Quinn: What the hell is that? Hey. Hey!

Kellerman: Just tying up some loose ends.

Quinn: You stupid son of a...hey! Hey, guys...don't do this. Don't do this!

(Kellerman spits on the board, and puts his jacket back on. Hale looks shocked.)

Quinn (o/s): Come on, please. My leg is broken. I can't stand, you gotta help me.

Hale: You can't just leave him down there. He'll die.

Quinn (o/s): I'm begging you, please...

Kellerman: He's the only one who knows we don't have the Burrows kid. The only one.

Quinn (o/s): I got a family! Kellerman! Hale! Guys!

Kellerman: There's room for you down there too, Danny.

(Hale walks off into the trees, not happy. Kellerman follows.)

Quinn (o/s): Don't leave me like this. Don't leave me! Please! Please!

(Camera pans down to the wooden board covered with leaves.)

[45. INT. Michael's cell. Day.]

(Sucre washes his face in the basin.)

Sucre: Coming back to PI today? It's getting kinda testy in there, you know.

Michael: Yeah. I just needed to find something out.

(He is sitting on the bunk looking at the watch/recording device.)

Sucre: What the hell is that?

Michael: Listen.

(He switches it on. The tape hisses.)

Sucre: Am I supposed to be hearing something?

Michael: Shh. Just hold on.

(The tape hissing continues.)

[Camera blends into a shot of Sucre standing at the left side of the bunk.]

[Camera blends into a shot of Sucre standing at the right side of the bunk, leaning over it.]

[Camera blends into another shot of Sucre standing with his back against the bunk, head back.]

[Camera blends into a shot of Sucre sitting on the top bunk, feet hanging over the edge.]

[Camera blends into a final shot of Sucre leaning over the bunk at the left side.]

(In all these scenes, Michael has stayed in the same position, holding the device.)

(Jingling is heard on the tape. Michael looks at the watch on his wrist and stops the tape.)

Michael: There.

Sucre: What?! We sat around for 20 minutes waiting to hear that?

Michael: 18 minutes actually. And yes. (he leans back on his bunk, satisfied.)

Sucre: What was it?

Michael: Keys. The guards' keys. 18 minutes is how long we have between each time the guards pass beneath the infirmary windows on their rounds at night. Cons aren't allowed outside after hours. It was the only way I could find out the timing.

Sucre: What does that mean?

Michael: It means... (he checks out the cell door.) ...Four days from now, on the night of the escape, we'll have 18 minutes to get the bars off the window and for all seven of us to get across the wire and over the wall.

Sucre: Is that doable?

Michael: Of course.

(He looks unsure.)

[46. INT. Break room. Day.]

(Lincoln is sanding the wall. He notices Michael staring into space and goes over.)

Lincoln: What's up?

Michael: Nothing.

Lincoln: Hey, I know that look. What's up?

(Sucre's spade makes a clinking sound.)

Sucre: I hit it! I hit it!

[CUT TO: T-Bag outside on watch. He hears the noise and listens at the door.]

C-Note (o/s): Guys, guys...

[CUT TO: Inside break room.]

Abruzzi: All right, all right...

(T-Bag enters the room.)

Lincoln (to Michael): Come on, Michael. Talk to me.

Michael: You want the good news or the bad news?

Lincoln: The good.

Michael: Westmoreland and his money are in.

Lincoln: What's the bad?

Michael: I've done the math. I figure it'll take at least five minutes for us to get the bars off the window in the infirmary, and two minutes for each to get across the wire and over the wall.

Lincoln: So?

Michael: We've only got 18 minutes. We've got two many people.

(Camera shots of Sucre, C-Note, Abruzzi, T-Bag.)

Michael: One of 'em has to go.

END CREDITS.

Kikavu ?

Au total, 73 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

Alexwinsh 
25.06.2017 vers 21h

LaurineHy 
04.06.2017 vers 23h

Ali3nBrain 
14.05.2017 vers 13h

ilimilie 
29.04.2017 vers 14h

Annaelle80 
13.04.2017 vers 12h

Manoune59 
13.04.2017 vers 00h

Derniers commentaires

Avant de poster un commentaire, clique ici pour t'identifier.

Sois le premier à poster un commentaire sur cet épisode !

Contributeurs

Merci aux 3 rédacteurs qui ont contribué à la rédaction de cette fiche épisode

Activité récente

Photo du mois
Aujourd'hui à 16:28

Saison 5 - M6
Avant-hier

Saison 5 - FOX
03.06.2017

Captures 313
Hier à 21:26

Captures 312
Hier à 18:38

Captures 311
Hier à 17:58

Captures 310
Hier à 15:10

S03E11 30 secondes
Hier à 15:04

HypnoChannel recrute, rejoins l'équipe de notre chaîne YouTube
Prochaines diffusions
Logo de la chaîne M6

507 : La traversée (inédit)
Jeudi 29 juin à 21:00

508 : Descendance (inédit) à 21:50

509 : Le dernier plan (inédit) à 22:45

Logo de la chaîne M6

117 : Dépression (redif)
Vendredi 30 juin à 00:30

118 : Poker menteur (redif) à 01:20

119 : La Clé (redif) à 02:15

120 : Sans retour (redif) à 03:05

121 : Le Grand Soir (redif) à 03:45

Dernières audiences
Logo de la chaîne M6

506 : Prisonniers du désert (inédit)
Jeudi 22 juin à 22:45
1.97m / 14.0% (Part)

Logo de la chaîne M6

505 : Solution d'urgence (inédit)
Jeudi 22 juin à 21:45
2.25m / 11.2% (Part)

Logo de la chaîne M6

504 : L'ennemi de mon ennemi (inédit)
Jeudi 22 juin à 21:00
2.37m / 10.7% (Part)

Logo de la chaîne M6

503 : Le menteur (inédit)
Jeudi 15 juin à 22:40
2.12m / 15.0% (Part)

Logo de la chaîne M6

502 : La théorie des jeux (inédit)
Jeudi 15 juin à 21:45
2.48m / 12.1% (Part)

Logo de la chaîne M6

501 : Ogygia (inédit)
Jeudi 15 juin à 21:00
2.76m / 12.2% (Part)

Toutes les audiences

Actualités
Teen Choice Awards 2017 : Nomination

Teen Choice Awards 2017 : Nomination
Wentworth Miller est nominé au Teen Choice Awards 2017 dans la catégorie "Action TV Actor". La...

Bande annonce M6 des derniers épisodes

Bande annonce M6 des derniers épisodes
La chaîne M6 a dévoilée la bande annonce des derniers épisodes de la saison 5  qui seront diffusés...

Les téléspectateurs aiment s'évader sur M6

Les téléspectateurs aiment s'évader sur M6
Hier soir, le jeudi 22 juin, M6 continuait sa diffusion de la saison 5 avec 3 épisodes...

L'évasion continue ce soir !

L'évasion continue ce soir !
La chaîne M6 continue sa diffusion inédite de la saison 5, dès ce soir à partir de 21h, les épisodes...

Bande annonce M6 : Episode 504 et 505

Bande annonce M6 : Episode 504 et 505
La chaîne M6 a dévoilée la bande annonce des épisodes 504 et 505 qui seront diffusés le jeudi 22...

Newsletter

Les nouveautés des séries et de notre site une fois par mois dans ta boîte mail ?

Inscris-toi maintenant

Sondage
Téléchargement
Partenaires premium
HypnoChat

serieserie (15:36)

bref c'est bon

Emilie1905 (15:36)

mdrrrrr tu fatigues

serieserie (15:36)

beh desfois y a des trucs c'est pas moi ^^"

Emilie1905 (15:37)

oui oui mais tu me fais délirer

serieserie (15:38)

À ce point CE POint

serieserie (15:39)

J'ai pas relu j'ai pas mis le lien mais c'est pas grave je file

Emilie1905 (15:39)

file toi !

Emilie1905 (15:39)

aller oust

CastleBeck (16:56)

Re

alisond49 (22:42)

hey

imfanpll (22:43)

hey

alisond49 (22:45)

ca va

alisond49 (22:47)

tu regarde quoi comme serie

PearTV (15:14)

hey

Fansbones (17:01)

bonjour

choup37 (17:33)

Je ne peux plus accéder à mes quartiers Oo je tombe direct sur la page d'accueil

alisond49 (21:21)

hey

Seriesmdr1 (21:30)

Bonsoir !

alisond49 (21:30)

ca va

alisond49 (21:32)

qui a vu la dernier episode de pll

serieserie (21:45)

Bonsoir AlisonD49, pour trouver des fans de Pretty Little Liars, je te conseille de te rendre sur le quartier, là tu trouveras des fans à jour sur la série

alisond49 (23:46)

oki merci

grims (16:15)

Le quartier Outlander vous attend toujours pour son Return To Scotland !!! il s'agit d'un quizz sur la série alors n'hésitez plus si vous êtes fan de la série !!! Seysey et grims vous attendent merci

grims (16:19)

Et le quartier Vikings vous attends aussi !!! il s'ennuie de vous !!! nous vous proposons un nouveau sondage ainsi qu'un nouveau calendrier de Spyfafa venez nombreux merci et bonne soirée

alex80980 (17:01)

meilleur série BUFFY

alisond49 (22:28)

the s

alisond49 (22:28)

the flash the serie

chrismaz66 (07:56)

Bon matin, la PDM Bogosses Torchwood vous attend, derniers jours, ainsi que le nouveau jeu du Cétaki chez House et du Pixel chez Torch, plus sondages etc... On a du thé glacé et des brumisateurs à l'accueil

Sonmi451 (15:28)

Hey hey, l'hypnopromo vous attends aussi

Sonmi451 (15:28)

et bonjour!

cinto (17:04)

Si vous aimez les fêtes, venez choisir la vôtre au sondage de Ma sorcière Bien aimée. Et n'hésitez pas à commenter...Merci.

cinto (17:07)

Survivor chez The Tudors: que des bogosses! Qui pourrait remplacer Jonathan rhys Meyer ? On vous attend, le quartier a besoin de visites; merci!

Seriesmdr1 (17:25)

Bonjour tout le monde ! N'hésitez pas à passer sur le quartier Orange Is the new black, un concours est en cours !

Seriesmdr1 (17:25)

Bonne fin de semaine à tous !

juju93 (22:09)

Vous vous sentez l'âme d'un écrivain, d'un photographe, d'un chanteur, d'un peintre, etc... (tout cela fonctionnant bien évidemment au féminin), le nouveau sondage du quartier The L Word est fait pour vous ! On vous attend. Venez voter !

albi2302 (11:26)

Coucou
Le quartier Timeless vient d'ouvrir ses portes ! N'hésitez pas à venir nous rendre une petite visite et pourquoi pas tenter notre petite animation (rapide et très facile) !

Spyfafa (15:15)

Nouveaux designs sur Ma famille d'abord et Being Human. Rendez-leur visite

Locksley (15:18)

Plus que quelques jours pour participer à notre jeu HypnoChance des invitations gratuites pour le concert de Little Steven à La Cigale à gagner !

Locksley (15:19)

Si vous êtes libres le 28/06 et si vous avez envie de le voir sur scène, c'est le moment de vous inscrire au tirage au sort ! Bonne chance !

Aliceandsu (16:26)

Qui a vu l'episode de TO

ObikeFixx (02:04)

Bonjour. Un petit test de personnalité est maintenant dispo pour fêter l'anniversaire du quartier The Last Ship. Vous pouvez également toujours voter pour les Nathan James Awards. Alors n'hésitez pas

albi2302 (15:19)

Le quartier Timeless vous attend ! N'hésitez pas à venir le découvrir ainsi que la série à travers notre animation d'ouverture qui est courte et très simple. Le quartier est climatisé avec des boissons fraîches et glaces offertes.

cobrate (18:45)

Nina Dobrev dans Degrassi ? Ah ouais ??...^^

Sevnol (21:54)

Le quartier CSI NY fête ses 10 ans ! Pour l'occasion, des petites animations vous attendent (quizz, concours et test de personnalité). N'hésitez pas, on vous attend là bas

Kika49 (08:10)

Le quartier CSI NY fête ses 10 ans ! Pour l'occasion, des petites animations vous attendent (quizz, concours et test de personnalité). N'hésitez pas, on vous attend là bas [Wink]

grims (10:42)

Le quartier Outlander vous attend toujours pour son Return To Scotland !!! il s'agit d'un quizz sur la série alors n'hésitez plus si vous êtes fan de la série !!! Seysey et grims vous attendent merci

grims (10:44)

Et le quartier Vikings vous attends aussi !!! il s'ennuie de vous !!! nous vous proposons un nouveau sondage ainsi qu'un nouveau calendrier de Spyfafa venez nombreux merci et bonne journée

labelette (15:04)

Bonjour à tous, un nouveau sondage sur les séries arrêtées qui reprennent vie est en ligne sur le quartier Gilmore Girls. On vous attend nombreux, pas la peine de connaître la série pour voter !

choup37 (17:33)

Je ne peux plus accéder à mes quartiers Oo je tombe direct sur la page d'accueil

Kika49 (21:14)

Le quartier CSI NY fête ses 10 ans ! Pour l'occasion, des petites animations vous attendent (quizz, concours et test de personnalité). N'hésitez pas, on vous attend là bas

juju93 (21:25)

Seulement 9 petits votes au sondage "l'artiste qui est en vous" sur The L Word. Il n'est absolument pas nécessaire de connaître la série. Venez jeter un coup d'oeil, on vous attend. Bonne fin de soirée.

DGreyMan (22:10)

Bonsoir. Nouveau sondage dans Game of Thrones ! Merci d'avance pour votre participation...

juju93 (00:39)

3 votes de gagnés! On parie qu'on monte à 20 d'ici la fin du week-end ? Si vous êtes un artiste ou rêvez de l'être, n'hésitez pas, dites-le d'un petit clic dans le nouveau sondage du quartier The L Word. On vous attend !

makkura (21:18)

Nouveau sondage "Battle" sur le quartier Marvel ! Merci d'avance, bonne soirée !

ObikeFixx (22:15)

Bonjour. Vous pouvez désormais voter pour une nouvelle catégorie des Nathan James Awards: "Meilleur personnage féminin". Alors venez nous rendre visite sur le quartier The Last Ship

DGreyMan (23:08)

Nouveau sondage musical dans Angel ! Merci d'avance pour votre participation...

seriepoi (15:07)

Je sais que je m'y prends tard mais un nouveau sondage est disponible sur le quartier "True Blood". Quelques votes seraient la bienvenue, merci

grims (17:15)

Coucou à tous ! le quartier Vikings vous attend !!! nous vous proposons un nouveau sondage ainsi qu'une nouvelle série de photos à départager venez nombreux merci et bonne soirée

grims (17:17)

Outlander vous connaissez un quizz sur la série vous attends sur le quartier alors n'hésitez plus si vous êtes fan de la série !!! Seysey et grims vous attendent merci

Kika49 (20:51)

Le quartier CSI NY fête ses 10 ans ! Pour l'occasion, des petites animations vous attendent (quizz, concours et test de personnalité). N'hésitez pas, on vous attend là bas [Smile]

Rejoins-nous !

Ou utilise nos Apps :

Disponible sur Google Play

Attention : l'HypnoChat et les Apps iOS et Android recontrent actuellement des problèmes de performance. L'affichage peut prendre jusqu'à 10 minutes durant lesquelles le site est inaccessible. Nous travaillons sur une solution.